1. Fifteen years after the end of the Second World War, SS Colonel Adolf Eichmann was captured in Argentina, where he was living and working under a false name, by Mossad agents and taken to Israel for trial. Leo Hurwitz, an American leftist film-maker was hired to record the Eichmann trial, which he did using four concealed cameras. In 1991, when filmmaker Eyal Sivan inquired about the footage, he was told that it didn't exist. In 1999, Sivan and Rony Brauman put together this 128-minute film, disrupting the chronology of the trial and highlighting instead its tone and environment, from over 300 hours of the recorded footage they were able to access (one third of which had decayed by then).
2. At the request of the PLO, "The Dziga Vertov Group" shot footage of the Palestinian resistance in 1970. They were only able to edit the footage and make the film Ici et Ailleurs (Here and Elsewhere) in 1974, retaining "only five shots" from the original material.
"In 1970, this film was called Victory. In 1974, this film is called Here and Elsewhere. And elsewhere. And..."
"For it’s in the nature of cinema (delay between the time of shooting and the time of projection) to be the art of here and elsewhere. What Godard says, very uncomfortably and very honestly, is that the true place of the filmmaker is in the AND. A hyphen only has value if it doesn’t confuse what it unites."
- Serge Daney (A Preface to Here and Elsewhere)
CAMP presents
Saturday or Sunday evening screenings through winter,
exploring footage both within and outside the usual capsule of "the
film". An experience that could be similar to watching films, or at
other times harder to digest, or slower to release, closer to the moment of
shooting, less censorious, and less fearful of finitude. Another life,
another world of viewing and listening experiences is always possible.
featuring
The Neighbour Before the House
Al Jaar Qabla Al Daar
الجار قبل الدار
Shaina A speaks about CAMP's past-present-future project and indiancine.ma at CSMVS in conjuction with A Cinematic Imagination: Josef Wirsching & the Bombay Talkies.
Two films by CAMP
Al Jaar Qabla Al Daar (The Neighbour before the House)
From Gulf to Gulf to Gulf
in
The Unfaithful Octopus
at
MAIIAM Contemporary
with Bombay Tilts Down (2022) and A Photogenic Line, (2019) as part of Photo 24, Melbourne.
In this pair of large-scale works, CAMP explore two sides of their practice; one that produces experimental film and video, often with unusual equipment and angles of participation, and another that creates and animates archives of moving images, documents and photography.
Low-End Therapy
By Swadesi crew
Kaali Duniya (Bamboy/Tushar Adhav) with guest MC's Kranti Naari, Pratika, MC Mawali, Khabardar Revolt.
BassBrahma and RaakShas Sound
Equality on the dance floor.
A tour of the work with CAMP in three acts.
12 January 7 pm, ft. Bamboy
13 January 6 pm
14 January 7:30 pm
20 January 7 pm
7-channel environment. 13 mins, on loop with two alternating soundtracks
A vertical landscape movie in facets. Filmed remotely by one CCTV camera from a single-point location atop a 35-floor building on E. Moses Road during the pandemic.
CAMP participated in the conference: Modulating Realities at Sarai, Delhi.
What Can Happen to Paradigms of Control. A keynote lecture by Forensic Architecture Guest Professors Shaina A & Ashok S. At Goldsmiths, University of London.