In July 2001, a few historians, journalists and activists
are invited to Disket in the Nubra Valley, Ladakh to participate in a
National Integration Seminar. However, it appears that there has been a
miscommunication, on arrival they are told that the event is actually
the celebration of "Buddh Mahotsav", part of a series of nation-wide
events (the next was to be in Arunachal Pradesh) organised by the VHP.
What were a group of mostly left-liberal folks to do? They performed
their speeches for the gathered people of Disket, and talked late into
the night.
Attempts to reckon with the situation erupt only on the sidelines:
for example at breakfast, where a 20-something Maulana from Delhi seeks
to provoke the VHP representative at the table. Or in guest-house
debates on topics such as Islamic law, feminism, environmentalism and
Kashmir.
The videos, shot by a participant, include stadium scenes, a minibus ride returning from
the stadium, a sunset stop, friendly dances, and a peculiar atmosphere that hangs over this high-altitude encounter.
CAMP presents Saturday or Sunday evening screenings through winter,
exploring footage both within and outside the usual capsule of "the
film". An experience that could be similar to watching films, or at
other times harder to digest, or slower to release, closer to the moment of
shooting, less censorious, and less fearful of finitude. Another life,
another world of viewing and listening experiences is always possible.
Saturday, 6 to 8 pm.
A conversation with scholar Irina Aristarkhova and theorist/ curator Gunalan Nadarajan about their recent projects.
Irina presents ideas from an upcoming co-authored book on cyberfeminism, Night Sweats: Cyberfeminist Practices, out this year.
Guna will speak about a recent exhibition series across South East Asia, the first of which is named Menggodam.
Country of the Sea as part of revolutionary remembrance / क्रांती स्मरण
CAMP took part in the 16th Gwangju Biennale Pre-Programme events.
International Seminar on Documentary Film
“A collective / inarticulate harmony.”
A video performance tour of the work in three-acts with Shaina and Ashok.
Choreographies of the Everyday and Tokyo Art Week
Metabolic Container
Starting from 400 boxes of goods, part of a weekly, diasporic "trade" (one-way) between Batam in Indonesia, and Singapore. In which the container and its boxes are not just a carrier, but a medium.
featuring CCTV Social and Pad.ma playlists.