A Journey through Housing in Bombay, Part I

From Janta Colony to Janta Colony
(imaginary to destroyed)
Via print and film, music, love, bulldozers, state propaganda and peoples archives.
Part-I: 1950 to 1982

10th February, Friday 4pm to 6pm 
The Centre for Urban and Policy Governance and  The School of Habitat Studies
Room A2, Ground Floor, Academic Building II, New Campus, TISS, Mumbai

11th February, Saturday 8p, to 10 pm 
Kala Ghoda Arts Festival, Urban Design and Architecture 
Max Mueller Bhavan, Library. 

This evening presentation uses a range of archival materials: local press, mini-institutional archives such as that of BUILD (Bombay Industrial League of Development), and city-based documentary and fiction film, to tell story about housing in the city. We are taken from the imaginary Janta Colony that is the cornerstone of Raj Kapoors Shree 420, to the actual Janata Colony demolitions in the late 1970s in the BARC area from which people were moved into Cheeta Camp among many "inner migrations" of city dwellers to places like Mankhurd and Jogeshwari in this period. We are reminded of various aspects of the "housing question" that are are not only to do with power struggles over land and FSI, but a different landscape of solidarity and creativity among people living in the city, and those who moved here. 

100 minutes, edited video and photo sequences with live commentary- Shaina Anand, Simpreet Singh, Ashok Sukumaran 

Gallery: A Journey through Housing in Bombay, Part I
City Housing in a Cultural Matrix

Ghar Mein Shehar Hona is now online . See more at At Ghar.with.CAMP

Ghar Mein Shehar Hona Part 2

Part 2 of the housing histories project, From Footpath to Flat (via FSI) is online.

Ghar Mein Shehar Hona part 1

Part 1 of the housing histories project, Ghar Mein Shehar Hona: From Janata Colony to Janata Colony (imaginary to destroyed), is online.

GHAR MEIN SHEHAR HONA - Part III

at de(Coding) Mumbai
With Shaina, Ashok, Simpreet
and Adarsh, Alyque, Naezy, Nayak, Medha, Sandeep, Rajjo, Tiger...

Past Present Future

A never-ending project housed at CAMP around peoples histories of Bombay-Mumbai.

Karachi Seminar: Critical Perspectives on Art and Education

Keynote Presentation: From Janta Colony to Janta Colony (imaginary to destroyed) 1950 to 1982 Via print and film, music, love, bulldozers, state propaganda and peoples archives.



Footage Films, Or Narrating a Dataset

with Visiting Scholars CAMP
(Shaina Anand and Ashok Sukumaran)

We begin this fall semester's film class with a moratorium on audio-video capture.
100 days without your own images:)

From the Roof to the Sky

The Neighbour before the House
+
A Stone's Throw

August 1 – 7:30 pm
August 7 – 7:30 pm
August 12 – 7:30 pm
August 31 – 7:30 pm
with filmmaker q&a

Inlaks Fine Art Awardees 2024

CROWDED HOUSE
machines, skins, traps and five-year plans

CAMP, Urvar and Studio ON invite you to a one-day Open House of artworks and interactions with the 2024 Inlaks Fine Art Awardees, who have been in residence in Borivali for the past 4 weeks.

From Gulf to Gulf to Gulf

as part of
Heavy Metal Containers

July 9, 10 pm
July 13, 7:30 pm
July, 17 pm
July 29, 7:30 pm

Into the Midst Workshop

Months long workshop initiated by a group of artists in and around Delhi. To analyse contemporary mediation and media theory as a general phenomenon, to discuss emerging practice and theory, and to produce new work.
Part 1 @Sarai, April 20-22, 2024

Broken Cameras

featuring
The Neighbour Before the House
Al Jaar Qabla Al Daar
الجار قبل الدار

What the Cameras Saw and Remembered

Two films by CAMP
Al Jaar Qabla Al Daar (The Neighbour before the House)
From Gulf to Gulf to Gulf

Captial Circus (2009)

in
The Unfaithful Octopus
at
MAIIAM Contemporary

To See is To Change

with Bombay Tilts Down (2022) and A Photogenic Line, (2019) as part of Photo 24, Melbourne.
In this pair of large-scale works, CAMP explore two sides of their practice; one that produces experimental film and video, often with unusual equipment and angles of participation, and another that creates and animates archives of moving images, documents and photography.

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