at de(Coding) Mumbai
With Shaina, Ashok, Simpreet
and Adarsh, Alyque, Naezy, Nayak, Medha, Sandeep, Rajjo, Tiger...
In a video lecture format honed by years of events at their rooftop studio and fuelled by archives they cultivate, CAMP presents a story of virtual and real landscapes in Mumbai. Via RTI, TDR, Cyprus, Capital Flight, GBGB Andolan, Songs, Stings, Drones, CCTV, .pdf and .xlsx among other strategies, technologies and politics developed in the first decades of the 21st century.
Part 2 of the housing histories project, From Footpath to Flat (via FSI) is online.
In advance of CAMP's solo at De Appel and in collaboration with LIMA - a screening of two of the studio’s earlier acclaimed projects that examine surveillance, society, and cinematic apparatus.
at de(Coding) Mumbai
With Shaina, Ashok, Simpreet
and Adarsh, Alyque, Naezy, Nayak, Medha, Sandeep, Rajjo, Tiger...
Ghar Mein Shehar Hona is now online . See more at At Ghar.with.CAMP
"Ghar Mein Shehar Hona: City Housing in a Cultural Matrix, 1951 to 2020". Three evenings of immersive histories on CAMP Rooftop.
Part 1 of the housing histories project, Ghar Mein Shehar Hona: From Janata Colony to Janata Colony (imaginary to destroyed), is online.
Five narratives developed in the class "Footage Films", that re-assemble archives of campus protest, Penn Museum collections, university weapons development projects, the Schuylkill river, a utopia called Shangri-La, and their intersections across time and place.
*Recalling Far From Vietnam, collectively-made essay film from 1967.
Screening and conversation in collaboration with University of Pennsylvania’s Cinema & Media Studies department and CARG. At old Slought/ new Public Trust.
Film screening, and conversation 6-8:00 pm
We are proposing this term to think more broadly about extraction, waste, dependency, rear-guarding, mediatic conversions, in- and out-sourcing, and other aspects of chains of translation and steps of decision and production.
with Visiting Scholars CAMP
(Shaina Anand and Ashok Sukumaran)
We begin this fall semester's film class with a moratorium on audio-video capture.
100 days without your own images:)