The doors of the clinic opened at 11 am. "Have a nice day" by the Stereophonics was playing on the radio and in came Jodie Sadler, a young filmmaker who had traveled from London for the session."So how does all this work, talk me through it."
The day progressed with two-person on-the-hour sessons.
View short excerpts from Day One.
In March 2008 Shaina Anand collaborated with Manchester Metropolitan University and Arndale Shopping Centre to open working CCTV environments to a general audience. People normally 'enclosed' by these networks came into the control rooms to view, observe and monitor this condition, endemic in the UK.
Al Jaar Qabla Al Daar
Caillou Film Festival
A conversation prompted by CAMP's Metabolic Container at the Singapore Biennale.
SYDNEY OPERA
Filmed on location in February 2026 from a CCTV camera atop the White Bay Power Station
Gadigal / Waranne Country
Shaina and Ashok present at Body Public: Through a Performance Archive, a research symposium at the Kochi Biennale, 2026.
Shaina: 100 year project, performative media, emancipated spect-actors, publics at the heart of practice.
Ashok: Types of writing as forms of attention to artwork, as distinct from gaze, listening, experience in general, or data analysis.
Shaina joined artists Sheela Gowda, Rekha Rodwittya, Indrapramit Roy, Gigi Scaria and moderator Gayatri Sinha for a conversation inaugurating Intersections- an exhibition commemorating 50 years of the Inlaks Foundation at Arthshila, Delhi.
Marking 50 years of the Inlaks Foundation.
Shaina A went to study Film and Media arts under the Inlaks scholarship in 1999.
Show and tell with Sanjay Bhangar.
Saturday, 24th January, 7 pm to 9 pm, at CAMP.
Saturday, 6 to 8 pm.
A conversation with scholar Irina Aristarkhova and theorist/ curator Gunalan Nadarajan about their recent projects.
Country of the Sea as part of revolutionary remembrance / क्रांती स्मरण