Four: Cinema Wolof-II

Cinema Wolof: The little girl who stole the sun, Mambety's last film from his unfinished trilogy, 'tales of the little people.'

If Sembene was considered the father of african cinema, then Mambety, would be the cult guru (some have even called him the 'Dionysius' of African Cinema.) Baba Diop, well-known African film critic and friend of Mambety's (currently working on his biography) introduced the screening of Le Petit Venduese du Soleil, a gem from Mambety's short film repertoire. This was Mambetys last film, (he died while editing it) and was part 2 of what was to be a trilogy called tales of the little people.

Usman, a vendor in the market with a powerful 'ghetto blaster' with a FM tuner and meat skewer antenna provided his bit of 'charge' by loaning it to us. Sound was distributed as always over 103.FM.

Baba Diop greeted the audience and said: Mambety believed that cinema was in everyone's eyes, all we had to do was close them, think, rub our eyes and then open them and they would be able to "see" cinema...The kids chanted after him... 'rub, rub, rub and open your eyes...'

After the film, Diop and Modibo D'iaware conversed with the children, some felt guilty at watching Sili being laughed at by the other boys for being crippled, others said that happens all the time and they admired her courage and heart.

As promised, we were to screen some Bollywood songs, as part introduction to where "we come from". Bambai nagariya, Khaike pan Benaras, and Main hoon Don had been shown prior to Mambetys 'soleil' with a promise of a hindi film, for the next soiree. Much of this (Bollywood from the 70s and 80s) is very familiar to the audience.

Four: Cinema Wolof-II
Sept Soirees

Sept Soirees was a series of battery-powered "evenings" in the Marche N' Gellaw, a suburban market in Dakar, Senegal. These evenings were conceived in a situation where there is scarce time, space or other resources for communal activity at a certain scale. Also because of the peculiar condition of cinemas in Dakar: there are only two still functioning.
These "micro-cinema" and "micro-radio" events are performed by showing up at a street corner with some equipment, and negotiating the rest.



Sydney Biennale 2026

Coming soon…

Night Sweats, and Menggodam

Saturday, 6 to 8 pm.
A conversation with scholar Irina Aristarkhova and theorist/ curator Gunalan Nadarajan about their recent projects.

Irina presents ideas from an upcoming co-authored book on cyberfeminism, Night Sweats: Cyberfeminist Practices, out this year.

Guna will speak about a recent exhibition series across South East Asia, the first of which is named Menggodam.

Commemorating a Revolution yet to come,

Country of the Sea as part of revolutionary remembrance / क्रांती स्मरण

Gwangju Biennale 2026

CAMP took part in the 16th Gwangju Biennale Pre-Programme events.

screenings and masterclass with CAMP

Doc’s Kingdom

International Seminar on Documentary Film
“A collective / inarticulate harmony.”

Reading Listening Seeing - Bombay Tilts Down

A video performance tour of the work in three-acts with Shaina and Ashok.
Choreographies of the Everyday and Tokyo Art Week

Singapore Biennale

Metabolic Container

Starting from 400 boxes of goods, part of a weekly, diasporic "trade" (one-way) between Batam in Indonesia, and Singapore. In which the container and its boxes are not just a carrier, but a medium.

Structural Film After Globalisation

featuring CCTV Social and Pad.ma playlists.

All Events