At 10 am on March 25, Chris Clarke led us to the back alley behind the Arndale Center. A series of buzzers, auto-lock doors and sign-ins later, and we were in the control room of the Arndale Mall.
I was the only one amongst us who was not local, who had never been into the mall; this the love-hate symbol of Manchester; once called the eye-sore of the city, now a historic monument with a troubled past.
The Control Room (built anew during the Arndales post-bombing re-generation) was vastly different from the analog control room at the MMU. "206 cameras and more being added", reported Colin. I assumed this included in-store surveillance as well since the Arndale has about 70 shops. But no, the 206 dome covered P-T-Z cameras policed the 'streets' of the indoor Mall, shop surveillance was handled by 'Store-Net', a company that handled security for 'chain stores'.
We spent most of the morning with the staff, Paul led us to the back-room, the DataBank, Colin dismissed the big deal made about privacy, "Take my DNA, if you like, If I've got nothing to fear, as so I have nothing to hide". Their supervisor Gayle, gave the Livewire youth a virtual walk down the history of the mall, "This used to be the bus-stop and the subway, now its the winter gardens and poor old Halle square used to be the posh area, now you can see how dark and dingy it is..."
In March 2008 Shaina Anand collaborated with Manchester Metropolitan University and Arndale Shopping Centre to open working CCTV environments to a general audience. People normally 'enclosed' by these networks came into the control rooms to view, observe and monitor this condition, endemic in the UK.
International Seminar on Documentary Film
“A collective / inarticulate harmony.”
A video performance tour of the work in three-acts with Shaina and Ashok.
Choreographies of the Everyday and Tokyo Art Week
METABOLIC CONTAINER
Starting from 400 boxes of goods, part of a weekly, diasporic "trade" (one-way) between Batam in Indonesia, and Singapore. In which the container and its boxes are not just a carrier, but a medium. Then, a process of mixing, de-processing, upstreaming, downstreaming, imagining, inventing.
Inlaks Fine Art Awardees 2025
6 week residency with CAMP
You are invited to the Open Day of Inlaks 2025 Fine Art Awardees 6-week residency with CAMP.
From cinematic to real to game violence, to the virtualities of Dalal Street, via intertidal zones in the dark, to a frozen sculpture of a building's data. NIGHT CRASH COLD BLOOD shows the artists’ new projects developed while in residency in Mumbai.
In depth discussion of the works, 4 pm to 6 pm.
Open Day, 6 pm to 10 pm.
Bombay Tilts Down
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The 30th Anniversary of the Museum of Contemporary Art Tokyo
Ashok S was on the selection committee for the India Foundation for the Arts (IFA) Arts Platforms Grant, 2025. Awarded projects included puppetry, DJ spaces, and AI and law.
A tour of the work with CAMP in three acts.
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CAMP Study Day, brings together leading scholars of media, law, cinema, and visual art on the occasion CAMP's exhibition Video After Video: The Critical Media of CAMP. With Erika Balsom, Lawrence Liang, Debashree Mukherjee, Ashish Rajadhyaksha and Laura U. Marks.
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Light Industry
7:00 pm
The first and last sections from a 6-hour-long video essay, presented live by CAMP.
Priyank Gothwal presents a series of 8 works as a physical exhibition and accompanying lecture-performance, on the experiences and abstractions of time.