This is the city: Los Angeles, California. They make movies here. I live here.
Sometimes I think that gives me the right to criticize the way movies depict my city.
I know it's not easy. The city is big. The image is small. Movies are vertical.
At least when they're projected on a screen. The city is horizontal, except for what we call downtown. Maybe that's why the movies love downtown more than we do. If it isn't the site of the action, they try to stick its high-rise towers in the back of the shot.
But movies have some advantages over us.
They can fly through the air. We must travel by land.
They exist in space. We live and die in time.
So why should I be generous?
Of course, I know movies aren't about places, they're about stories. If we notice the location, we are not really watching the movie. It's what's up front that counts. Movies bury their traces, choosing for us what to watch, then moving on to something else.
They do the work of our voluntary attention, and so we must suppress that faculty as we watch. Our involuntary attention must come to the fore.
But what if we watch with our voluntary attention, instead of letting the movies direct us?
If we can appreciate documentaries for their dramatic qualities, perhaps we can appreciate fiction films for their documentary revelations.
And what if suspense is just another alienation effect. Isn't that what Hitchcock taught? For him, suspense was a means of enlivening his touristy
travelogues. Then maybe I can find another way to animate this city symphony in reverse. Maybe this effort to see how movies depict Los Angeles may seem more than wrong-headed or mean-spirited.
Full script:
http://newfilmkritik.de/
List of references:
http://www.imdb.com/title/
Review by Jonathan Rosenbaum:
http://www.chicagoreader.com/
Pirate Cinema from Berlin, who we are working with on the video archive http://pad.ma, present a series of weekly (Sunday) events in the Pirate Cinema tradition, on films and footage.
at
CAMP Study Day, brings together leading scholars of media, law, cinema, and visual art on the occasion CAMP's exhibition Video After Video: The Critical Media of CAMP. With Erika Balsom, Lawrence Liang, Debashree Mukherjee, Ashish Rajadhyaksha and Laura U. Marks.
A tour of the work with CAMP in three acts.
at
Light Industry
7:00 pm
The first and last sections from a 6-hour-long video essay, presented live by CAMP.
Priyank Gothwal presents a series of 8 works as a physical exhibition and accompanying lecture-performance, on the experiences and abstractions of time.
A conversation about toxicity, waste and equality at the closing of Mohit Shelare's exhibition at Chemould, with Yogesh, Zeenat, Priyank and Ashok.
"film objects"
A gathering organised by the Delhi based artist group first draft.
Saturday from 5 pm.
Phantas.ma is running a season dedicated to CAMP as part of Video After Video: The Critical Media of CAMP at MoMA.
A video a day, on the site.
sign up!
Sunday, 7:00 pm
100 mins
Pandemic shorts by Panahi, Poitras, Apichatpong, Weiwei, and others.
by Iram Ghufran
50 mins, 2023
7:00 pm
Introduction and post-screening discussion with Iram Ghufran.
A science-fiction fable set in the "miracle city" of Yiwu, in one of the world's largest wholesale markets for small commodities.