CheMoulding Part II - FUTURING
60 years of Chemould Gallery
+ CAMP invites:
Mohit Shelare, Curve in the Desire.
himanshu S and aqui T, Parallel Universe.
In this series of two interventions in the gallery, we recall an art without frames: the in-situ wall paintings, mylar cones, geru floor and the artist-at-work in Nalini Malani’s “City of Desire”, staged as a response to the disappearing murals of Nathdwara, in the old Chemould above Jehangir Art Gallery in 1992.
This time we are on the reverse side of the curved wall, in a womb with a new set of starting points, and with a sense of some futures that began in this city some time ago.
Mohit Shelare, himanshu S and aqui T have distinct practices that suggest new epistemic, infrastructural positions to view the space-time of a city and these 60 years. They take challenging paths from art school or no art school, into the present. They trouble settled histories of art, and produce a discontinuous, affective relay between 1992 events in the gallery, CAMP’s interests in city and desire, and their own readings and writings of desire. These projects emerged from a dialogue between artists, have erupted into forms in the space, and hope to provoke a public conversation in turn.
The Radia Tap(e)s
Act I: Swearing-in Whispers
Screenplay 95 pages and IVR
Act II: Hum Logos
text and phone audio, 45 mins
Citizen-Artist: Forms of Address
Curated by Geeta Kapur
Chemould Prescott Road
14-10-2013 to 14-11-2013
MOVE STAY OR DISAPPEAR
Saturday, June 10th 2023, 6pm onwards.
An outcome of a 6-week residency at CAMP in Chuim village Khar, a continuing dialogue with each other and with the studio.
with Khorshed and Kekoo Gandhy
in CheMoulding Part II - FUTURING.
60 years of Chemould Gallery
Two films by CAMP
Al Jaar Qabla Al Daar (The Neighbour before the House)
From Gulf to Gulf to Gulf
with Bombay Tilts Down (2022) and A Photogenic Line, (2019) as part of Photo 24, Melbourne.
In this pair of large-scale works, CAMP explore two sides of their practice; one that produces experimental film and video, often with unusual equipment and angles of participation, and another that creates and animates archives of moving images, documents and photography.
By Swadesi crew Kaali Duniya (Bamboy/Tushar Adhav) with guest MC's Kranti Naari, Pratika, MC Mawali, Khabardar Revolt.
BassBrahma and RaakShas Sound
Equality on the dance floor.
A tour of the work with CAMP in three acts.
12 January 7 pm, ft. Bamboy
13 January 6 pm
14 January 7:30 pm
20 January 7 pm
7-channel environment. 13 mins, on loop with two alternating soundtracks
A vertical landscape movie in facets. Filmed remotely by one CCTV camera from a single-point location atop a 35-floor building on E. Moses Road during the pandemic.
CAMP participated in the conference: Modulating Realities at Sarai, Delhi.
What Can Happen to Paradigms of Control. A keynote lecture by Forensic Architecture Guest Professors Shaina A & Ashok S. At Goldsmiths, University of London.
as part of
The Unfaithful Octopus
Nanyang Technological University
CAMP and Prof. Bhise were respondents to Suraj Yengde's Talk, organised by Gautamiputra Kamble, and Secular Art Movement.