Book Opening

Midnight's Third Child
Readings, Screenings and Discussions
with Naeem Mohaiemen

Midnight's Third Child is an anthology of essays by Naeem Mohaiemen on artists and art movements in Bangladesh – with a focus on cinema, literature, and visual arts. The title is a response to Salman Rushdie’s Midnight’s Children (1981); it points to what was left out of postcolonial art history in South Asia– the many fates of the geography of Bangladesh.

Midnight's Third Child is also a translation of the Bangla phrase: chagol'er tritiyo baccha lafay beshi (the goat's third child jumps more), that suggests that the youngest needs to strive for maternal sustenance. It also proposes a clarity of purpose from being the last born.

This event explores the book and two film projects discussed in the book, and ends with a screening of Naeem’s film Jole Dobe Na (Those Who Do Not Drown).

Schedule

6:30pm: Chai, Greet and Meet.

7 pm: Reading from the book by Naeem, with accompanying films.
Excerpt from Adam Surat by Tareque Masud, 1989. Followed by Dadu by Molla Sagar, 37 mins, 2017.

Discussion with Prabodh Parikh, Shaina Anand and friends.
Book Signing*

9 PM: Jole Dobe Na , 2020, 64 mins.

*Copies of the book will be available for sale. RSVP early here
.

Naeem Mohaiemen combines photography, films, and essays to research the many forms of utopia-dystopia (families, borders, architecture, and uprisings) in South Asia after 1947.

Prabodh Parikh is a poet, fiction writer, painter and teacher of Philosophy and Film based in Bombay.

Shaina Anand is a filmmaker and artist based at CAMP, Bombay.

Cover image by Ali Morshed Noton, featuring (l to r), Tareque Masud (1956–2011), Dhali Al Mamoon (1958–), Unidentified, Syed Sajjad Hossain Jyoti (1959–missing 1993), Mishuk Munier (1959–2011); during shooting of Tareque Masud's 'Adam Surat' (1989) on artist S M Sultan (1923–1994) at Audiovision office, Lalmatia, 1986.

Jago Hua Savera

We invite you in the cities of Batticaloa, Bombay, Chittagong, Delhi, Dhaka, Karachi, Khulna, Kolkata and Lahore, to change the course of a film's history, sip from its waters, taste its oddness of...

Inlaks Fine Art Awardees 2023: Open Studio

MOVE STAY OR DISAPPEAR
Saturday, June 10th 2023, 6pm onwards.

An outcome of a 6-week residency at CAMP in Chuim village Khar, a continuing dialogue with each other and with the studio.



Into the Midst Workshop

Months long workshop initiated by a group of artists in and around Delhi. To analyse contemporary mediation and media theory as a general phenomenon, to discuss emerging practice and theory, and to produce new work.
Part 1 @Sarai, April 20-22, 2024

Broken Cameras

featuring
The Neighbour Before the House
Al Jaar Qabla Al Daar
الجار قبل الدار

What the Cameras Saw and Remembered

Two films by CAMP
Al Jaar Qabla Al Daar (The Neighbour before the House)
From Gulf to Gulf to Gulf

Captial Circus (2009)

in
The Unfaithful Octopus
at
MAIIAM Contemporary

To See is To Change

with Bombay Tilts Down (2022) and A Photogenic Line, (2019) as part of Photo 24, Melbourne.
In this pair of large-scale works, CAMP explore two sides of their practice; one that produces experimental film and video, often with unusual equipment and angles of participation, and another that creates and animates archives of moving images, documents and photography.

Closing Party! BOMBAY TILTS DOWN

Low-End Therapy
By Swadesi crew Kaali Duniya (Bamboy/Tushar Adhav) with guest MC's Kranti Naari, Pratika, MC Mawali, Khabardar Revolt.
BassBrahma and RaakShas Sound
Equality on the dance floor.

READING LISTENING SEEING Bombay Tilts Down

A tour of the work with CAMP in three acts.
12 January 7 pm, ft. Bamboy
13 January 6 pm
14 January 7:30 pm
20 January 7 pm

Bombay Tilts Down in Mumbai!

7-channel environment. 13 mins, on loop with two alternating soundtracks

A vertical landscape movie in facets. Filmed remotely by one CCTV camera from a single-point location atop a 35-floor building on E. Moses Road during the pandemic.

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