CAMP solo at De Appel
On three screens, a city-symphony filmed by automated CCTV cameras in Amsterdam. The optical and motor capacities of these cameras are pushed to an extreme. Certain human subjects reappear near or far in the images, suggesting a form of reciprocal knowledge or intent, a secret pattern between cameras and people.
In Cameras Res is an exhibition in which CAMP suggests the optical equivalent of the literary concept (in Latin) In Medias Res, in which the narrative begins in the middle of a plot, or evolutionary sequence. An In-Camera edit is one done without a separate editing process, like with a film camera. An In-Camera proceeding in the legal sense, is one from which spectators and jurors are excluded, thus the opposite of a public trial.
In Cameras Res takes its points-of-view from Amsterdam’s historical buildings, the former Royal Dutch Shell Headquarters (now A'DAM Tower), The former NHM building (Netherlands Trading Society, now Stadsarchief Amsterdam) and the former Tetterode printing foundry (now artist ateliers), connecting them to the surrounding landscape via camera-controlled shots. Each film in the exhibition was captured from a single camera position, and each uses a distinct editing technique. We see several micro and macro versions of the city, in different weather and light conditions.
Here, CAMP speculates about future images and future awareness.This exhibition is the resulting project of a De Appel commission.
In Cameras Res
3-channel HD CCTV video
Camera Software: Jan Gerber
On three screens, a city-symphony filmed by automated CCTV cameras in Amsterdam. The optical and motor capacities of these cameras are pushed to an extreme. Certain human subjects reappear near or far in the images, suggesting a form of reciprocal knowledge or intent, a secret pact between cameras and people.
In advance of CAMP's solo at De Appel and in collaboration with LIMA - a screening of two of the studio’s earlier acclaimed projects that examine surveillance, society, and cinematic apparatus.
A single camera mounted on the roof of Gem Cinema brings us multifarious textures, factoids and fabulations
with Albert-Lászlo Barabási, CAMP, Burak Arikan and Hans Ulrich Obrist at Hidden Patterns.
EK DOZEN PAANI
Join us for a special Flashback Friday evening, as we journey back with the films in the presence of, and in conversation with many of the filmmaker’s accompanied by bonus archival material.
PaNi SaRe DhaGa Ma (Water Is In All The Clouds) as the sargam notes and title connote was an exploration of the many lives of water - social, political, material, and spectral - as lived and experienced by young dwellers of the Mumbai suburbs of east Jogeshwari in 2008
CAMP, in Conversation with Elvira Dyangani Ose.
Ashok introduces a video on the Monsoon in Lallubhai, made at R & R, at the opening event of the inhabited sea project.
Image: CAMP studio (handmade book scanner, optical scanner, four computers, NVR recorder, joystick, microphones, salad box, water, biscuits, coffee on the folding table. Bookshelves made of paper rolls, books, routers, awards, air conditioning and fan above. Inventory of electronics + museum of Jurassic technology below the tables, flooring replaced from wear. Some persons on a break, a person taking the picture.)
Part 2 of the housing histories project, From Footpath to Flat (via FSI) is online.
Online seminar/"masterclass" with students of Srishti, Bangalore.
Part 1 of the housing histories project, Ghar Mein Shehar Hona: From Janata Colony to Janata Colony (imaginary to destroyed), is online.
Followed by a discussion with Anamika Haksar and many cast and crew members.
As part of Mother Courage and her Unruly, Loving Children
Punto De Vista
International Documentary Festival of Navarra
Retrospective: Oceanic Feeling