Pirate Cinema 1


Sunday,  January 4, 2009!
7 pm - 10 pm
at CAMP rooftop.

René Vienet
Can Dialectics Break Bricks?
1973, 82 min

Guy Debord
The Society of the Spectacle
1973, 87 min

                                                            
take-away
René Vienet
The Girls of Kamaré
F 1974
87 min, 600 MB

take-away
Guy Debord
In girum imus nocte et consumimur igni
F 1978
95 min, 700 MB


                                                                                          ()
                                                                                         ><
                                                                          pirate cinema bombay
                                                                           sundays from 7 to 10
                                                                          www.piratecinema.org


                                                                               
To screen the films of the Situationists as "classics" is not intended to imply 
that they had been seen much, nor that their politics had been, in any common   
meaning of that term, victorious. It's just to acknowledge that their form -    
take a given film and change its dialogues to make it tell a different story    
(Vienet), take a given book and plunder the archives of cinema to turn it into a
movie (Debord) - has become commonplace. This is exactly the type of material   
one would expect to find on YouTube - only that the general populace of YouTube 
seems to be slightly less ambitious, or somewhat more invested in forms of      
politics they "can believe in", that they don't have to personally invent, test,
correct, apply, improve, or make complicated historical films about, since these
politics are victorious by definition, and no longer subject to dialectics.     
                                                                                
In 1973, dialectics could break bricks, and that's only one of the many wonders 
of situationist cinema. Since both films promote revolutionary class struggle,  
with the blunt (Vienet) or subtle (Debord) irony that is needed for this task,  
there is a lot of fighting going on, either martial arts (Vienet) or cavalry    
(Debord), and if these fighting sequences, today, appear to be too long, then   
one can be assured that they would have been even longer, had there only been   
more material, or more actual occurrences of dialectical materialism in action. 
In terms of historical accuracy, it's hard to beat situationist cinema's action 
sequences, even though some of the historical references are less obvious than  
they used to be, and some of the political inside jokes have aged better than   
others. While the Situationists, in 1973, had no illusions about the function of
the unions, the same statement can't be made with regards to the function of the
orgasm. In that sense, there is room for improvement, on YouTube or elsewhere. 
                                                                                
Further reading:                                                                
Guy Debord, The Situationists and the New Forms of Action in Politics and Art,  
    1963, http://www.piratecinema.org/textz                                     
René Vienet, The Situationists and the New Forms of Action Against Politics and 
    Art, 1967, http://www.piratecinema.org/textz                               




Pirate Cinema Bombay

Pirate Cinema from Berlin, who we are working with on the video archive
http://pad.ma, present a series of weekly (Sunday) events in the Pirate Cinema tradition, on films and footage.



Broken Cameras

featuring
The Neighbour Before the House
Al Jaar Qabla Al Daar
الجار قبل الدار

What the Cameras Saw and Remembered

Two films by CAMP
Al Jaar Qabla Al Daar (The Neighbour before the House)
From Gulf to Gulf to Gulf

To See is To Change

with Bombay Tilts Down (2022) and A Photogenic Line, (2019) as part of Photo 24, Melbourne.
In this pair of large-scale works, CAMP explore two sides of their practice; one that produces experimental film and video, often with unusual equipment and angles of participation, and another that creates and animates archives of moving images, documents and photography.

Closing Party! BOMBAY TILTS DOWN

Low-End Therapy
By Swadesi crew Kaali Duniya (Bamboy/Tushar Adhav) with guest MC's Kranti Naari, Pratika, MC Mawali, Khabardar Revolt.
BassBrahma and RaakShas Sound
Equality on the dance floor.

Bombay Tilts Down in Mumbai!

7-channel environment. 13 mins, on loop with two alternating soundtracks

A vertical landscape movie in facets. Filmed remotely by one CCTV camera from a single-point location atop a 35-floor building on E. Moses Road during the pandemic.

READING LISTENING SEEING Bombay Tilts Down

A tour of the work with CAMP in three acts.
12 January 7 pm, ft. Bamboy
13 January 6 pm
14 January 7:30 pm
20 January 7 pm

Concave Room

CheMoulding Part II - FUTURING
60 years of Chemould Gallery
+ CAMP invites:
Mohit Shelare, Curve in the Desire.
++
himanshu S and aqui T, Parallel Universe.

All Events