CAMP
is involved in a 2-year "print-from-web"
project, linked to its own investigations of the infrastructures of commerce and
pleasure in this part of London. As part of the first "block study", we looked at several buildings and their ownership and use histories, and produced a series of tablemats.
The web-based part of the project resides at http://edgwareroad.org. ( now at Print.with.camp ) This website collects materials from various such "studies", conducted by us and
others, which then are collaboratively edited and published in a number of physical forms: volumes, pamphlets and placemats.
This is an ongoing project, as part of the Serpentine Gallery's Public
Program.
In collaboration with the Centre for Possible Studies,
Janna Graham, Amal Khalaf and Åbäke.
Update: the very first publication/ pamphlet made using archival material and our editing / printing tool was done in the St. Marylebourne school in August 2010. This has become a "relay" in which by now various groups, in this case St. Marylebourne School, Ultra-Red, CAMP, Abake, have been already involved. This is sweet.
See Images tab above for some pics!
Update 2: An interview with CAMP on the Edgware Road project just got published in the Arab Studies Journal (Spring, 2010).
Update 3: www.edgwareroad.org is now live (July, 2011)
Update 4: we published our book on pleasure on the road, see side bar, entirely designed on edgewareroad.org. (Oct 2013)
>Update 5: www.edgwareroad.org now resides on Print.with.camp
Book Launch
20th March, 2014, 2:00 pm
Global Art Forum
Art Dubai
Edgware Road: Findings.
An evening of sound and images from the Edgware road.
Saturday, 18 April
6pm-Midnight
at the new
Centre for Possible Studies
14 Porchester Place, W2 2BS (off Kendal Street)
London
(this is an invitee-only event)
CAMP is co-curating an evening at the Serpentine Gallery, as part of its "Park Nights" program. Videos and drawings from our ongoing work on the Edgware Road project.
Friday, September 11, 2009
Serpentine Gallery
London
A book by CAMP
6.30pm Wednesday 6 November, 2013
Serpentine Gallery, London
Clips, edits, sirens and phantoms from the annotated archives pad.ma, indiancine.ma and related sites. An invitation to absorb, discuss, navigate and contribute new and old time-based media, in a weekly rhythm. To feel the ideas in them, and their potential in and as art, film, daily life, new theory and use. Without the frameworks of social media ;)
Home page is refreshed every Monday, older weeks remain as long-term references.
Contact and to contribute: emailATphantas.ma To get notifications on new postings join the (you will be anonymous) telegram channel here.
A roof-top venue that has been active since 2007, in this location since 2009.
Video project that takes us on new and recently rebuilt roads in Pakistan, Sri Lanka, the Maldives, and India. Endoscopic views from the interior of the road system, and of the interfaces through which pride, money, data, climate, and vulnerability are connected to it, heighten our sense of developmental possibility, failure, and the deep ambiguity of road achievements.
‘A Passage Through Passages’ is a collaboration with anthropologists, and draws upon ethnographic and archival work in five field sites. This film is part of Roads and the Politics of Thought, a 5-year ethnographic study of road-building in South Asia.
The New Medium was a curated programme for the Mumbai International Film Festival for three consecutive years (2016-2018). The inaugural program - in a twisted art-historical mode - framed cinema as a new medium (125 years old, when compared to the other arts), and scoured the century of cinema chronologically...
A never-ending project housed at CAMP around peoples histories of Bombay-Mumbai.
A space we built and run with others, located in the R and R colony of Lallubhai Compound, Mumbai.
Pad.ma has a sister project.
Indiancine.ma is an annotated online archive of Indian film.
A project of listening, including with our ears, to some materials that seem to not touch us directly, but make up our "environment".