At 10 am on March 25, Chris Clarke led us to the back alley behind the Arndale Center. A series of buzzers, auto-lock doors and sign-ins later, and we were in the control room of the Arndale Mall.
I was the only one amongst us who was not local, who had never been into the mall; this the love-hate symbol of Manchester; once called the eye-sore of the city, now a historic monument with a troubled past.
The Control Room (built anew during the Arndales post-bombing re-generation) was vastly different from the analog control room at the MMU. "206 cameras and more being added", reported Colin. I assumed this included in-store surveillance as well since the Arndale has about 70 shops. But no, the 206 dome covered P-T-Z cameras policed the 'streets' of the indoor Mall, shop surveillance was handled by 'Store-Net', a company that handled security for 'chain stores'.
We spent most of the morning with the staff, Paul led us to the back-room, the DataBank, Colin dismissed the big deal made about privacy, "Take my DNA, if you like, If I've got nothing to fear, as so I have nothing to hide". Their supervisor Gayle, gave the Livewire youth a virtual walk down the history of the mall, "This used to be the bus-stop and the subway, now its the winter gardens and poor old Halle square used to be the posh area, now you can see how dark and dingy it is..."
In March 2008 Shaina Anand collaborated with Manchester Metropolitan University and Arndale Shopping Centre to open working CCTV environments to a general audience. People normally 'enclosed' by these networks came into the control rooms to view, observe and monitor this condition, endemic in the UK.
A conversation prompted by CAMP's Metabolic Container at the Singapore Biennale.
Filmed on location in February 2026 from a CCTV camera atop the White Bay Power Station
Gadigal / Waranne Country
Shaina and Ashok present at Body Public: Through a Performance Archive, a research symposium at the Kochi Biennale, 2026.
Shaina: 100 year project, performative media, emancipated spect-actors, publics at the heart of practice.
Ashok: Types of writing as forms of attention to artwork, as distinct from gaze, listening, experience in general, or data analysis.
Shaina joined artists Sheela Gowda, Rekha Rodwittya, Indrapramit Roy, Gigi Scaria and moderator Gayatri Sinha for a conversation inaugurating Intersections- an exhibition commemorating 50 years of the Inlaks Foundation at Arthshila, Delhi.
Show and tell with Sanjay Bhangar.
Saturday, 24th January, 7 pm to 9 pm, at CAMP.
Saturday, 6 to 8 pm.
A conversation with scholar Irina Aristarkhova and theorist/ curator Gunalan Nadarajan about their recent projects.
Irina presents ideas from an upcoming co-authored book on cyberfeminism, Night Sweats: Cyberfeminist Practices, out this year.
Guna will speak about a recent exhibition series across South East Asia, the first of which is named Menggodam.
Country of the Sea as part of revolutionary remembrance / क्रांती स्मरण
CAMP took part in the 16th Gwangju Biennale Pre-Programme events.