A book by CAMP
6.30pm Wednesday 6 November, 2013
Serpentine Gallery, London
CAMP present
Pleasure: A Block Study, a publication that comes out of their
multi-year residency with the Edgware Road Project. Produced entirely
online, via the print tool and website
edgwareroad.org, this volume was initiated by the
artists, focussing on a very small piece of the city: a few buildings
on the Edgware Road in London.
The publication explores a history of 'public pleasures' that arose in the Edgware Road neighbourhood, starting from the 19th
Century to the present, documenting social shifts on the street
and the surrounding areas. Arab, Iranian, Irish, Kurdish and other
businesses and groups produced a particular history of film, video,
music and street life that often clashed with existing legal and
proprietary structures. A tumultuous few decades of these
struggles form the heart of this book, offering on the one hand, images
and narratives of a pleasure filled Dionysian street-life, and on the
other tales of bureaucratic containment that limit and regulate various
emergences of public life.
CAMP
is involved in a 2-year "print-from-web"
project, linked to its own investigations of the infrastructures of commerce and
pleasure in this part of London. As part of the first "block study", we looked at several buildings and their ownership and use histories, and produced a series of tablemats.
The web-based part of the project resides at http://edgwareroad.org. ( now at Print.with.camp ) This website collects materials from various such "studies", conducted by us and
others, which then are collaboratively edited and published in a number of physical forms: volumes, pamphlets and placemats.
This is an ongoing project, as part of the Serpentine Gallery's Public
Program.
A conversation prompted by CAMP's Metabolic Container at the Singapore Biennale.
Commissioned by the 25th Biennale of Sydney
Rememory
Curated by Hoor Al Qasimi
Shaina and Ashok present at Body Public: Through a Performance Archive, a research symposium at the Kochi Biennale, 2026.
Shaina: 100 year project, performative media, emancipated spect-actors, publics at the heart of practice.
Ashok: Types of writing as forms of attention to artwork, as distinct from gaze, listening, experience in general, or data analysis.
Shaina joined artists Sheela Gowda, Rekha Rodwittya, Indrapramit Roy, Gigi Scaria and moderator Gayatri Sinha for a conversation inaugurating Intersections- an exhibition commemorating 50 years of the Inlaks Foundation at Arthshila, Delhi.
Show and tell with Sanjay Bhangar.
Saturday, 24th January, 7 pm to 9 pm, at CAMP.
Saturday, 6 to 8 pm.
A conversation with scholar Irina Aristarkhova and theorist/ curator Gunalan Nadarajan about their recent projects.
Irina presents ideas from an upcoming co-authored book on cyberfeminism, Night Sweats: Cyberfeminist Practices, out this year.
Guna will speak about a recent exhibition series across South East Asia, the first of which is named Menggodam.
Country of the Sea as part of revolutionary remembrance / क्रांती स्मरण
CAMP took part in the 16th Gwangju Biennale Pre-Programme events.