13m 14s looped, seven channel environment with music
2022
Filmed by CCTV camera from a single-point location in South-Central Mumbai.

On three screens, a city-symphony filmed by automated CCTV cameras in Amsterdam. The optical and motor capacities of these cameras are pushed to an extreme. Certain human subjects reappear near or far in the images, suggesting a form of reciprocal knowledge or intent, a secret pact between cameras and people.

A 100-foot long sequence of photo-cutouts, first shown at the Chennai Photo Biennale, March 2019

20 mins, HD. 2 - channel installation
Cantonese, Mandarin
Filmed in Guangzhou at the Zhuhai International Container Terminal

Single exposure solar cyanotype print on cotton fabric
CAMP with Shunya collective and Clark House Initiative 22 x 5 feet
An image of the sea as its own “country”, with frontier towns at its edges disorients an easy reading of this territory

A three-channel installation from 8mm film From the Clark House family archives, sequenced in a timeline as above. Each screen is a different part of the same 8mm frame, usually a face.

Feature-length film by sea between western India, eastern Africa and the Persian gulf. First shown at a purpose built outdoor cinema on the creekside in Sharjah in 2013, where many of the sailors gather. Shown in Documenta 13 in an abridged form, as part of the installation The Boat Modes.

83 mins. Original format(s): HDV, SDV, VHS, Cellphone videos (variable). Stereo audio and in-cameraphone music.

4 channel HDV, 8 minutes

A screenplay in Courier 12pt melodramatic format, spanning the first three days of lobbying for cabinet spots, in the wake of the Indian general elections of 2009. The dialogue is entirely from phone taps made by the government. The screenplay slows them down and asks: what kinds of environments and scenes may lie behind them, and how are they connected?

Printed screenplay and IVR-based phone line, audience can type in scene numbers to hear dialogue in the original voices. Also performed as a reading.

Act II (Hum Logos) is a 45-minute audio film spliced from the Pad.ma collection of the Radia Tapes. It covers two months after the Indian general elections of 2009, with the new cabinet in power. The film asks: if debate around these tapes was about whether they are edited or not, or as Justice Mukhopadhay put it, "splice has been added", then what can further editing do?

A film that compiles observations made by volunteer guards watching the English Channel, over one year. Filmed by small cameras connected to the eyepiece of telescopes. Produced with the National Coastwatch Institution, Folkestone, Kent, UK.

60 minutes, 5.1 surround sound.

An exhibition that builds upon photos of another exhibition that was made of photos of....

الجار قبل الدار

“The Neighbour before the House” is a series of video probes into the landscape of East Jerusalem. Shot with a CCTV security camera, these images show that before and after instrumental "surveillance", there is inquisitiveness, jest, memory, desire and doubt that pervades the project of watching. A voice finds an image, an image is probed beneath its surface, thoughts withdraw or rebound.In these specific times and places, camera movements and live commentary become ways in which Palestinian residents evaluate what can be seen, and speak about the nature of their distance from others.

60 mins, SD CCTV video and sync audio.
Filmed in 2009 and edited into this film in 2011.

Filmed at the then largest mall in Europe, the Arndale Center, which had been built over the centre of Manchester town after an IRA bombing in 1992. Filmed using the 208 cameras of the mall, from the control room. Over a hundred subjects were followed after they signed a "release form" combining CCTV and documentary image release protocols.
Part of the project CCTV Social.

27 mins, CCTV video.

Neighbourhood TV repurposed as conversation systems in a mashup of cable TV and early CCTV systems, in an "urban village" in Delhi.

TV sets, CCTV cameras, microphones, video splitter, Rf modulator, XLR and COAX Cables. 7 episodes, Runtime various.

A conversation between two people, at the smallest possible bandwidth, that one could call "film", or narrative. Made of four alphanumeric characters, each having 14 segments. First made using Christmas lights in 2004. Remade in 2015.

LED structure, DMX controller, computer.

A sculptural allegory about the difference between video and film.

Gateway paper, coffee stirrers, fishing wire, wooden / steel frame, electric fan.