Miryavar Kahi Mahine
3 hours 50 mins
Marathi with English subs
Camera and Direction: Renu Savant
6:30 pm onwards
Camera and Direction: Renu Savant Editing: Rikhav Desai
In 2015, I stayed and shot in my ancestral village in western coastal India, thus starting an experiment of documenting/killing 'time'....
The canvas demanded the scale of a longer narrative form, like a novel in digital video.
The intention behind the project was, through the camera, to do a political study of a village, where the very act of researching is constantly put into relief. Interactions of power across caste, class and gender lines played out around me...
Filmed by Renu over many months in 2015, on a 600D camera, Miryavar Kahi Mahine is a lyrical ethnography of a village in the Konkan region of Maharashtra. It is a generous, steady exploration of many characters and forces in the village; natural and human-made, historical and present. The film evokes the practice of the diary film, at once observational and reflexive, and draws power from its twin strategies of frugal economy and long duration.
The film was awarded the John Abraham Award for Best Documentary, at the Signs film Festival, Kochi September 2017.
Do join us for the Mumbai preview of this film in the company of the director and editor.
Renu Savant is an FTII graduate. Her previous two films Airawat and Aaranyak have been recipients of National Awards.
Rikhav Desai is a film editor living and working in Mumbai. He edits documentary films, art installation videos and, occasionally, fiction films.
SUSPENDED :( Hope to be back in the near future
This season of projections at CAMP begins on weekend evenings starting Saturday, February 29, or leap year day.
Pirate Cinema from Berlin, who we are working with on the video archive
http://pad.ma, present a series of weekly (Sunday) events in the Pirate Cinema tradition, on films and footage.
POSTPONED :(
We will update with new date shortly
Saturday March 14, 2020
7:00 pm
with Pankaj Rishi Kumar
7:00pm
Followed by a discussion with Anamika Haksar and many cast and crew members.
As part of Mother Courage and her Unruly, Loving Children
A roof-top venue that has been active since 2007, in this location since 2009.
Two Footage Films, or How to make use of a Footage Archive.
Pad.ma invites you to
Rivers without Banks
at CAMP
27th December, 2013 through 27th January, 2014
Before the start of a new year; and among big and small resolutions for the future we chose to ask ourselves what is free cinema today, what is its political and perceptual economy, and what could we summon of its powers, before embarking on new journeys of making and thinking.
Rivers without Banks is a screening program of films whose durations extend beyond conventional length. But importantly, this is not a collection put together quantitatively, even as we may argue that the epic scales present in the chosen films carry the weight of histories, and put together chronologically show us a century where individual everyday lives face the annals of terrible power; where the human condition battles with nature and technology, with love and loss, with good and evil.
CAMP presents
Saturday or Sunday evening screenings through winter,
exploring footage both within and outside the usual capsule of "the
film". An experience that could be similar to watching films, or at
other times harder to digest, or slower to release, closer to the moment of
shooting, less censorious, and less fearful of finitude. Another life,
another world of viewing and listening experiences is always possible.
Listings of the film screenings held every weekend on CAMP's roof during January and February, hosted by Pirate Cinema Berlin.
More to come next winter, when CAMP gets a brand new roof and makes a brand new cinema;)
Video and Stills with accompanying commentary
90 minutes
7:00 pm
*plus a newly-scanned copy of "A Seventh Man", Berger's photo-text book on migrant work.
featuring
The Neighbour Before the House
Al Jaar Qabla Al Daar
الجار قبل الدار
Shaina A speaks about CAMP's past-present-future project and indiancine.ma at CSMVS in conjuction with A Cinematic Imagination: Josef Wirsching & the Bombay Talkies.
Two films by CAMP
Al Jaar Qabla Al Daar (The Neighbour before the House)
From Gulf to Gulf to Gulf
in
The Unfaithful Octopus
at
MAIIAM Contemporary
with Bombay Tilts Down (2022) and A Photogenic Line, (2019) as part of Photo 24, Melbourne.
In this pair of large-scale works, CAMP explore two sides of their practice; one that produces experimental film and video, often with unusual equipment and angles of participation, and another that creates and animates archives of moving images, documents and photography.
Low-End Therapy
By Swadesi crew
Kaali Duniya (Bamboy/Tushar Adhav) with guest MC's Kranti Naari, Pratika, MC Mawali, Khabardar Revolt.
BassBrahma and RaakShas Sound
Equality on the dance floor.
7-channel environment. 13 mins, on loop with two alternating soundtracks
A vertical landscape movie in facets. Filmed remotely by one CCTV camera from a single-point location atop a 35-floor building on E. Moses Road during the pandemic.
A tour of the work with CAMP in three acts.
12 January 7 pm, ft. Bamboy
13 January 6 pm
14 January 7:30 pm
20 January 7 pm
CAMP participated in the conference: Modulating Realities at Sarai, Delhi.
What Can Happen to Paradigms of Control. A keynote lecture by Forensic Architecture Guest Professors Shaina A & Ashok S. At Goldsmiths, University of London.