In July 2001, a few historians, journalists and activists
are invited to Disket in the Nubra Valley, Ladakh to participate in a
National Integration Seminar. However, it appears that there has been a
miscommunication, on arrival they are told that the event is actually
the celebration of "Buddh Mahotsav", part of a series of nation-wide
events (the next was to be in Arunachal Pradesh) organised by the VHP.
What were a group of mostly left-liberal folks to do? They performed
their speeches for the gathered people of Disket, and talked late into
the night.
Attempts to reckon with the situation erupt only on the sidelines:
for example at breakfast, where a 20-something Maulana from Delhi seeks
to provoke the VHP representative at the table. Or in guest-house
debates on topics such as Islamic law, feminism, environmentalism and
Kashmir.
The videos, shot by a participant, include stadium scenes, a minibus ride returning from
the stadium, a sunset stop, friendly dances, and a peculiar atmosphere that hangs over this high-altitude encounter.
CAMP presents
Saturday or Sunday evening screenings through winter,
exploring footage both within and outside the usual capsule of "the
film". An experience that could be similar to watching films, or at
other times harder to digest, or slower to release, closer to the moment of
shooting, less censorious, and less fearful of finitude. Another life,
another world of viewing and listening experiences is always possible.
featuring
The Neighbour Before the House
Al Jaar Qabla Al Daar
الجار قبل الدار
Shaina A speaks about CAMP's past-present-future project and indiancine.ma at CSMVS in conjuction with A Cinematic Imagination: Josef Wirsching & the Bombay Talkies.
Two films by CAMP
Al Jaar Qabla Al Daar (The Neighbour before the House)
From Gulf to Gulf to Gulf
in
The Unfaithful Octopus
at
MAIIAM Contemporary
with Bombay Tilts Down (2022) and A Photogenic Line, (2019) as part of Photo 24, Melbourne.
In this pair of large-scale works, CAMP explore two sides of their practice; one that produces experimental film and video, often with unusual equipment and angles of participation, and another that creates and animates archives of moving images, documents and photography.
Low-End Therapy
By Swadesi crew
Kaali Duniya (Bamboy/Tushar Adhav) with guest MC's Kranti Naari, Pratika, MC Mawali, Khabardar Revolt.
BassBrahma and RaakShas Sound
Equality on the dance floor.
A tour of the work with CAMP in three acts.
12 January 7 pm, ft. Bamboy
13 January 6 pm
14 January 7:30 pm
20 January 7 pm
7-channel environment. 13 mins, on loop with two alternating soundtracks
A vertical landscape movie in facets. Filmed remotely by one CCTV camera from a single-point location atop a 35-floor building on E. Moses Road during the pandemic.
CAMP participated in the conference: Modulating Realities at Sarai, Delhi.
What Can Happen to Paradigms of Control. A keynote lecture by Forensic Architecture Guest Professors Shaina A & Ashok S. At Goldsmiths, University of London.