Ghar Mein Shehar Hona is now online . See more at At Ghar.with.CAMP
Part 2 of the housing histories project, From Footpath to Flat (via FSI) is online.
Part 1 of the housing histories project, Ghar Mein Shehar Hona: From Janata Colony to Janata Colony (imaginary to destroyed), is online.
at de(Coding) Mumbai
With Shaina, Ashok, Simpreet
and Adarsh, Alyque, Naezy, Nayak, Medha, Sandeep, Rajjo, Tiger...
A never-ending project housed at CAMP around peoples histories of Bombay-Mumbai.
Keynote Presentation: From Janta Colony to Janta Colony (imaginary to destroyed) 1950 to 1982 Via print and film, music, love, bulldozers, state propaganda and peoples archives.
with Visiting Scholars CAMP
(Shaina Anand and Ashok Sukumaran)
We begin this fall semester's film class with a moratorium on audio-video capture.
100 days without your own images:)
The Neighbour before the House
+
A Stone's Throw
August 1 – 7:30 pm
August 7 – 7:30 pm
August 12 – 7:30 pm
August 31 – 7:30 pm
with filmmaker q&a
CROWDED HOUSE
machines, skins, traps and five-year plans
CAMP, Urvar and Studio ON invite you to a one-day Open House of artworks and interactions with the 2024 Inlaks Fine Art Awardees, who have been in residence in Borivali for the past 4 weeks.
as part of
Heavy Metal Containers
July 9, 10 pm
July 13, 7:30 pm
July, 17 pm
July 29, 7:30 pm
Months long workshop initiated by a group of artists in and around Delhi.
To analyse contemporary mediation and media theory as a general phenomenon, to discuss emerging practice and theory, and to produce new work.
Part 1 @Sarai, April 20-22, 2024
featuring
The Neighbour Before the House
Al Jaar Qabla Al Daar
الجار قبل الدار
Shaina A speaks about CAMP's past-present-future project and indiancine.ma at CSMVS in conjuction with A Cinematic Imagination: Josef Wirsching & the Bombay Talkies.
Two films by CAMP
Al Jaar Qabla Al Daar (The Neighbour before the House)
From Gulf to Gulf to Gulf
in
The Unfaithful Octopus
at
MAIIAM Contemporary
with Bombay Tilts Down (2022) and A Photogenic Line, (2019) as part of Photo 24, Melbourne.
In this pair of large-scale works, CAMP explore two sides of their practice; one that produces experimental film and video, often with unusual equipment and angles of participation, and another that creates and animates archives of moving images, documents and photography.