This is the city: Los Angeles, California. They make movies here. I live here.
Sometimes I think that gives me the right to criticize the way movies depict my city.
I know it's not easy. The city is big. The image is small. Movies are vertical.
At least when they're projected on a screen. The city is horizontal, except for what we call downtown. Maybe that's why the movies love downtown more than we do. If it isn't the site of the action, they try to stick its high-rise towers in the back of the shot.
But movies have some advantages over us.
They can fly through the air. We must travel by land.
They exist in space. We live and die in time.
So why should I be generous?
Of course, I know movies aren't about places, they're about stories. If we notice the location, we are not really watching the movie. It's what's up front that counts. Movies bury their traces, choosing for us what to watch, then moving on to something else.
They do the work of our voluntary attention, and so we must suppress that faculty as we watch. Our involuntary attention must come to the fore.
But what if we watch with our voluntary attention, instead of letting the movies direct us?
If we can appreciate documentaries for their dramatic qualities, perhaps we can appreciate fiction films for their documentary revelations.
And what if suspense is just another alienation effect. Isn't that what Hitchcock taught? For him, suspense was a means of enlivening his touristy
travelogues. Then maybe I can find another way to animate this city symphony in reverse. Maybe this effort to see how movies depict Los Angeles may seem more than wrong-headed or mean-spirited.
Full script:
http://newfilmkritik.de/
List of references:
http://www.imdb.com/title/
Review by Jonathan Rosenbaum:
http://www.chicagoreader.com/
Pirate Cinema from Berlin, who we are working with on the video archive
http://pad.ma, present a series of weekly (Sunday) events in the Pirate Cinema tradition, on films and footage.
Screening and conversation in collaboration with University of Pennsylvania’s Cinema & Media Studies department and CARG. At old Slought/ new Public Trust.
6:00-8:00 pm
Film screening, and conversation 6-8:00 pm
We are proposing this term to think more broadly about extraction, waste, dependency, rear-guarding, mediatic conversions, in- and out-sourcing, and other aspects of chains of translation and steps of decision and production.
with Visiting Scholars CAMP
(Shaina Anand and Ashok Sukumaran)
We begin this fall semester's film class with a moratorium on audio-video capture.
100 days without your own images:)
The Neighbour before the House
+
A Stone's Throw
August 1 – 7:30 pm
August 7 – 7:30 pm
August 12 – 7:30 pm
August 31 – 7:30 pm
with filmmaker q&a
CROWDED HOUSE
machines, skins, traps and five-year plans
CAMP, Urvar and Studio ON invite you to a one-day Open House of artworks and interactions with the 2024 Inlaks Fine Art Awardees, who have been in residence in Borivali for the past 4 weeks.