When Neubrückenstrasse was being rebuilt after the war, its buildings and three churches surrounding the site of the theatre were being built “historically”. A financial delay stalled the rebuilding of the theater in similar neo-classical style, and a protest by architects and planners led to a counter-proposal. Within six short weeks, the protestors collective of Deilmann, Rave, VonHausen and Ruhnau had entered and won the competition. The result was "epochal; a thunderclap of bewildering pink and blue mosaic tiles and glass, wrapped around a fragment of ruin". In other words, it was such a special event in the city that it seemed unlikely to take place again.
The question is, how does modernism survive the continued assault of its own inventions? What is its plan for changing with time, or its continuity? Does it still want to grow to cover the entire Earth, or is that universality now abandoned? What is its sense of space or its limits, as it overlapped with the network era?
To test these questions, the artists CAMP have made a historical-materialist proposal for this location. At the core of Matrix is a "black sky" of wire, a speculative sculpture set in a continuous past, a dark sister of the "sky of lamps" inside the theater, and whose function is open-ended.
Sound of church sequence: Sneha Khanwalkar
Window person: Anna Viehoff
featuring
The Neighbour Before the House
Al Jaar Qabla Al Daar
الجار قبل الدار
Shaina A speaks about CAMP's past-present-future project and indiancine.ma at CSMVS in conjuction with A Cinematic Imagination: Josef Wirsching & the Bombay Talkies.
Two films by CAMP
Al Jaar Qabla Al Daar (The Neighbour before the House)
From Gulf to Gulf to Gulf
in
The Unfaithful Octopus
at
MAIIAM Contemporary
with Bombay Tilts Down (2022) and A Photogenic Line, (2019) as part of Photo 24, Melbourne.
In this pair of large-scale works, CAMP explore two sides of their practice; one that produces experimental film and video, often with unusual equipment and angles of participation, and another that creates and animates archives of moving images, documents and photography.
Low-End Therapy
By Swadesi crew
Kaali Duniya (Bamboy/Tushar Adhav) with guest MC's Kranti Naari, Pratika, MC Mawali, Khabardar Revolt.
BassBrahma and RaakShas Sound
Equality on the dance floor.
A tour of the work with CAMP in three acts.
12 January 7 pm, ft. Bamboy
13 January 6 pm
14 January 7:30 pm
20 January 7 pm
7-channel environment. 13 mins, on loop with two alternating soundtracks
A vertical landscape movie in facets. Filmed remotely by one CCTV camera from a single-point location atop a 35-floor building on E. Moses Road during the pandemic.
CAMP participated in the conference: Modulating Realities at Sarai, Delhi.
What Can Happen to Paradigms of Control. A keynote lecture by Forensic Architecture Guest Professors Shaina A & Ashok S. At Goldsmiths, University of London.