A season of Footage and Films Part 2. Two Footage Films

Two Footage Films, or How to make use of a Footage Archive.

Saturday,
December 18th, 2010,
6:30 pm onwards.


1. Domestic Tourism II
Maha Maamoun, 2009
60 minutes.

2. Workers Leaving the Factory
Harun Farocki, 1995
36 minutes.

CAMP continues its winter season of screenings exploring footage both within and outside the usual capsule of "the film".  Screenings at CAMP roof, starting at 6:30 pm

Both of these films begin with a premise that sounds like a google search: to use scenes depicting 1. the pyramids and 2. workers leaving the factory. But Maha Maamoun's film, Domestic Tourism II produces effects far more politically and psychologically diverse that one would imagine by reading the premise alone. The "keyword" is then neither the whole story, nor worthless, in shaping our encounter with this surprising archive of Egyptian film.

Harun

Farocki's film "Workers Leaving The Factory" has been exhibited in different formats since 1995, including as a multi-monitor installation, 'Workers Leaving the Factory in Eleven Decades' (2006). Beginning with the 1895 shot, "Workers Leaving the Lumiere Factory in Lyon", It brings together scenes that may be only incidental to a films narrative, but in another assemblage such as here, produce a different set of identifications. We will screen both the film and a selection of clips from the installation, with a few addenda from Hindi cinema.

Gallery: A season of Footage and Films Part 2. Two Footage Films
A Season of Footage and Films

CAMP presents Saturday or Sunday evening screenings through winter,
exploring footage both within and outside the usual capsule of "the
film". An experience that could be similar to watching films, or at
other times harder to digest, or slower to release, closer to the moment of
shooting, less censorious, and less fearful of finitude. Another life,
another world of viewing and listening experiences is always possible.

Many Months in Mirya

The film evokes the practice of the diary film, at once observational and reflexive, and draws power from its twin strategies of frugal economy and long duration. Screening & discussion with Renu.



Video After Video | The Critical Media of CAMP

Opening soon, CAMP solo in NYC.

The (Reshuffled) Year of the Everlasting Storm

Sunday, 7:00 pm
100 mins
Pandemic shorts by Panahi, Poitras, Apichatpong, Weiwei, and others.

A Terrible Beauty

by Iram Ghufran
50 mins, 2023
7:00 pm

Introduction and post-screening discussion with Iram Ghufran.
A science-fiction fable set in the "miracle city" of Yiwu, in one of the world's largest wholesale markets for small commodities.

Youth (Spring)

by Wang Bing
232 mins | 2023
6:30 pm*

Soundtrack to a Coup d'Etat

by Johan Grimonprez
150 mins| 2024|
7:00 pm
A story about the encounter of American Jazz and African decolonisation, via the UN and the CIA, with a lot of world around it.

Around the World Again

Join us for a season of new films at CAMP which explore configurations and revelations of "world", amidst a world in pieces.
We begin the year with
GRAND TOUR
by Miguel Gomes
2024, 120 mins.
7:00 pm.
in memorium, Tejas Pande.

Geographies of Belonging

Al Jaar Qabla Al Daar
Streaming on Union Docs.

Far from Philadelphia

Five narratives developed in the class "Footage Films", that re-assemble archives of campus protest, Penn Museum collections, university weapons development projects, the Schuylkill river, a utopia called Shangri-La, and their intersections across time and place.
*Recalling Far From Vietnam, collectively-made essay film from 1967.

Bombay Tilts Down

Asia Pacific Triennial

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