Four: Cinema Wolof-II

Cinema Wolof: The little girl who stole the sun, Mambety's last film from his unfinished trilogy, 'tales of the little people.'

If Sembene was considered the father of african cinema, then Mambety, would be the cult guru (some have even called him the 'Dionysius' of African Cinema.) Baba Diop, well-known African film critic and friend of Mambety's (currently working on his biography) introduced the screening of Le Petit Venduese du Soleil, a gem from Mambety's short film repertoire. This was Mambetys last film, (he died while editing it) and was part 2 of what was to be a trilogy called tales of the little people.

Usman, a vendor in the market with a powerful 'ghetto blaster' with a FM tuner and meat skewer antenna provided his bit of 'charge' by loaning it to us. Sound was distributed as always over 103.FM.

Baba Diop greeted the audience and said: Mambety believed that cinema was in everyone's eyes, all we had to do was close them, think, rub our eyes and then open them and they would be able to "see" cinema...The kids chanted after him... 'rub, rub, rub and open your eyes...'

After the film, Diop and Modibo D'iaware conversed with the children, some felt guilty at watching Sili being laughed at by the other boys for being crippled, others said that happens all the time and they admired her courage and heart.

As promised, we were to screen some Bollywood songs, as part introduction to where "we come from". Bambai nagariya, Khaike pan Benaras, and Main hoon Don had been shown prior to Mambetys 'soleil' with a promise of a hindi film, for the next soiree. Much of this (Bollywood from the 70s and 80s) is very familiar to the audience.

Gallery: Four: Cinema Wolof-II
Sept Soirees

Sept Soirees was a series of battery-powered "evenings" in the Marche N' Gellaw, a suburban market in Dakar, Senegal. These evenings were conceived in a situation where there is scarce time, space or other resources for communal activity at a certain scale. Also because of the peculiar condition of cinemas in Dakar: there are only two still functioning.
These "micro-cinema" and "micro-radio" events are performed by showing up at a street corner with some equipment, and negotiating the rest.



Broken Cameras

featuring
The Neighbour Before the House
Al Jaar Qabla Al Daar
الجار قبل الدار

What the Cameras Saw and Remembered

Two films by CAMP
Al Jaar Qabla Al Daar (The Neighbour before the House)
From Gulf to Gulf to Gulf

Captial Circus (2009)

in
The Unfaithful Octopus
at
MAIIAM Contemporary

To See is To Change

with Bombay Tilts Down (2022) and A Photogenic Line, (2019) as part of Photo 24, Melbourne.
In this pair of large-scale works, CAMP explore two sides of their practice; one that produces experimental film and video, often with unusual equipment and angles of participation, and another that creates and animates archives of moving images, documents and photography.

Closing Party! BOMBAY TILTS DOWN

Low-End Therapy
By Swadesi crew Kaali Duniya (Bamboy/Tushar Adhav) with guest MC's Kranti Naari, Pratika, MC Mawali, Khabardar Revolt.
BassBrahma and RaakShas Sound
Equality on the dance floor.

READING LISTENING SEEING Bombay Tilts Down

A tour of the work with CAMP in three acts.
12 January 7 pm, ft. Bamboy
13 January 6 pm
14 January 7:30 pm
20 January 7 pm

Bombay Tilts Down in Mumbai!

7-channel environment. 13 mins, on loop with two alternating soundtracks

A vertical landscape movie in facets. Filmed remotely by one CCTV camera from a single-point location atop a 35-floor building on E. Moses Road during the pandemic.

All Events