Concave Room

CheMoulding Part II - FUTURING
60 years of Chemould Gallery
+ CAMP invites:
Mohit Shelare, Curve in the Desire.
++
himanshu S and aqui T, Parallel Universe.

In this series of two interventions in the gallery, we recall an art without frames: the in-situ wall paintings, mylar cones, geru floor and the artist-at-work in Nalini Malani’s “City of Desire”, staged as a response to the disappearing murals of Nathdwara, in the old Chemould above Jehangir Art Gallery in 1992.

This time we are on the reverse side of the curved wall, in a womb with a new set of starting points, and with a sense of some futures that began in this city some time ago.

Mohit Shelare, himanshu S and aqui T have distinct practices that suggest new epistemic, infrastructural positions to view the space-time of a city and these 60 years. They take challenging paths from art school or no art school, into the present. They trouble settled histories of art, and produce a discontinuous, affective relay between 1992 events in the gallery, CAMP’s interests in city and desire, and their own readings and writings of desire. These projects emerged from a dialogue between artists, have erupted into forms in the space, and hope to provoke a public conversation in turn.

As If - IV Night for Day

CHEMOULD PRESCOTT ROAD, Mumbai
March 9 - April 30 2015

Choreographed together, electric, sonic, filmic and other uncategorisable works from 2002 to 2014 that took place in the nighttime worlds of Bombay, Delhi, Bangalore, Sharjah, Dakar, Kabul, Mexico and other cities.

Camp at Chemould Prescott Road

The Radia Tap(e)s

Act I: Swearing-in Whispers
Screenplay 95 pages and IVR

Act II: Hum Logos

text and phone audio, 45 mins

at
Citizen-Artist: Forms of Address
Curated by Geeta Kapur
Chemould Prescott Road
Queens Mansion
Fort, Mumbai
14-10-2013 to 14-11-2013

Inlaks Fine Art Awardees 2023: Open Studio

MOVE STAY OR DISAPPEAR
Saturday, June 10th 2023, 6pm onwards.

An outcome of a 6-week residency at CAMP in Chuim village Khar, a continuing dialogue with each other and with the studio.

DEEPFACTS

with Khorshed and Kekoo Gandhy

for CheMoulding Part II - FUTURING.
60 years of Chemould Gallery



Far from Philadelphia

Five narratives developed in the class "Footage Films", that re-assemble archives of campus protest, Penn Museum collections, university weapons development projects, the Schuylkill river, a utopia called Shangri-La, and their intersections across time and place.

*Recalling Far From Vietnam, collectively-made essay film from 1967.

Asia Pacific Triennial

Machine Visions

On AI by CAMP

From Gulf to Gulf to Gulf

Screening and conversation in collaboration with University of Pennsylvania’s Cinema & Media Studies department and CARG. At old Slought/ new Public Trust.

الجار قبل الدار The Neighbour Before the House

Film screening, and conversation 6-8:00 pm

The Neighbour before the House

Geographies of Belonging

Visiting Artist Lecture Series

From Land to Sea

From Gulf to Gulf to Gulf

Vertical Integration

We are proposing this term to think more broadly about extraction, waste, dependency, rear-guarding, mediatic conversions, in- and out-sourcing, and other aspects of chains of translation and steps of decision and production.

Footage Films, Or Narrating a Dataset

with Visiting Scholars CAMP
(Shaina Anand and Ashok Sukumaran)

We begin this fall semester's film class with a moratorium on audio-video capture.
100 days without your own images:)

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