Many Months in Mirya

Miryavar Kahi Mahine
3 hours 50 mins
Marathi with English subs
Camera and Direction: Renu Savant
6:30 pm onwards

Camera and Direction: Renu Savant Editing: Rikhav Desai

In 2015, I stayed and shot in my ancestral village in western coastal India, thus starting an experiment of documenting/killing 'time'....

The canvas demanded the scale of a longer narrative form, like a novel in digital video.

The intention behind the project was, through the camera, to do a political study of a village, where the very act of researching is constantly put into relief. Interactions of power across caste, class and gender lines played out around me...

Filmed by Renu over many months in 2015, on a 600D camera, Miryavar Kahi Mahine is a lyrical ethnography of a village in the Konkan region of Maharashtra. It is a generous, steady exploration of many characters and forces in the village; natural and human-made, historical and present. The film evokes the practice of the diary film, at once observational and reflexive, and draws power from its twin strategies of frugal economy and long duration.

The film was awarded the John Abraham Award for Best Documentary, at the Signs film Festival, Kochi September 2017.

Do join us for the Mumbai preview of this film in the company of the director and editor.

Renu Savant is an FTII graduate. Her previous two films Airawat and Aaranyak have been recipients of National Awards.

Rikhav Desai is a film editor living and working in Mumbai. He edits documentary films, art installation videos and, occasionally, fiction films.

Mother Truth and her Unruly, Loving Children

SUSPENDED :( Hope to be back in the near future
This season of projections at CAMP begins on weekend evenings starting Saturday, February 29, or leap year day.

Pirate Cinema Bombay

Pirate Cinema from Berlin, who we are working with on the video archive
http://pad.ma, present a series of weekly (Sunday) events in the Pirate Cinema tradition, on films and footage.

Kumar's Talkies and Janani's Juliet

POSTPONED :(
We will update with new date shortly
Saturday March 14, 2020
7:00 pm
with Pankaj Rishi Kumar

Ghode Ko Jalebi Khilane Ja Riya Hoon

7:00pm
Followed by a discussion with Anamika Haksar and many cast and crew members.

As part of Mother Courage and her Unruly, Loving Children

Evenings at CAMP Rooftop

A roof-top venue that has been active since 2007, in this location since 2009.

A season of Footage and Films Part 2. Two Footage Films

Two Footage Films, or How to make use of a Footage Archive.

Saturday,
December 18th, 2010,
6:30 pm onwards.

1. Domestic Tourism II
Maha Maamoun, 2009
60 minutes.

2. Workers Leaving the Factory
Harun Farocki, 1995
36 minutes.

A season of long films

Pad.ma invites you to
Rivers without Banks
at CAMP

27th December, 2013 through 27th January, 2014


Before the start of a new year; and among big and small resolutions for the future we chose to ask ourselves what is free cinema today, what is its political and perceptual economy, and what could we summon of its powers, before embarking on new journeys of making and thinking.

Rivers without Banks is a screening program of films whose durations extend beyond conventional length. But importantly, this is not a collection put together quantitatively, even as we may argue that the epic scales present in the chosen films carry the weight of histories, and put together chronologically show us a century where individual everyday lives face the annals of terrible power; where the human condition battles with nature and technology, with love and loss, with good and evil.

A Season of Footage and Films


CAMP presents
Saturday or Sunday evening screenings through winter, exploring footage both within and outside the usual capsule of "the film". An experience that could be similar to watching films, or at other times harder to digest, or slower to release, closer to the moment of shooting, less censorious, and less fearful of finitude. Another life, another world of viewing and listening experiences is always possible.

Cinema weekends at Winter CAMP rooftop

Listings of the film screenings held every weekend on CAMP's roof during January and February, hosted by Pirate Cinema Berlin.
More to come next winter, when CAMP gets a brand new roof and makes a brand new cinema;)

John Berger, A Seventh Time

Video and Stills with accompanying commentary
90 minutes
7:00 pm
*plus a newly-scanned copy of "A Seventh Man", Berger's photo-text book on migrant work.



Broken Cameras

featuring
The Neighbour Before the House
Al Jaar Qabla Al Daar
الجار قبل الدار

What the Cameras Saw and Remembered

Two films by CAMP
Al Jaar Qabla Al Daar (The Neighbour before the House)
From Gulf to Gulf to Gulf

Captial Circus (2009)

in
The Unfaithful Octopus
at
MAIIAM Contemporary

To See is To Change

with Bombay Tilts Down (2022) and A Photogenic Line, (2019) as part of Photo 24, Melbourne.
In this pair of large-scale works, CAMP explore two sides of their practice; one that produces experimental film and video, often with unusual equipment and angles of participation, and another that creates and animates archives of moving images, documents and photography.

Closing Party! BOMBAY TILTS DOWN

Low-End Therapy
By Swadesi crew Kaali Duniya (Bamboy/Tushar Adhav) with guest MC's Kranti Naari, Pratika, MC Mawali, Khabardar Revolt.
BassBrahma and RaakShas Sound
Equality on the dance floor.

Bombay Tilts Down in Mumbai!

7-channel environment. 13 mins, on loop with two alternating soundtracks

A vertical landscape movie in facets. Filmed remotely by one CCTV camera from a single-point location atop a 35-floor building on E. Moses Road during the pandemic.

READING LISTENING SEEING Bombay Tilts Down

A tour of the work with CAMP in three acts.
12 January 7 pm, ft. Bamboy
13 January 6 pm
14 January 7:30 pm
20 January 7 pm

All Events