This exhibition takes us on new and recently rebuilt roads across regions of Pakistan, Sri Lanka, the Maldives, and India. We travel through the early twentieth century to the central-Indian "Nagpur Road Plan" of 1943 before heading to the hope, promise, acceleration, and hubris of later decades. It takes now-impossible journeys across nation-states, on roads after and before conflicts, and onto coralline oceanic edges.
Endoscopic views from the interior of the road system, and forays across the porous membranes through which pride, money, data, climate, and vulnerability are connected to it, heighten our sense of developmental possibility, failure, and the deep ambiguity of road achievements. ‘A Passage Through Passages’ is inspired by ethnographic and archival work in five field sites.
A multi-screen film work by CAMP is the central feature of the exhibition.
A survey exhibition of the spatial, technical and cultural imaginations cultivated by CAMP.
Curated by Hoor Al Qasimi
Video project that takes us on new and recently rebuilt roads in Pakistan, Sri Lanka, the Maldives, and India. Endoscopic views from the interior of the road system, and of the interfaces through which pride, money, data, climate, and vulnerability are connected to it, heighten our sense of developmental possibility, failure, and the deep ambiguity of road achievements.
‘A Passage Through Passages’ is a collaboration with anthropologists, and draws upon ethnographic and archival work in five field sites. This film is part of Roads and the Politics of Thought, a 5-year ethnographic study of road-building in South Asia.
Screening of a new 5-channel film by CAMP: 85 minutes
A Passage Through Passages is inspired by ethnographic and archival work in five field sites.
The screening is followed by a discussion, and a response from Susan Schuppli.
International Seminar on Documentary Film
A programme dedicated to collective filmmaking featuring CAMP and Ogawa Pro.
A video performance tour of the work in three-acts with Shaina and Ashok.
Choreographies of the Everyday and Tokyo Art Week
Pure Intention
with a new commission by CAMP
coming soon...
Inlaks Fine Art Awardees 2025
6 week residency with CAMP
You are invited to the Open Day of Inlaks 2025 Fine Art Awardees 6-week residency with CAMP.
From cinematic to real to game violence, to the virtualities of Dalal Street, via intertidal zones in the dark, to a frozen sculpture of a building's data. NIGHT CRASH COLD BLOOD shows the artists’ new projects developed while in residency in Mumbai.
In depth discussion of the works, 4 pm to 6 pm.
Open Day, 6 pm to 10 pm.
Bombay Tilts Down
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The 30th Anniversary of the Museum of Contemporary Art Tokyo
Ashok S was on the selection committee for the India Foundation for the Arts (IFA) Arts Platforms Grant, 2025. Awarded projects included puppetry, DJ spaces, and AI and law.
A tour of the work with CAMP in three acts.
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CAMP Study Day, brings together leading scholars of media, law, cinema, and visual art on the occasion CAMP's exhibition Video After Video: The Critical Media of CAMP. With Erika Balsom, Lawrence Liang, Debashree Mukherjee, Ashish Rajadhyaksha and Laura U. Marks.
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Light Industry
7:00 pm
The first and last sections from a 6-hour-long video essay, presented live by CAMP.
Priyank Gothwal presents a series of 8 works as a physical exhibition and accompanying lecture-performance, on the experiences and abstractions of time.