From Footpath to Flat (via FSI)

A Journey through Housing in Bombay/Mumbai, Part II 

(1982 to 2004)

Through Transit Camps, the Slum Rehabilitation Authority, Transferable Development Rights, Rocks, Marshes, Courts, and four institutional histories: Nivara Hakk, Nagari Nivara Parishad, SPARC and YUVA.  

110 minutes of film and video with live commentary. 
7:00 pm to 9:00 pm Saturday, 
11th March, 2017
CAMP rooftop

Resources:
Gallery: From Footpath to Flat (via FSI)
Housing Histories Seminar

"Ghar Mein Shehar Hona: City Housing in a Cultural Matrix, 1951 to 2020". Three evenings of immersive histories on CAMP Rooftop.

City Housing in a Cultural Matrix

Ghar Mein Shehar Hona is now online . See more at At Ghar.with.CAMP

Ghar Mein Shehar Hona Part 2

Part 2 of the housing histories project, From Footpath to Flat (via FSI) is online.

Ghar Mein Shehar Hona part 1

Part 1 of the housing histories project, Ghar Mein Shehar Hona: From Janata Colony to Janata Colony (imaginary to destroyed), is online.

Justice Lentin visits Kamraj Nagar, and What Happens Next

at CED (Centre for Education and Documentation)
3, Suleman Chambers, 4 Battery Street,
Behind Regal Cinema, Colaba, Mumbai.
Wednesday August 2, 2017
7 pm to 8:30 pm.

Including in person:
Journalist Olga Tellis
Lawyer Kranti L.C.
Poet and critic Ranjit Hoskote,
John D'Souza of the CED, among others.

In mid-monsoon exactly thirty-six years ago, Chief Minister A.R. Antulay initiated Operation Demolition, whose objective was to bulldoze and evict pavement dwellers in a corridor "from the Airport to the Taj Hotel".

From Bandra North to Khar East (Virtual i.e. Real Landscape)

via RTI, TDR, Cyprus, Speculative Housing, Capital Flight, GBGB Andolan, Multicam Stings, Drone Leaks, Abu, Adarsh, Alyque, Naezy, Nayak, Rajjo, Tiger, .pdf and .xlsx.

Part 3 of our video-lectures on housing histories of Bombay-Mumbai 6:30 pm

Structure of a Forthcoming Film

1982
Structure of a Forthcoming Film
Regarding the Bombay Police Mutiny, August 15th 1982

Past Present Future

A never-ending project housed at CAMP around peoples histories of Bombay-Mumbai.

Karachi Seminar: Critical Perspectives on Art and Education

Keynote Presentation: From Janta Colony to Janta Colony (imaginary to destroyed) 1950 to 1982 Via print and film, music, love, bulldozers, state propaganda and peoples archives.

John Berger, A Seventh Time

Video and Stills with accompanying commentary
90 minutes
7:00 pm
*plus a newly-scanned copy of "A Seventh Man", Berger's photo-text book on migrant work.



CAMP awarded Nam June Paik Art Center Prize 2020

Image: CAMP studio (handmade book scanner, optical scanner, four computers, NVR recorder, joystick, microphones, salad box, water, biscuits, coffee on the folding table. Bookshelves made of paper rolls, books, routers, awards, air conditioning and fan above. Inventory of electronics + museum of Jurassic technology below the tables, flooring replaced from wear. Some persons on a break, a person taking the picture.)

Ghode Ko Jalebi Khilane Ja Riya Hoon

7:00pm
Followed by a discussion with Anamika Haksar and many cast and crew members.

As part of Mother Courage and her Unruly, Loving Children

From Gulf to Gulf to Gulf

Punto De Vista
International Documentary Festival of Navarra
Retrospective: Oceanic Feeling

A Timeline and a Film, with Priya Sen

7:00 pm ASSEMBLY, 30 min.
+
YEH FREEDOM LIFE, 70 min
Followed by a discussion with Priya

Mother Truth and her Unruly, Loving Children

SUSPENDED :( Hope to be back in the near future
This season of projections at CAMP begins on weekend evenings starting Saturday, February 29, or leap year day.

Screening and Discussion: A Passage through Passages

Screening of a new 5-channel film by CAMP: 85 minutes

A Passage Through Passages is inspired by ethnographic and archival work in five field sites.

The screening is followed by a discussion, and a response from Susan Schuppli.

A PASSAGE THROUGH PASSAGES: On Roads in South Asia

A Passage Through Passages is inspired by ethnographic and archival work in five field sites. The central feature of the exhibition is a multi-screen film work by CAMP.

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