Shelter, Visibility, Love

The ACAF (Alexandria Contemporary Arts Forum) in Alexandria/ Iskandariya, Egypt hosted a 4-day workshop conducted by Ashok and Shaina. Participants in "Shelter, Visibility, Love" produced a variety of material that was placed in two temporary exhibitions.

Shelter, Visibility, Love.
(on the creation of insulations and openings)
In the context of the festival "Cleotronica"

The promise of the "electronic space of flows" is of cutting across the enclosures of the physical world. It carries the dreams and anxieties of new community formations, undiscovered and "partial" forms of intimacy, and new forms of social encounter.

At the same time, and increasingly, we find these technologies enveloped in existing relations, customs, habits, boundaries of ownership, morality or law. It is also clear that acts of "communication" alone may not be enough to dissolve deeper boundaries. And then, which boundaries are worth dissolving? Much of our ongoing work enters into this conceptual space.

A primary project of contemporary design is to keep things and people at a certain precise distance, so that the relationship may sit within a safe, acceptable range on the slider between the "personal" and the "public". In this way the role of contemporary materials, interfaces and design strategies could be seen primarily as insulation, sheltering us from the effects of unwanted attentions. In many cases this shelter is necessary, since utter exposure, total publication, can be brutal. But what other ways can we imagine, to traverse these terms?

The workshop is about building upon such ideas in terms of the practices of the artists and designers involved. How do they think about the question of how to keep the room cool(or warm), while keeping the doors and windows open, to encounters with the outside.

Gallery: Shelter, Visibility, Love
Rough Guide to the Media Arts

Salzburg Summer Academy

This course, part history, part practical, will explore big questions raised by media art – a term usually used to describe software art or electronic practices. However, we expand this definition to all distributive media: radio, television, CCTV, electricity, the Internet and other "networks"



Far from Philadelphia

Five narratives developed in the class "Footage Films", that re-assemble archives of campus protest, Penn Museum collections, university weapons development projects, the Schuylkill river, a utopia called Shangri-La, and their intersections across time and place.

*Recalling Far From Vietnam, collectively-made essay film from 1967.

Asia Pacific Triennial

Machine Visions

On AI by CAMP

From Gulf to Gulf to Gulf

Screening and conversation in collaboration with University of Pennsylvania’s Cinema & Media Studies department and CARG. At old Slought/ new Public Trust.

الجار قبل الدار The Neighbour Before the House

Film screening, and conversation 6-8:00 pm

The Neighbour before the House

Geographies of Belonging

Visiting Artist Lecture Series

From Land to Sea

From Gulf to Gulf to Gulf

Vertical Integration

We are proposing this term to think more broadly about extraction, waste, dependency, rear-guarding, mediatic conversions, in- and out-sourcing, and other aspects of chains of translation and steps of decision and production.

Footage Films, Or Narrating a Dataset

with Visiting Scholars CAMP
(Shaina Anand and Ashok Sukumaran)

We begin this fall semester's film class with a moratorium on audio-video capture.
100 days without your own images:)

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