Salzburg Summer Academy
This course, part history, part practical, will explore big questions raised by media art – a term usually used to describe software art or electronic practices. However, we expand this definition to all distributive media: radio, television, CCTV, electricity, the Internet and other "networks"
These media are particularly promising in that they continue to challenge and change what art can be. The class will look back at moments of such promise, of utopian potentials in technology, where artists tinkered, hacked, intervened and assembled art that could powerfully imagine and realise ambitious, "real-world" projects.
We will also take a practical look at the properties of certain media, such as radio, television, video, Internet, that suggest what kind of art can be made with them.
The focus will be on process, reception, sensuality, and the role of technology. Interested participants should see themselves as artists who work outside of studios.
What to bring: Tools and know-how for working in your preferred medium Requirements: Some prior knowledge of either sound, photography or video-editing would help you in the course, but it is not indispensable. Open to all. Maximum number of participants: 20.
Assistant: Bernadette Anzengruber Teachers: SHAINA ANAND / ASHOK SUKUMARAN
Rough Guide to the Media Arts
Summer Academy, Salzburg
Class Exhibition
at Schmeide Hallein
9th August, 2013
A Seminar on the Arts
at CAMP
August 5-7, 2017
Inviting participants, from any background and from anywhere if you can manage travel to Mumbai, to be part of this event through its duration. We will organise in cases of need, accommodation and travel support within India for 3-4 people. There is no fee for participation.
APPLICATIONS ARE NOW CLOSED. List of participants is below:
July 2nd and 3rd, 2016.
A workshop on practical scanning and managing collections, with a group of local and international experts and enthusiasts on the subject.
CAMP presented at the Inhabited Sea roundtable at IIT Bombay. "An initiative that seeks to create a new imaginary for the terrain of Mumbai."
Workshop with Students of ERG/Artistic Practices and Scientific Complexity Masters/Kobe Matthys at Argos.
The ACAF (Alexandria Contemporary Arts Forum) in Alexandria/ Iskandariya, Egypt hosted a 4-day workshop conducted by Ashok and Shaina.
Participants in "Shelter, Visibility, Love" produced a variety of material that was placed in two temporary exhibitions.
Saturday, 18th August, 2012 7:00pm Venue: CAMP RooftopProgram: 1) Introduction to the Afghan Films and Pad.ma workshop in conjunction with documenta13 in Kassel and Kabul. 2) Screening: Audiences and Crowds from the Afghan Films Archive (a cut from the archive, made and screened in Kabul in April), 23 minutes3) An annotated filmography of Engineer Latif Ahmadi, Afghanistan's most prolific filmmaker in recent times.4) Screening: Khan-e-Tarikh (House of History) 1996. An essay film by Qader Taheri made during the civil war using archival footage from Afghan Films. 5) Discussion with Shaina Anand, Faiza Ahmad Khan, Ashok Sukumaran, who were part of the workshop in Kabul, and invited guests.
A workshop at Afghan Films, KabulMarch 25th to April 15th, 2012 with Shaina Anand, Vijay Chavan, Mariam Ghani, Faiza Khan, Ashok Sukumaran and members and staff of Afghan Films
Floods, Fungus, Friendship and Fibre
Tuesday July 5th, 6:00 pm to 7:30 pm
at R and R
Lallubhai Compound
Mankhurd, Mumbai
With Aaaaarg, Memory of the World, Open Media Library, Custodians Online solidarity, and others.
Don't Wait for the ArchiveArchiving practices and futures
of the image. A workshop and colloquium with pad.ma
April 12 to April 24 2010@ Home WorksAshkal Alwan Beirut
by Iram Ghufran
50 mins, 2023
7:00 pm
Introduction and post-screening discussion with Iram Ghufran.
A science-fiction fable set in the "miracle city" of Yiwu in China, in one of the world's largest wholesale markets for small commodities. Time is plastic as we travel into the near future, in the company of an unusual pair of guides, a mannequin and a person.
by Wang Bing
232 mins | 2023
6:30 pm*
Note* film starts earlier than usual, at 6:30pm, on account of its runtime.
There will be a short interval with food.
by Johan Grimonprez
150 mins| 2024|
7:00 pm
A story about the encounter of American Jazz and African decolonisation, via the UN and the CIA, with a lot of world around it. Featuring among others Patrice Lumumba, Krishna Menon, Malcolm X, Maya Angelou, Nikita Khrushchev, Nina Simone, Dizzy Gillespie, Duke Ellington, Abbey Lincoln, Adou Elenga...
Join us for a season of new films at CAMP which explore configurations and revelations of "world", amidst a world in pieces.
We begin the year with
GRAND TOUR
by Miguel Gomes
2024, 120 mins.
7:00 pm.
in memorium, Tejas Pande.
Five narratives developed in the class "Footage Films", that re-assemble archives of campus protest, Penn Museum collections, university weapons development projects, the Schuylkill river, a utopia called Shangri-La, and their intersections across time and place.
*Recalling Far From Vietnam, collectively-made essay film from 1967.
Screening and conversation in collaboration with University of Pennsylvania’s Cinema & Media Studies department and CARG. At old Slought/ new Public Trust.
Film screening, and conversation
6-8:00 pm