Jan Gerber, Sebastian Lutgert (0x2620.org) and Ashok Sukumaran (CAMP), co-founders of the Pad.ma video archive, initiate "Problems of Translation" a public discussion on the nature of translations between art and art's archive, technology and art history, software and painting, and digital and analog artifacts, at the
Problems of Translation
A public discussion with Jan Gerber, Sebastian Lütgert (both 0x2620, Berlin) and Ashok Sukumaran (CAMP, Bombay).
Problems of translation occur not only between written or spoken languages (such as Cantonese or English), but also are a much more common phenomenon.
Translation
is a challenge for all "gaps between disciplines" (such as between art
and technology). But a closer look at the practices of programmers and
painters for example, might reveal that principles and techniques they
apply in their respective fields, have much more in common than it is
usually assumed. Problems of translation may not lie where most
expected.
In the art archive, the verb "archiving" already implies many kinds
of translation, of the qualities and potentials of artworks and related
materials. In digital art archives, such translation is
present in many everyday acts of scanning, tagging and uploading. The
transformation of analog art works into digital items not only changes
their storage medium and handling qualities, but also makes them enter
completely new relations, exchanges and equations. Digital materials
tend to multiply and to leak, to both create great wealth and provide
great distraction. "Digital labour" or changed work habits is another
consequence of this, which in turn changes how we think about the
production and growth of such archives.
To realise the digital archive's full potential means to take the
idea of translation quite seriously, as a basic unit for all kinds of
distributive and transformative forces, indirect effects, and creative
misunderstandings.
The central event of a month-long gathering organised around the 10th anniversary of Pad.ma the footage archive, and the 5th anniversary of Indiancine.ma.
Five narratives developed in the class "Footage Films", that re-assemble archives of campus protest, Penn Museum collections, university weapons development projects, the Schuylkill river, a utopia called Shangri-La, and their intersections across time and place.
*Recalling Far From Vietnam, collectively-made essay film from 1967.
Screening and conversation in collaboration with University of Pennsylvania’s Cinema & Media Studies department and CARG. At old Slought/ new Public Trust.
Film screening, and conversation 6-8:00 pm
We are proposing this term to think more broadly about extraction, waste, dependency, rear-guarding, mediatic conversions, in- and out-sourcing, and other aspects of chains of translation and steps of decision and production.
with Visiting Scholars CAMP
(Shaina Anand and Ashok Sukumaran)
We begin this fall semester's film class with a moratorium on audio-video capture.
100 days without your own images:)