Day Two was a colder day. Joe and Steve were blurry-eyed when we got to the 'clinic'; Steve had had been on the eleven-hour night shift and was continuing through the day as they were short-staffed. Friday, the day of our first session had been the last day of Uni. Today was Sunday and the streets were quiet.
The 'warmth' of the Control room provided a space for diagnosis and self-examination. From Kate Taylor, a film curator from Liverpool interested in how artists and operators view CCTV to Phil, an employee of BAE systems and Julie who worked at Granada TV came a range of questions and reflections. Steve, feeling vulnerable and less on the defense offered us some clear insights about life 'on the beat' and about the processes of gentrification and regeneration he had witnessed in the city.
View short excepts from Day Two below.
In March 2008 Shaina Anand collaborated with Manchester Metropolitan University and Arndale Shopping Centre to open working CCTV environments to a general audience. People normally 'enclosed' by these networks came into the control rooms to view, observe and monitor this condition, endemic in the UK.
Opening soon, CAMP solo in NYC.
Sunday, 7:00 pm
100 mins
Pandemic shorts by Panahi, Poitras, Apichatpong, Weiwei, and others.
by Iram Ghufran
50 mins, 2023
7:00 pm
Introduction and post-screening discussion with Iram Ghufran.
A science-fiction fable set in the "miracle city" of Yiwu, in one of the world's largest wholesale markets for small commodities.
Shaina A gave a talk at the film studies conference at EFLU, Hyderabad titled Film After Video, Notes from CAMP.
by Johan Grimonprez
150 mins| 2024|
7:00 pm
A story about the encounter of American Jazz and African decolonisation, via the UN and the CIA, with a lot of world around it.
Join us for a season of new films at CAMP which explore configurations and revelations of "world", amidst a world in pieces.
We begin the year with
GRAND TOUR
by Miguel Gomes
2024, 120 mins.
7:00 pm.
in memorium, Tejas Pande.
Al Jaar Qabla Al Daar
Streaming on Union Docs.
Five narratives developed in the class "Footage Films", that re-assemble archives of campus protest, Penn Museum collections, university weapons development projects, the Schuylkill river, a utopia called Shangri-La, and their intersections across time and place.
*Recalling Far From Vietnam, collectively-made essay film from 1967.
Asia Pacific Triennial