CheMoulding Part II - FUTURING
60 years of Chemould Gallery
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CAMP invites:
Mohit Shelare, Curve in the Desire.
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himanshu S and aqui T, Parallel Universe.
In this series of two interventions in the gallery, we recall an art without frames: the in-situ wall paintings, mylar cones, geru floor and the artist-at-work in Nalini Malani’s “City of Desire”, staged as a response to the disappearing murals of Nathdwara, in the old Chemould above Jehangir Art Gallery in 1992.
This time we are on the reverse side of the curved wall, in a womb with a new set of starting points, and with a sense of some futures that began in this city some time ago.
Mohit Shelare, himanshu S and aqui T have distinct practices that suggest new epistemic, infrastructural positions to view the space-time of a city and these 60 years. They take challenging paths from art school or no art school, into the present. They trouble settled histories of art, and produce a discontinuous, affective relay between 1992 events in the gallery, CAMP’s interests in city and desire, and their own readings and writings of desire. These projects emerged from a dialogue between artists, have erupted into forms in the space, and hope to provoke a public conversation in turn.
The Radia Tap(e)s
Act I: Swearing-in Whispers
Screenplay 95 pages and IVR
Act II: Hum Logos
text and phone audio, 45 mins
at
Citizen-Artist: Forms of Address
Curated by Geeta Kapur
Chemould Prescott Road
Queens Mansion
Fort, Mumbai
14-10-2013 to 14-11-2013
MOVE STAY OR DISAPPEAR
Saturday, June 10th 2023, 6pm onwards.
An outcome of a 6-week residency at CAMP in Chuim village Khar, a continuing dialogue with each other and with the studio.
with Khorshed and Kekoo Gandhy
for CheMoulding Part II - FUTURING.
60 years of Chemould Gallery
Five narratives developed in the class "Footage Films", that re-assemble archives of campus protest, Penn Museum collections, university weapons development projects, the Schuylkill river, a utopia called Shangri-La, and their intersections across time and place.
*Recalling Far From Vietnam, collectively-made essay film from 1967.
Screening and conversation in collaboration with University of Pennsylvania’s Cinema & Media Studies department and CARG. At old Slought/ new Public Trust.
Film screening, and conversation 6-8:00 pm
We are proposing this term to think more broadly about extraction, waste, dependency, rear-guarding, mediatic conversions, in- and out-sourcing, and other aspects of chains of translation and steps of decision and production.
with Visiting Scholars CAMP
(Shaina Anand and Ashok Sukumaran)
We begin this fall semester's film class with a moratorium on audio-video capture.
100 days without your own images:)