at Skulptur Projekt
June 10, 2017 - Oct. 1, 2017
Münster
When Neubrückenstrasse was being rebuilt after the war, its buildings and three churches surrounding the site of the theatre were being built “historically”. A financial delay stalled the rebuilding of the theater in similar neo-classical style, and a protest by architects and planners led to a counter-proposal. Within six short weeks, the protestors collective of Deilmann, Rave, VonHausen and Ruhnau had entered and won the competition. The result was "epochal; a thunderclap of bewildering pink and blue mosaic tiles and glass, wrapped around a fragment of ruin". In other words, it was such a special event in the city that it seemed unlikely to take place again.
The question is, how does modernism survive the continued assault of its own inventions? What is its plan for changing with time, or its continuity? Does it still want to grow to cover the entire Earth, or is that universality now abandoned? What is its sense of space or its limits, as it overlapped with the network era?
To test these questions, the artists CAMP have made a historical-materialist proposal for this location. At the core of Matrix is a "black sky" of wire, a speculative sculpture set in a continuous past, a dark sister of the "sky of lamps" inside the theater, and whose function is open-ended.
Sound of church sequence: Sneha Khanwalkar
Window person: Anna Viehoff
Matrix
Events
March 22, 2026
Engine Room, SAM
A conversation prompted by CAMP's Metabolic Container at the Singapore Biennale.
March 14, 2026 - June 14, 2026
Filmed on location in February 2026 from a CCTV camera atop the White Bay Power Station
Sydney, Gadigal / Waranne Country
Feb. 13, 2026
Phantom Publics
Shaina and Ashok present at Body Public: Through a Performance Archive, a research symposium at the Kochi Biennale, 2026.
Shaina: 100 year project, performative media, emancipated spect-actors, publics at the heart of practice.
Ashok: Types of writing as forms of attention to artwork, as distinct from gaze, listening, experience in general, or data analysis.
Shaina: 100 year project, performative media, emancipated spect-actors, publics at the heart of practice.
Ashok: Types of writing as forms of attention to artwork, as distinct from gaze, listening, experience in general, or data analysis.
Feb. 7, 2026
Art in the Age of Anxiety
Shaina joined artists Sheela Gowda, Rekha Rodwittya, Indrapramit Roy, Gigi Scaria and moderator Gayatri Sinha for a conversation inaugurating Intersections- an exhibition commemorating 50 years of the Inlaks Foundation at Arthshila, Delhi.
Feb. 6, 2026
CAMP are recipients of Asia Society’s 2026 Asia Arts Pathbreaker Award
Jan. 24, 2026
Show and tell with Sanjay Bhangar.
Saturday, 24th January, 7 pm to 9 pm, at CAMP.
Jan. 10, 2026
CAMP Studio
Saturday, 6 to 8 pm.
A conversation with scholar Irina Aristarkhova and theorist/ curator Gunalan Nadarajan about their recent projects.
Irina presents ideas from an upcoming co-authored book on cyberfeminism, Night Sweats: Cyberfeminist Practices, out this year.
Guna will speak about a recent exhibition series across South East Asia, the first of which is named Menggodam.
Dec. 23, 2025 - Dec. 27, 2025
Dr. Ambedkar National Memorial, Mahad
Country of the Sea as part of revolutionary remembrance / क्रांती स्मरण
Dec. 13, 2025 - Dec. 15, 2025
CAMP took part in the 16th Gwangju Biennale Pre-Programme events.
Nov. 17, 2025 - Nov. 20, 2025
ecola das artes, Universidade Católica, Porto