A season of Footage and Films Part 2. Two Footage Films

Two Footage Films, or How to make use of a Footage Archive.

Saturday,
December 18th, 2010,
6:30 pm onwards.


1. Domestic Tourism II
Maha Maamoun, 2009
60 minutes.

2. Workers Leaving the Factory
Harun Farocki, 1995
36 minutes.

CAMP continues its winter season of screenings exploring footage both within and outside the usual capsule of "the film".  Screenings at CAMP roof, starting at 6:30 pm

Both of these films begin with a premise that sounds like a google search: to use scenes depicting 1. the pyramids and 2. workers leaving the factory. But Maha Maamoun's film, Domestic Tourism II produces effects far more politically and psychologically diverse that one would imagine by reading the premise alone. The "keyword" is then neither the whole story, nor worthless, in shaping our encounter with this surprising archive of Egyptian film.

Harun

Farocki's film "Workers Leaving The Factory" has been exhibited in different formats since 1995, including as a multi-monitor installation, 'Workers Leaving the Factory in Eleven Decades' (2006). Beginning with the 1895 shot, "Workers Leaving the Lumiere Factory in Lyon", It brings together scenes that may be only incidental to a films narrative, but in another assemblage such as here, produce a different set of identifications. We will screen both the film and a selection of clips from the installation, with a few addenda from Hindi cinema.

A season of Footage and Films Part 2. Two Footage Films
A Season of Footage and Films

CAMP presents Saturday or Sunday evening screenings through winter,
exploring footage both within and outside the usual capsule of "the
film". An experience that could be similar to watching films, or at
other times harder to digest, or slower to release, closer to the moment of
shooting, less censorious, and less fearful of finitude. Another life,
another world of viewing and listening experiences is always possible.

Many Months in Mirya

The film evokes the practice of the diary film, at once observational and reflexive, and draws power from its twin strategies of frugal economy and long duration. Screening & discussion with Renu.



Sydney Biennale 2026

Coming soon…

Night Sweats, and Menggodam

Saturday, 6 to 8 pm.
A conversation with scholar Irina Aristarkhova and theorist/ curator Gunalan Nadarajan about their recent projects.

Irina presents ideas from an upcoming co-authored book on cyberfeminism, Night Sweats: Cyberfeminist Practices, out this year.

Guna will speak about a recent exhibition series across South East Asia, the first of which is named Menggodam.

Commemorating a Revolution yet to come,

Country of the Sea as part of revolutionary remembrance / क्रांती स्मरण

Gwangju Biennale 2026

CAMP took part in the 16th Gwangju Biennale Pre-Programme events.

screenings and masterclass with CAMP

Doc’s Kingdom

International Seminar on Documentary Film
“A collective / inarticulate harmony.”

Reading Listening Seeing - Bombay Tilts Down

A video performance tour of the work in three-acts with Shaina and Ashok.
Choreographies of the Everyday and Tokyo Art Week

Singapore Biennale

Metabolic Container

Starting from 400 boxes of goods, part of a weekly, diasporic "trade" (one-way) between Batam in Indonesia, and Singapore. In which the container and its boxes are not just a carrier, but a medium.

Structural Film After Globalisation

featuring CCTV Social and Pad.ma playlists.

All Events