" ...sometimes
extraordinarily hilarious, sometimes hardly able to get away from its
deliberately starched setting. A group of young men is trying to analyse
an enormous number of fragmentary film documents (shot by Khittl and
his cameraman Ronald Martini during two extensive travels around the
world in 1959 and 1960). The 308 “documents” – films about water and
erosion, Brasilia, a volcano, rice in Asia or a meanwhile legendary
Rosstäuscher (horse cheater) – are screened one after the after and
intermitted by comments of the team members (who, on their part, are
being commented by a supervisor). “In a Kafkaesque room five
Ionescoesque people find themselves in a Sartreesque situation, trying
to solve a Camuesque problem”, as back then pre-eminent critic Helmut
Färber ironically described this setting."
from a review of the 44th Viennale by Martina Lunzer and Barbara Wurm, Senses of Cinema, October 2006.
CAMP presents
Saturday or Sunday evening screenings through winter,
exploring footage both within and outside the usual capsule of "the
film". An experience that could be similar to watching films, or at
other times harder to digest, or slower to release, closer to the moment of
shooting, less censorious, and less fearful of finitude. Another life,
another world of viewing and listening experiences is always possible.
featuring
The Neighbour Before the House
Al Jaar Qabla Al Daar
الجار قبل الدار
Shaina A speaks about CAMP's past-present-future project and indiancine.ma at CSMVS in conjuction with A Cinematic Imagination: Josef Wirsching & the Bombay Talkies.
Two films by CAMP
Al Jaar Qabla Al Daar (The Neighbour before the House)
From Gulf to Gulf to Gulf
in
The Unfaithful Octopus
at
MAIIAM Contemporary
with Bombay Tilts Down (2022) and A Photogenic Line, (2019) as part of Photo 24, Melbourne.
In this pair of large-scale works, CAMP explore two sides of their practice; one that produces experimental film and video, often with unusual equipment and angles of participation, and another that creates and animates archives of moving images, documents and photography.
Low-End Therapy
By Swadesi crew
Kaali Duniya (Bamboy/Tushar Adhav) with guest MC's Kranti Naari, Pratika, MC Mawali, Khabardar Revolt.
BassBrahma and RaakShas Sound
Equality on the dance floor.
A tour of the work with CAMP in three acts.
12 January 7 pm, ft. Bamboy
13 January 6 pm
14 January 7:30 pm
20 January 7 pm
7-channel environment. 13 mins, on loop with two alternating soundtracks
A vertical landscape movie in facets. Filmed remotely by one CCTV camera from a single-point location atop a 35-floor building on E. Moses Road during the pandemic.
CAMP participated in the conference: Modulating Realities at Sarai, Delhi.
What Can Happen to Paradigms of Control. A keynote lecture by Forensic Architecture Guest Professors Shaina A & Ashok S. At Goldsmiths, University of London.