When Neubrückenstrasse was being rebuilt after the war, its buildings and three churches surrounding the site of the theatre were being built “historically”. A financial delay stalled the rebuilding of the theater in similar neo-classical style, and a protest by architects and planners led to a counter-proposal. Within six short weeks, the protestors collective of Deilmann, Rave, VonHausen and Ruhnau had entered and won the competition. The result was "epochal; a thunderclap of bewildering pink and blue mosaic tiles and glass, wrapped around a fragment of ruin". In other words, it was such a special event in the city that it seemed unlikely to take place again.
The question is, how does modernism survive the continued assault of its own inventions? What is its plan for changing with time, or its continuity? Does it still want to grow to cover the entire Earth, or is that universality now abandoned? What is its sense of space or its limits, as it overlapped with the network era?
To test these questions, the artists CAMP have made a historical-materialist proposal for this location. At the core of Matrix is a "black sky" of wire, a speculative sculpture set in a continuous past, a dark sister of the "sky of lamps" inside the theater, and whose function is open-ended.
Sound of church sequence: Sneha Khanwalkar
Window person: Anna Viehoff
with Visiting Scholars CAMP
(Shaina Anand and Ashok Sukumaran)
We begin this fall semester's film class with a moratorium on audio-video capture.
100 days without your own images:)
The Neighbour before the House
+
A Stone's Throw
August 1 – 7:30 pm
August 7 – 7:30 pm
August 12 – 7:30 pm
August 31 – 7:30 pm
with filmmaker q&a
CROWDED HOUSE
machines, skins, traps and five-year plans
CAMP, Urvar and Studio ON invite you to a one-day Open House of artworks and interactions with the 2024 Inlaks Fine Art Awardees, who have been in residence in Borivali for the past 4 weeks.
as part of
Heavy Metal Containers
July 9, 10 pm
July 13, 7:30 pm
July, 17 pm
July 29, 7:30 pm
Months long workshop initiated by a group of artists in and around Delhi.
To analyse contemporary mediation and media theory as a general phenomenon, to discuss emerging practice and theory, and to produce new work.
Part 1 @Sarai, April 20-22, 2024
featuring
The Neighbour Before the House
Al Jaar Qabla Al Daar
الجار قبل الدار
Shaina A speaks about CAMP's past-present-future project and indiancine.ma at CSMVS in conjuction with A Cinematic Imagination: Josef Wirsching & the Bombay Talkies.
Two films by CAMP
Al Jaar Qabla Al Daar (The Neighbour before the House)
From Gulf to Gulf to Gulf
in
The Unfaithful Octopus
at
MAIIAM Contemporary
with Bombay Tilts Down (2022) and A Photogenic Line, (2019) as part of Photo 24, Melbourne.
In this pair of large-scale works, CAMP explore two sides of their practice; one that produces experimental film and video, often with unusual equipment and angles of participation, and another that creates and animates archives of moving images, documents and photography.