In this screening, Sanjay Bhangar produces a cut from four films on Bob Dylan, including:
1> Don't Look Back
( D.A. Pennebaker, 1967, 96 mins) a landmark; as a film and as a
document of rock history. Directed by Pennebaker, one of the
pioneers of direct cinema, the film starts with one of the first-of-its
kind "music videos", and proceeds to document everything from intimate
late-night moments to live performances in Dylan's 1965 tour of
England.
2> Eat The Document ( Bob Dylan,1972, 54 mins) : In 1966,
Pennebaker once again accompanied Dylan on his tour of the UK - this
time Dylan had 'gone electric', with The Hawks backing him through the
second half of his performance. After this tour, Dylan would not allow
Pennebaker to complete the film. Eventually, Dylan and Howard Alk spent
some time editing what became "Eat the Document", a widely bootlegged
piece of video material.
3> No Direction Home ( Martin Scorsese, 2005, 208 mins) :
This film is a series of interviews with Dylan himself, Joan Baez and
others. The film inter-cuts the interviews with pieces of footage taken
from earlier films, piecing together Dylan's life from his arrival in
New York City in '61 up until his motorcycle accident in '66.
4> I'm Not There ( Todd Haynes, 2007, 135 mins) : This film
has six characters enacting different 'ghosts' of Bob Dylan. The movie
contains many, sometimes surreal, re-enactments of scenes from archival
footage, mostly from the above films.
"here lies bob dylan
murdered
from behind
by trembling flesh
who after being refused by Lazarus,
jumped on him
for solitude
but was amazed to discover
that he was already
a streetcar &
that was exactly the end
of bob dylan
he now lies in Mrs. Actually's
beauty parlor
God rest his soul
& his rudeness
two brothers
& a naked mama's boy
who looks like Jesus Christ
can now share the remains
of his sickness
& his phone numbers
there is no strength
to give away -
everybody now
can just have it back
here lies bob dylan
demolished by Vienna politeness-
which will now claim to have invented him
the cool people can
now write Fugues about him
& Cupid can now kick over his kerosene lamp
boy dylan-killed by a discarded Oedipus
who turned
around
to investigate a ghost
& discovered that
the ghost too
was more than one person."
- Bob Dylan, Tarantula, 1965-66
CAMP presents
Saturday or Sunday evening screenings through winter,
exploring footage both within and outside the usual capsule of "the
film". An experience that could be similar to watching films, or at
other times harder to digest, or slower to release, closer to the moment of
shooting, less censorious, and less fearful of finitude. Another life,
another world of viewing and listening experiences is always possible.
featuring
The Neighbour Before the House
Al Jaar Qabla Al Daar
الجار قبل الدار
Shaina A speaks about CAMPs past present future project and https://indiancina.me and https://phantas.ma at CSMVS in conjuction with A Cinematic Imagination: Josef Wirsching & the Bombay Talkies’.
Two films by CAMP
Al Jaar Qabla Al Daar (The Neighbour before the House)
From Gulf to Gulf to Gulf
in
The Unfaithful Octopus
at
MAIIAM Contemporary
with Bombay Tilts Down (2022) and A Photogenic Line, (2019) as part of Photo 24, Melbourne.
In this pair of large-scale works, CAMP explore two sides of their practice; one that produces experimental film and video, often with unusual equipment and angles of participation, and another that creates and animates archives of moving images, documents and photography.
Low-End Therapy
By Swadesi crew
Kaali Duniya (Bamboy/Tushar Adhav) with guest MC's Kranti Naari, Pratika, MC Mawali, Khabardar Revolt.
BassBrahma and RaakShas Sound
Equality on the dance floor.
A tour of the work with CAMP in three acts.
12 January 7 pm, ft. Bamboy
13 January 6 pm
14 January 7:30 pm
20 January 7 pm
7-channel environment. 13 mins, on loop with two alternating soundtracks
A vertical landscape movie in facets. Filmed remotely by one CCTV camera from a single-point location atop a 35-floor building on E. Moses Road during the pandemic.
CAMP participated in the conference: Modulating Realities at Sarai, Delhi.
What Can Happen to Paradigms of Control. A keynote lecture by Forensic Architecture Guest Professors Shaina A & Ashok S. At Goldsmiths, University of London.