A book by CAMP
6.30pm Wednesday 6 November, 2013
Serpentine Gallery, London
Pleasure: A Block Study, a publication that comes out of their
multi-year residency with the Edgware Road Project. Produced entirely
online, via the print tool and website
edgwareroad.org, this volume was initiated by the
artists, focussing on a very small piece of the city: a few buildings
on the Edgware Road in London.
The publication explores a history of 'public pleasures' that arose in the Edgware Road neighbourhood, starting from the 19th
Century to the present, documenting social shifts on the street
and the surrounding areas. Arab, Iranian, Irish, Kurdish and other
businesses and groups produced a particular history of film, video,
music and street life that often clashed with existing legal and
proprietary structures. A tumultuous few decades of these
struggles form the heart of this book, offering on the one hand, images
and narratives of a pleasure filled Dionysian street-life, and on the
other tales of bureaucratic containment that limit and regulate various
emergences of public life.
CAMP is involved in a 2-year "print-from-web" project, linked to its own investigations of the infrastructures of commerce and pleasure in this part of London. As part of the first "block study", we looked at several buildings and their ownership and use histories, and produced a series of tablemats.
The web-based part of the project resides at http://edgwareroad.org. ( now at Print.with.camp ) This website collects materials from various such "studies", conducted by us and others, which then are collaboratively edited and published in a number of physical forms: volumes, pamphlets and placemats. This is an ongoing project, as part of the Serpentine Gallery's Public Program.
with Albert-Lászlo Barabási, CAMP, Burak Arikan and Hans Ulrich Obrist at Hidden Patterns.
EK DOZEN PAANI
Join us for a special Flashback Friday evening, as we journey back with the films in the presence of, and in conversation with many of the filmmaker’s accompanied by bonus archival material.
PaNi SaRe DhaGa Ma (Water Is In All The Clouds) as the sargam notes and title connote was an exploration of the many lives of water - social, political, material, and spectral - as lived and experienced by young dwellers of the Mumbai suburbs of east Jogeshwari in 2008
CAMP, in Conversation with Elvira Dyangani Ose.
Ashok introduces a video on the Monsoon in Lallubhai, made at R & R, at the opening event of the inhabited sea project.
Image: CAMP studio (handmade book scanner, optical scanner, four computers, NVR recorder, joystick, microphones, salad box, water, biscuits, coffee on the folding table. Bookshelves made of paper rolls, books, routers, awards, air conditioning and fan above. Inventory of electronics + museum of Jurassic technology below the tables, flooring replaced from wear. Some persons on a break, a person taking the picture.)
Part 2 of the housing histories project, From Footpath to Flat (via FSI) is online.
Online seminar/"masterclass" with students of Srishti, Bangalore.
Part 1 of the housing histories project, Ghar Mein Shehar Hona: From Janata Colony to Janata Colony (imaginary to destroyed), is online.
Followed by a discussion with Anamika Haksar and many cast and crew members.
As part of Mother Courage and her Unruly, Loving Children
Punto De Vista
International Documentary Festival of Navarra
Retrospective: Oceanic Feeling