This exhibition takes us on new and recently rebuilt roads across regions of Pakistan, Sri Lanka, the Maldives, and India. We travel through the early twentieth century to the central-Indian "Nagpur Road Plan" of 1943 before heading to the hope, promise, acceleration, and hubris of later decades. It takes now-impossible journeys across nation-states, on roads after and before conflicts, and onto coralline oceanic edges.
Endoscopic views from the interior of the road system, and forays across the porous membranes through which pride, money, data, climate, and vulnerability are connected to it, heighten our sense of developmental possibility, failure, and the deep ambiguity of road achievements. ‘A Passage Through Passages’ is inspired by ethnographic and archival work in five field sites.
A multi-screen film work by CAMP is the central feature of the exhibition.
A survey exhibition of the spatial, technical and cultural imaginations cultivated by CAMP.
Curated by Hoor Al Qasimi
Video project that takes us on new and recently rebuilt roads in Pakistan, Sri Lanka, the Maldives, and India. Endoscopic views from the interior of the road system, and of the interfaces through which pride, money, data, climate, and vulnerability are connected to it, heighten our sense of developmental possibility, failure, and the deep ambiguity of road achievements.
‘A Passage Through Passages’ is a collaboration with anthropologists, and draws upon ethnographic and archival work in five field sites. This film is part of Roads and the Politics of Thought, a 5-year ethnographic study of road-building in South Asia.
Screening of a new 5-channel film by CAMP: 85 minutes
A Passage Through Passages is inspired by ethnographic and archival work in five field sites.
The screening is followed by a discussion, and a response from Susan Schuppli.
Five narratives developed in the class "Footage Films", that re-assemble archives of campus protest, Penn Museum collections, university weapons development projects, the Schuylkill river, a utopia called Shangri-La, and their intersections across time and place.
*Recalling Far From Vietnam, collectively-made essay film from 1967.
Screening and conversation in collaboration with University of Pennsylvania’s Cinema & Media Studies department and CARG. At old Slought/ new Public Trust.
Film screening, and conversation 6-8:00 pm
We are proposing this term to think more broadly about extraction, waste, dependency, rear-guarding, mediatic conversions, in- and out-sourcing, and other aspects of chains of translation and steps of decision and production.
with Visiting Scholars CAMP
(Shaina Anand and Ashok Sukumaran)
We begin this fall semester's film class with a moratorium on audio-video capture.
100 days without your own images:)