CheMoulding Part II - FUTURING
60 years of Chemould Gallery
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CAMP invites:
Mohit Shelare, Curve away from Desire. 
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himanshu S and aqui T, Parallel Universe.
In this series of two interventions in the gallery, we recall an art without frames: the in-situ wall paintings, mylar cones, geru floor and the artist-at-work in Nalini Malani’s “City of Desire”, staged as a response to the disappearing murals of Nathdwara, in the old Chemould above Jehangir Art Gallery in 1992.
This time we are on the reverse side of the curved wall, in a womb with a new set of starting points, and with a sense of some futures that began in this city some time ago.
Mohit Shelare, himanshu S and aqui T have distinct practices that suggest new epistemic, infrastructural positions to view the space-time of a city and these 60 years. They take challenging paths from art school or no art school, into the present. They trouble settled histories of art, and produce a discontinuous, affective relay between 1992 events in the gallery, CAMP’s interests in city and desire, and their own readings and writings of desire. These projects emerged from a dialogue between artists, have erupted into forms in the space, and hope to provoke a public conversation in turn.
 CHEMOULD PRESCOTT ROAD, Mumbai
March 9 - April 30  2015
Choreographed together, electric, sonic, filmic and other uncategorisable works from 2002 to 2014 that took place in the nighttime worlds of Bombay, Delhi, Bangalore, Sharjah, Dakar, Kabul, Mexico and other cities.  
The Radia Tap(e)sAct I: Swearing-in WhispersScreenplay 95 pages and IVRAct II: Hum Logostext and phone audio, 45 minsatCitizen-Artist: Forms of AddressCurated by Geeta KapurChemould Prescott RoadQueens MansionFort, Mumbai14-10-2013 to 14-11-2013
 MOVE STAY OR DISAPPEAR
Saturday, June 10th 2023, 6pm onwards.
An outcome of a 6-week residency at CAMP in Chuim village Khar, a continuing dialogue with each other and with the studio. 
 with Khorshed and Kekoo Gandhy 
 
for CheMoulding Part II - FUTURING. 
60 years of Chemould Gallery 
 International Seminar on Documentary Film
“A collective / inarticulate harmony.” 
 A video performance tour of the work in three-acts with Shaina and Ashok. 
Choreographies of the Everyday and Tokyo Art Week
 
 METABOLIC CONTAINER
Starting from 400 boxes of goods, part of a weekly, diasporic "trade" (one-way) between Batam in Indonesia, and Singapore. In which the container and its boxes are not just a carrier, but a medium. Then, a process of mixing, de-processing, upstreaming, downstreaming, imagining, inventing. 
CAMP presents CCTV Social in events organised by artist Nikhil Vettukattil at Giorno Poetry Systems a 50-year old poetry, art and music space in NYC. Event title: Structural Film After Globalization.
 Inlaks Fine Art Awardees 2025
6 week residency with CAMP
 
You are invited to the Open Day of Inlaks 2025 Fine Art Awardees 6-week residency with CAMP. 
From cinematic to real to game violence, to the virtualities of Dalal Street, via intertidal zones  in the dark, to a frozen sculpture of a building's data.  NIGHT CRASH COLD BLOOD shows the artists’ new projects developed while in residency in Mumbai.  
In depth discussion of the works, 4 pm to 6 pm.
Open Day, 6 pm to 10 pm.
 
 Bombay Tilts Down
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The 30th Anniversary of the Museum of Contemporary Art Tokyo 
Ashok S was on the selection committee for the India Foundation for the Arts (IFA) Arts Platforms Grant, 2025. Awarded projects included puppetry, DJ spaces, and AI and law.
A tour of the work with CAMP in three acts.
 at 
CAMP Study Day, brings together leading scholars of media, law, cinema, and visual art on the occasion CAMP's exhibition Video After Video: The Critical Media of CAMP.  With  Erika Balsom, Lawrence Liang, Debashree Mukherjee, Ashish Rajadhyaksha and Laura U. Marks.