Act II (Hum Logos) is a 45-minute audio film spliced from the Pad.ma collection of the Radia Tapes. It covers two months after the Indian general elections of 2009, with the new cabinet in power. The film asks: if debate around these tapes was about whether they are edited or not, or as Justice Mukhopadhay put it, "splice has been added", then what can further editing do?

Feature-length film by sea between western India, eastern Africa and the Persian gulf. First shown at a purpose built outdoor cinema on the creekside in Sharjah in 2013, where many of the sailors gather. Shown in Documenta 13 in an abridged form, as part of the installation The Boat Modes.
83 mins.
Original format(s): HDV, SDV, VHS-C, Cellphone videos (variable formats). Stereo audio and in-cameraphone music.

Filmed at the then largest mall in Europe, the Arndale Center, which had been built over the centre of Manchester town after an IRA bombing in 1992. Filmed using the 208 cameras of the mall, from the control room. Over a hundred subjects were followed after they signed a "release form" combining CCTV and documentary image release protocols.
Part of the project CCTV Social.
27 mins, CCTV video.

May 20, 2025
The Museum of Modern Art, New York (MoMA)

at
CAMP Study Day, brings together leading scholars of media, law, cinema, and visual art on the occasion CAMP's exhibition Video After Video: The Critical Media of CAMP. With Erika Balsom, Lawrence Liang, Debashree Mukherjee, Ashish Rajadhyaksha and Laura U. Marks.

Feb. 20, 2025 - July 20, 2025
The Museum of Modern Art, New York

May 15, 2023 - May 16, 2023
MoMA, NYC

This artist talk accompanies Signals: How
Video Transformed the World.
Organised by Stuart Comer, Michelle Kuo and Rattanamol SIngh Johal.

Aug. 24, 2021 - Oct. 24, 2021

"Watch and Chill"
83 mins
2013
National Museum of Modern and Contemporary Art, Seoul, and online.

June 1, 2021 - July 6, 2021
online

South Asia Foreground
Labocine, June 2021 issue

March 14, 2019 - March 15, 2019
LIMA, Amsterdam

In advance of CAMP's solo at De Appel and in collaboration with LIMA - a screening of two of the studio’s earlier acclaimed projects that examine surveillance, society, and cinematic apparatus.

Nov. 14, 2026

Lagos Biennale

Sept. 5, 2026 - Nov. 15, 2026
Gwangju Biennale Exhibition Hall

You Must Change Your Life w/ Bombay Tilts Down

Aug. 6, 2026 - Aug. 14, 2026
Locarno Film Festival

Shaina A presented a video performance, screenings, and was part of a panel on archives.

June 12, 2026 - June 14, 2026
Worm Rotterdam

at Field Recordings 6
Screening, followed by Q and A with CAMP.

May 16, 2026
White Bay Power Station, Sydney

With filmmakers and scholars Helen Grace and Iqbal Barkat who also feature in the film.
Helen will introduce the film and Iqbal will lead and moderate the post-screening discussion with CAMP.
2pm to 5pm.
At the Biennale of Sydney.

April 25, 2026
Arthshila, New Delhi

Learning from 3 years of Inlaks Fine Art Awardees at CAMP.
With Anup, Vanshika, Mohit, Sheshadev and Biswajeet.

March 26, 2026 - March 29, 2026

Al Jaar Qabla Al Daar
Caillou Film Festival

March 22, 2026
Engine Room, SAM

A conversation prompted by CAMP's Metabolic Container at the Singapore Biennale.

March 14, 2026 - June 15, 2026
White Bay Power Station, Sydney

SYDNEY OPERA

CCTV, 102 mins

Filmed on location in February 2026 from a CCTV camera atop the White Bay Power Station
Gadigal / Waranne Country

Feb. 13, 2026 Phantom Publics

Shaina and Ashok present at Body Public: Through a Performance Archive, a research symposium at the Kochi Biennale, 2026.
Shaina: 100 year project, performative media, emancipated spect-actors, publics at the heart of practice.
Ashok: Types of writing as forms of attention to artwork, as distinct from gaze, listening, experience in general, or data analysis.