Video and Stills with accompanying commentary
90 minutes
7:00 pm
*plus a newly-scanned copy of "A Seventh Man", Berger's photo-text book on migrant work.
This evening we bring to you some of the, lets call them the more migratory and joyous truths of the artist, poet, critic, marxist, screenplay writer, novelist and actor John Berger - as edited from sound, image and text archives of his work.
Migratory in the sense of having something undogmatic, worldly and yet quite continuous to say, do, and make, in every recent decade. A small compilation of materials, from which we can think of say the past century, in artistic, irreducible as well as political and connected terms, without being crushed in their contradictions.
If you set out in this world,
Let these seven be your companions.
One, who talks over Chandigarh
One, who donates his Booker
One, who shows us Ways of Seeing
One, who reads Garlic and eats Saffron
One, who draws a Dancer and unsettles Time
One, who is a Storyteller
If all they spark is not a fire
you yourself must be the Seventh
(via the The Seventh, by Attila Jozsef)
SUSPENDED :( Hope to be back in the near future
This season of projections at CAMP begins on weekend evenings starting Saturday, February 29, or leap year day.
A Journey through Housing in Bombay/Mumbai, Part II
(1982 to 2004)
Through Transit Camps, the Slum Rehabilitation Authority, Transferable Development Rights, Rocks, Marshes, Courts, and four institutional histories: Nivara Hakk, Nagari Nivara Parishad, SPARC and YUVA.
110 minutes of film and video with live commentary.
7:00 pm to 9:00 pm
Saturday,
11th March, 2017
CAMP rooftop
(imaginary to destroyed)
A Journey through Housing in Bombay
Part-I: 1950 to 1982
Tuesday, 29th November, 2016
6:30 pm to 9 pm
From "Shehar aur Sapna" to the Olga Tellis case. Via print and film, music, love, bulldozers, state propaganda and people's archives.
7:00 pm
A.K.A. Serial Killer
Masao Adachi, 1969, 86 min
https://0xdb.org/0239925
9:00 pm
The Anabasis of May and Fusako Shigenobu,
Masao Adachi and 27 Years Without Images
Eric Baudelaire, 2011, 66 min
https://0xdb.org/2006160
10:00 pm
It May Be That Beauty Has Strengthened Our Resolve: Masao Adachi
Philippe Grandrieux, 2011, 73 min
https://0xdb.org/2007401
CAMP rooftop: http://studio.camp/campstudio.html
If Jerusalem is the capital of both Israel and Palestine, and on the eve of Netanyahu's visit to a historically Palestine-friendly India, we bring you two films with surprising images and voices...
Battle for Banaras
Kamal Swaroop, 2014
2hrs 13mins
Friday, 18th November. 8 pm
Kamal and the crew will be present.
Through the film we cutaway to the river's edge and two men talking, about this place, and about politics older than the modern Indian city. Then we enter the city again, and its rushes of electoral spectacle, surging crowds, politically astute residents, actions designed for this time and place. When Kamal Swaroop says "I am no longer speaking, in my films" he seems to mean that he watching the crowds, listening, looking from whatever distance is possible, often with a long lens and a small crew.
The film evokes the practice of the diary film, at once observational and reflexive, and draws power from its twin strategies of frugal economy and long duration. Screening & discussion with Renu.
by Johan Grimonprez
150 mins| 2024|
7:00 pm
A story about the encounter of American Jazz and African decolonisation, via the UN and the CIA, with a lot of world around it. Featuring among others Patrice Lumumba, Krishna Menon, Malcolm X, Maya Angelou, Nikita Khrushchev, Nina Simone, Dizzy Gillespie, Duke Ellington, Abbey Lincoln, Adou Elenga...
Join us for a season of new films at CAMP which explore configurations and revelations of "world", amidst a world in pieces.
We begin the year with
GRAND TOUR
by Miguel Gomes
2024, 120 mins.
7:00 pm.
in memorium, Tejas Pande.
Five narratives developed in the class "Footage Films", that re-assemble archives of campus protest, Penn Museum collections, university weapons development projects, the Schuylkill river, a utopia called Shangri-La, and their intersections across time and place.
*Recalling Far From Vietnam, collectively-made essay film from 1967.
Screening and conversation in collaboration with University of Pennsylvania’s Cinema & Media Studies department and CARG. At old Slought/ new Public Trust.
Film screening, and conversation
6-8:00 pm