The Mall

At 10 am on March 25, Chris Clarke led us to the back alley behind the Arndale Center. A series of buzzers, auto-lock doors and sign-ins later, and we were in the control room of the Arndale Mall.

I was the only one amongst us who was not local, who had never been into the mall; this the love-hate symbol of Manchester; once called the eye-sore of the city, now a historic monument with a troubled past.

The Control Room (built anew during the Arndales post-bombing re-generation) was vastly different from the analog control room at the MMU. "206 cameras and more being added", reported Colin. I assumed this included in-store surveillance as well since the Arndale has about 70 shops. But no, the 206 dome covered P-T-Z cameras policed the 'streets' of the indoor Mall, shop surveillance was handled by 'Store-Net', a company that handled security for 'chain stores'.

We spent most of the morning with the staff, Paul led us to the back-room, the DataBank, Colin dismissed the big deal made about privacy, "Take my DNA, if you like, If I've got nothing to fear, as so I have nothing to hide". Their supervisor Gayle, gave the Livewire youth a virtual walk down the history of the mall, "This used to be the bus-stop and the subway, now its the winter gardens and poor old Halle square used to be the posh area, now you can see how dark and dingy it is..."

Gallery: The Mall
CCTV Social

In March 2008 Shaina Anand collaborated with Manchester Metropolitan University and Arndale Shopping Centre to open working CCTV environments to a general audience. People normally 'enclosed' by these networks came into the control rooms to view, observe and monitor this condition, endemic in the UK.



Broken Cameras

featuring
The Neighbour Before the House
Al Jaar Qabla Al Daar
الجار قبل الدار

What the Cameras Saw and Remembered

Two films by CAMP
Al Jaar Qabla Al Daar (The Neighbour before the House)
From Gulf to Gulf to Gulf

Captial Circus (2009)

in
The Unfaithful Octopus
at
MAIIAM Contemporary

To See is To Change

with Bombay Tilts Down (2022) and A Photogenic Line, (2019) as part of Photo 24, Melbourne.
In this pair of large-scale works, CAMP explore two sides of their practice; one that produces experimental film and video, often with unusual equipment and angles of participation, and another that creates and animates archives of moving images, documents and photography.

Closing Party! BOMBAY TILTS DOWN

Low-End Therapy
By Swadesi crew Kaali Duniya (Bamboy/Tushar Adhav) with guest MC's Kranti Naari, Pratika, MC Mawali, Khabardar Revolt.
BassBrahma and RaakShas Sound
Equality on the dance floor.

READING LISTENING SEEING Bombay Tilts Down

A tour of the work with CAMP in three acts.
12 January 7 pm, ft. Bamboy
13 January 6 pm
14 January 7:30 pm
20 January 7 pm

Bombay Tilts Down in Mumbai!

7-channel environment. 13 mins, on loop with two alternating soundtracks

A vertical landscape movie in facets. Filmed remotely by one CCTV camera from a single-point location atop a 35-floor building on E. Moses Road during the pandemic.

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