Problems of Translation

Jan Gerber, Sebastian Lutgert (0x2620.org) and Ashok Sukumaran (CAMP), co-founders of the Pad.ma video archive, initiate "Problems of Translation" a public discussion on the nature of translations between art and art's archive, technology and art history, software and painting, and digital and analog artifacts, at the

Asia Art Archive, Hong Kong.
Thursday December 16, 2010


Problems of Translation


A public discussion with Jan Gerber, Sebastian Lütgert (both 0x2620, Berlin) and Ashok Sukumaran (CAMP, Bombay).

Problems of translation occur not only between written or spoken languages (such as Cantonese or English), but also are a much more common phenomenon.

Translation is a challenge for all "gaps between disciplines" (such as between art and technology). But a closer look at the practices of programmers and painters for example, might reveal that principles and techniques they apply in their respective fields, have much more in common than it is usually assumed.  Problems of translation may not lie where most expected.

In the art archive, the verb "archiving" already implies many kinds of translation, of the qualities and potentials of artworks and related materials. In digital art archives, such translation is present in many everyday acts of scanning, tagging and uploading. The transformation of analog art works into digital items not only changes their storage medium and handling qualities, but also makes them enter completely new relations, exchanges and equations. Digital materials tend to multiply and to leak, to both create great wealth and provide great distraction.  "Digital labour" or changed work habits is another consequence of this, which in turn changes how we think about the production and growth of such archives.

To realise the digital archive's full potential means to take the idea of translation quite seriously, as a basic unit for all kinds of distributive and transformative forces, indirect effects, and creative misunderstandings.


Fwd: Re: Archive

The central event of a month-long gathering organised around the 10th anniversary of Pad.ma the footage archive, and the 5th anniversary of Indiancine.ma.



Far from Philadelphia

Five narratives developed in the class "Footage Films", that re-assemble archives of campus protest, Penn Museum collections, university weapons development projects, the Schuylkill river, a utopia called Shangri-La, and their intersections across time and place.

*Recalling Far From Vietnam, collectively-made essay film from 1967.

Asia Pacific Triennial

Machine Visions

On AI by CAMP

From Gulf to Gulf to Gulf

Screening and conversation in collaboration with University of Pennsylvania’s Cinema & Media Studies department and CARG. At old Slought/ new Public Trust.

الجار قبل الدار The Neighbour Before the House

Film screening, and conversation 6-8:00 pm

The Neighbour before the House

Geographies of Belonging

Visiting Artist Lecture Series

From Land to Sea

From Gulf to Gulf to Gulf

Vertical Integration

We are proposing this term to think more broadly about extraction, waste, dependency, rear-guarding, mediatic conversions, in- and out-sourcing, and other aspects of chains of translation and steps of decision and production.

Footage Films, Or Narrating a Dataset

with Visiting Scholars CAMP
(Shaina Anand and Ashok Sukumaran)

We begin this fall semester's film class with a moratorium on audio-video capture.
100 days without your own images:)

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