Through both days, Max, Jon, Georgina, Marisa, Chris and I walked through the mall, aware that we were being followed. Playing around with UK's Data Protection act and the documentary filmmakers mandatory 'image release'(with a side-ways wink at 'participatory' art practice), we carried with us "Image Release Forms' and encouraged people to sign on. The net result was that we had about a 100 release forms and were able to make a 'public' request for the Surveillance Videos.
On day Two, Dan Williamson from Reactor web and Joe Richardson and Jai Redman from Ultimate Holding Company, an arts collective that had done some significant art work around Manchester's Regeneration, amongst other things. (Links to some of inspiring works are in the tab on the right. Respect)
They spent an illuminating hour in the control room with Gayle as their host, after which we walked through the mall deep in feedback. The conversation: with Jai and Joe from UHC pasted over some of the footage procured makes up the short video "Regeneration".
Chris Clarke goes off in search of footage.
George, Jon and Marisa try to get staff at the mall reception to sign the release form.
Signing image release forms...
Chris is lost, 206 cameras too many to track him.
Chris is found after the phone call...
I am now aware that I could be watched by upto 206 cameras in the mall alone.
I request the \'art agency\' to procure a copy of these images.
Dan Williamson, artist from Reactorweb and Paul Roper, security officer at the Mall.
Shaina and Chris on the road.
Gayle tracks George and Jon.
The only two static cameras in the mall in the 24-hour corridor resulting in a blind spot of abotu 6 metres.
6-metre blind spot near the \'prayer room\', an infrastructure that was recently added to the mall because people took to isolated corners to pray and that was deemed \'risky\'.
The pillar-box that survived the IRA bombing in 1996.
\"Poor little Halle Square, which used to be the posh area, is now all dark and dingy\" - Gayle. Security supervisor.
Chris lingers in the corner...
Data/Image release forms.
In March 2008 Shaina Anand collaborated with Manchester Metropolitan University and Arndale Shopping Centre to open working CCTV environments to a general audience. People normally 'enclosed' by these networks came into the control rooms to view, observe and monitor this condition, endemic in the UK.
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CAMP Study Day, brings together leading scholars of media, law, cinema, and visual art on the occasion CAMP's exhibition Video After Video: The Critical Media of CAMP. With Erika Balsom, Lawrence Liang, Debashree Mukherjee, Ashish Rajadhyaksha and Laura U. Marks.
A tour of the work with CAMP in three acts.
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Light Industry
7:00 pm
The first and last sections from a 6-hour-long video essay, presented live by CAMP.
Priyank Gothwal presents a series of 8 works as a physical exhibition and accompanying lecture-performance, on the experiences and abstractions of time.
A conversation about toxicity, waste and equality at the closing of Mohit Shelare's exhibition at Chemould, with Yogesh, Zeenat, Priyank and Ashok.
"film objects"
A gathering organised by the Delhi based artist group first draft.
Saturday from 5 pm.
Phantas.ma is running a season dedicated to CAMP as part of Video After Video: The Critical Media of CAMP at MoMA.
A video a day, on the site.
sign up!
Sunday, 7:00 pm
100 mins
Pandemic shorts by Panahi, Poitras, Apichatpong, Weiwei, and others.
by Iram Ghufran
50 mins, 2023
7:00 pm
Introduction and post-screening discussion with Iram Ghufran.
A science-fiction fable set in the "miracle city" of Yiwu, in one of the world's largest wholesale markets for small commodities.