" ...sometimes
extraordinarily hilarious, sometimes hardly able to get away from its
deliberately starched setting. A group of young men is trying to analyse
an enormous number of fragmentary film documents (shot by Khittl and
his cameraman Ronald Martini during two extensive travels around the
world in 1959 and 1960). The 308 “documents” – films about water and
erosion, Brasilia, a volcano, rice in Asia or a meanwhile legendary
Rosstäuscher (horse cheater) – are screened one after the after and
intermitted by comments of the team members (who, on their part, are
being commented by a supervisor). “In a Kafkaesque room five
Ionescoesque people find themselves in a Sartreesque situation, trying
to solve a Camuesque problem”, as back then pre-eminent critic Helmut
Färber ironically described this setting."
from a review of the 44th Viennale by Martina Lunzer and Barbara Wurm, Senses of Cinema, October 2006.
CAMP presents
Saturday or Sunday evening screenings through winter,
exploring footage both within and outside the usual capsule of "the
film". An experience that could be similar to watching films, or at
other times harder to digest, or slower to release, closer to the moment of
shooting, less censorious, and less fearful of finitude. Another life,
another world of viewing and listening experiences is always possible.
Five narratives developed in the class "Footage Films", that re-assemble archives of campus protest, Penn Museum collections, university weapons development projects, the Schuylkill river, a utopia called Shangri-La, and their intersections across time and place.
*Recalling Far From Vietnam, collectively-made essay film from 1967.
Screening and conversation in collaboration with University of Pennsylvania’s Cinema & Media Studies department and CARG. At old Slought/ new Public Trust.
Film screening, and conversation 6-8:00 pm
We are proposing this term to think more broadly about extraction, waste, dependency, rear-guarding, mediatic conversions, in- and out-sourcing, and other aspects of chains of translation and steps of decision and production.
with Visiting Scholars CAMP
(Shaina Anand and Ashok Sukumaran)
We begin this fall semester's film class with a moratorium on audio-video capture.
100 days without your own images:)