In July 2001, a few historians, journalists and activists
are invited to Disket in the Nubra Valley, Ladakh to participate in a
National Integration Seminar. However, it appears that there has been a
miscommunication, on arrival they are told that the event is actually
the celebration of "Buddh Mahotsav", part of a series of nation-wide
events (the next was to be in Arunachal Pradesh) organised by the VHP.
What were a group of mostly left-liberal folks to do? They performed
their speeches for the gathered people of Disket, and talked late into
the night.
Attempts to reckon with the situation erupt only on the sidelines:
for example at breakfast, where a 20-something Maulana from Delhi seeks
to provoke the VHP representative at the table. Or in guest-house
debates on topics such as Islamic law, feminism, environmentalism and
Kashmir.
The videos, shot by a participant, include stadium scenes, a minibus ride returning from
the stadium, a sunset stop, friendly dances, and a peculiar atmosphere that hangs over this high-altitude encounter.
CAMP presents Saturday or Sunday evening screenings through winter,
exploring footage both within and outside the usual capsule of "the
film". An experience that could be similar to watching films, or at
other times harder to digest, or slower to release, closer to the moment of
shooting, less censorious, and less fearful of finitude. Another life,
another world of viewing and listening experiences is always possible.
by Johan Grimonprez
150 mins| 2024|
7:00 pm
A story about the encounter of American Jazz and African decolonisation, via the UN and the CIA, with a lot of world around it. Featuring among others Patrice Lumumba, Krishna Menon, Malcolm X, Maya Angelou, Nikita Khrushchev, Nina Simone, Dizzy Gillespie, Duke Ellington, Abbey Lincoln, Adou Elenga...
Join us for a season of new films at CAMP which explore configurations and revelations of "world", amidst a world in pieces.
We begin the year with
GRAND TOUR
by Miguel Gomes
2024, 120 mins.
7:00 pm.
in memorium, Tejas Pande.
Five narratives developed in the class "Footage Films", that re-assemble archives of campus protest, Penn Museum collections, university weapons development projects, the Schuylkill river, a utopia called Shangri-La, and their intersections across time and place.
*Recalling Far From Vietnam, collectively-made essay film from 1967.
Screening and conversation in collaboration with University of Pennsylvania’s Cinema & Media Studies department and CARG. At old Slought/ new Public Trust.
Film screening, and conversation
6-8:00 pm