A Photogenetic Line : CPB 2019

New work at the Chennai Photo Bienniale, drawing from the photo archives of The Hindu, a 140-year old newspaper based out of Chennai.

A 100-foot long branching sequence of cutouts. Cutouts are here a way of reframing and rebirthing existing photographs as new organisms. Not to remove their background environments, nor to frame heroic figures, but to create a new boundary or border for the image. A border, interior or exterior, that leads us to the next image.

The sequence evolves by following one or more of these basic rules:

a. People in the images grow older, or younger. b. Things in the background come into the foreground, or vice versa. c. Two photo captions refer to each other.

We traverse a series of perceptual (shape), historical (time) and geographic (political) boundaries. Here, like in cinema, the cut is not a brick wall but an invitation: for increased traffic at any border.


Photo: Sunlight falls on part of the installation at the Senate House, a prominent Indo-Saracenic building at the University of Madras.

Gallery: Chennai Photo Biennale
A Photogenetic Line: Experimenter 2019

A 100-foot long branching sequence of cutouts drawing from the photo archives of The Hindu, a 140-year old newspaper. Cutouts here are a way of reframing existing photographs as new organisms and to create a new boundary or border for the image.

A Photogenetic Line

A sequence of cutouts, first shown at the Chennai Photo Biennale, March 2019



Mother Truth and her Unruly, Loving Children

This season of projections at CAMP begins on weekend evenings starting Saturday, February 29, or leap year day.

A Timeline and a Film, with Priya Sen

7:00 pm ASSEMBLY, 30 min.
+
YEH FREEDOM LIFE, 70 min
Followed by a discussion with Priya

Screening and Discussion: A Passage through Passages

Screening of a new 5-channel film by CAMP: 85 minutes

A Passage Through Passages is inspired by ethnographic and archival work in five field sites.

The screening is followed by a discussion, and a response from Susan Schuppli.

A PASSAGE THROUGH PASSAGES: On Roads in South Asia

A Passage Through Passages is inspired by ethnographic and archival work in five field sites. The central feature of the exhibition is a multi-screen film work by CAMP.

CAMP: Beginnings

Beginnings is an exhibition tracing some of the conceptual and artistic origins of CAMP. At ARGOS, Brussels as part of new beginnings at ARGOS itself.

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