The ACAF (Alexandria Contemporary Arts Forum) in Alexandria/ Iskandariya, Egypt hosted a 4-day workshop conducted by Ashok and Shaina. Participants in "Shelter, Visibility, Love" produced a variety of material that was placed in two temporary exhibitions.
Shelter, Visibility, Love.
(on the creation of insulations and openings)
In the context of the festival "Cleotronica"
The promise of the "electronic space of flows" is of cutting across the enclosures of the physical world.
It carries the dreams and anxieties of new community formations, undiscovered and "partial" forms of intimacy, and new forms of social encounter.
At the same time, and increasingly, we find these technologies enveloped in existing relations, customs, habits, boundaries of ownership, morality or law. It is also clear that acts of "communication" alone may not be enough to dissolve deeper boundaries. And then, which boundaries are worth dissolving?
Much of our ongoing work enters into this conceptual
space.
A primary project of contemporary design is to keep things and people at a certain precise distance, so that the relationship may sit within a safe, acceptable range on the slider between the "personal" and the "public".
In this way the role of contemporary materials, interfaces and design strategies could be seen primarily as insulation, sheltering us from the effects of unwanted attentions.
In many cases this shelter is necessary, since utter exposure, total publication, can be brutal. But what other ways can we imagine, to traverse these terms?
The workshop is about building upon such ideas in terms of the practices of the artists and designers involved. How do they think about the question of how to keep the room cool(or warm), while keeping the doors and windows open, to encounters with the outside.
Salzburg Summer Academy
This course, part history, part practical, will explore big questions raised by media art – a term usually used to describe software art or electronic practices. However, we expand this definition to all distributive media: radio, television, CCTV, electricity, the Internet and other "networks"
by Iram Ghufran
50 mins, 2023
7:00 pm
Introduction and post-screening discussion with Iram Ghufran.
A science-fiction fable set in the "miracle city" of Yiwu, in one of the world's largest wholesale markets for small commodities. Time is plastic as we travel into the near future, in the company of an unusual pair of guides, a mannequin and a person.
by Wang Bing
232 mins | 2023
6:30 pm*
Note* film starts earlier than usual, at 6:30pm, on account of its runtime.
There will be a short interval with food.
by Johan Grimonprez
150 mins| 2024|
7:00 pm
A story about the encounter of American Jazz and African decolonisation, via the UN and the CIA, with a lot of world around it. Featuring among others Patrice Lumumba, Krishna Menon, Malcolm X, Maya Angelou, Nikita Khrushchev, Nina Simone, Dizzy Gillespie, Duke Ellington, Abbey Lincoln, Adou Elenga...
Join us for a season of new films at CAMP which explore configurations and revelations of "world", amidst a world in pieces.
We begin the year with
GRAND TOUR
by Miguel Gomes
2024, 120 mins.
7:00 pm.
in memorium, Tejas Pande.
Five narratives developed in the class "Footage Films", that re-assemble archives of campus protest, Penn Museum collections, university weapons development projects, the Schuylkill river, a utopia called Shangri-La, and their intersections across time and place.
*Recalling Far From Vietnam, collectively-made essay film from 1967.
Screening and conversation in collaboration with University of Pennsylvania’s Cinema & Media Studies department and CARG. At old Slought/ new Public Trust.
Film screening, and conversation
6-8:00 pm