 
        
        
On our rooftop, with internet cables overhead, firecrackers 
celebrating unknown events, amidst a flurry of projects, in a break from
 programming, carpentry, and travel, and interrupting our usual 
screening schedule, we have the pleasure of announcing an informal 
encounter with the philosopher Graham Harman, and his recent and 
upcoming books, including the three that came out in November last year:  the fiction work Circus Philosophicus, "Platonic myth meets American noir in this haunting series of 
philosophical images from gigantic ferris wheels to offshore drilling 
rigs.", Towards Speculative Realism, a collection of his essays on Heidegger, phenomenology and objects since 1997, and  L'Objet Quadruple (The Quadruple Object, currently only in French), which lays out his theory of a fourfold split within objects. 
Graham Harman is one of the most exciting voices in contemporary philosophy. He lives and teaches in Cairo, is a prodiguous blogger, and is the author of several books constituting what he describes as an Object-Oriented philosophy.  See more here: http://en.wikipedia.org/wiki/Graham_Harman
One of his key older works (already from 2009) is a book on Bruno Latour: "The Prince of Networks" is available as open-access here and takes seriously Latour as a philosopher, describing Latour's books Irreductions, Science in Action, We Have Never Been Modern, and Pandora’s Hope as having major consequences for metaphysics and philosophy. One of these consequences, congruent with Harman's own view,  is that human subjectivity can no longer sustain a central position in philosophy, and we need to attend to the ways in which: "the arena of the world is jam-packed with diverse objects, their forces unleashed and mostly unloved... snowflakes glitter in the light that cruelly annihilates them; damaged submarines rust along the ocean floor. As flour emerges from mills and blocks of limestone are compressed by earthquakes, gigantic mushrooms spread in the Michigan forest. While human philosophers bludgeon each other over the very possibility of "access" to the world, sharks bludgeon tuna fish, and icebergs smash into coastlines."  A provocative aspect of Object-Oriented Ontology is an argument for "aesthetics as first philosophy", as well as "allure as causation"... in other words, suggesting that a kind of aesthetics is the primordial force which causes everything in the world to happen.
 International Seminar on Documentary Film
“A collective / inarticulate harmony.” 
 A video performance tour of the work in three-acts with Shaina and Ashok. 
Choreographies of the Everyday and Tokyo Art Week
 
 METABOLIC CONTAINER
Starting from 400 boxes of goods, part of a weekly, diasporic "trade" (one-way) between Batam in Indonesia, and Singapore. In which the container and its boxes are not just a carrier, but a medium. Then, a process of mixing, de-processing, upstreaming, downstreaming, imagining, inventing. 
CAMP presents CCTV Social in events organised by artist Nikhil Vettukattil at Giorno Poetry Systems a 50-year old poetry, art and music space in NYC. Event title: Structural Film After Globalization.
 Inlaks Fine Art Awardees 2025
6 week residency with CAMP
 
You are invited to the Open Day of Inlaks 2025 Fine Art Awardees 6-week residency with CAMP. 
From cinematic to real to game violence, to the virtualities of Dalal Street, via intertidal zones  in the dark, to a frozen sculpture of a building's data.  NIGHT CRASH COLD BLOOD shows the artists’ new projects developed while in residency in Mumbai.  
In depth discussion of the works, 4 pm to 6 pm.
Open Day, 6 pm to 10 pm.
 
 Bombay Tilts Down
at
The 30th Anniversary of the Museum of Contemporary Art Tokyo 
Ashok S was on the selection committee for the India Foundation for the Arts (IFA) Arts Platforms Grant, 2025. Awarded projects included puppetry, DJ spaces, and AI and law.
A tour of the work with CAMP in three acts.
 at 
CAMP Study Day, brings together leading scholars of media, law, cinema, and visual art on the occasion CAMP's exhibition Video After Video: The Critical Media of CAMP.  With  Erika Balsom, Lawrence Liang, Debashree Mukherjee, Ashish Rajadhyaksha and Laura U. Marks.