Beginnings is an exhibition tracing some of the conceptual and artistic origins of CAMP. At ARGOS, Brussels as part of new beginnings at ARGOS itself.
Since 2008, CAMP has built a steady reputation for exploring the emancipatory possibilities of image-making, archival practices, distribution, and viewership through artistic projects and interventions. They aim to challenge our understanding of technology and infrastructure, while bringing knowledge and the reversal of power dynamics to the fore.
Beginnings, however, goes back in time. Revisiting a number of formative artworks from 2001-2008, a period of their output that predates the establishment of CAMP, the exhibition addresses some of the fundamental elements that would subsequently come to define the studio’s main artistic concerns.
Beginnings destabilizes traditional notions of image-making. It speculates on fundamental questions of the nature of film and video through site-specific spatial and technical interventions. It invites us to look behind digital images as they materialize, to position ourselves inside a video camera apparatus, to explore the lowest-bandwidth phenomenon we could call “a film”, to think about energetic distributions and subject awareness, or to simply look outside a window and think about a neighbourhood of images. Displaying these primary, precise interventions and actions, the exhibition asks which new rules, materials, and sensibilities are needed to construct images of the world, almost from scratch.
Additionally, Beginnings connects these questions to two later works by CAMP that most directly translate these initial experiments into fully realised film projects. The exhibition as a whole thus points towards fundamental shifts in image-making ground and agency: away from its producer towards its subjects and environments, while heightening our sensory awareness of this shift.
Neighbourhood TV repurposed as conversation systems in a mashup of cable TV and early CCTV systems, in an "urban village" in Delhi.
TV sets, CCTV cameras, microphones, video splitter, Rf modulator, XLR and COAX Cables. 7 episodes, Runtime various.
A conversation between two people, at the smallest possible bandwidth, that one could call "film", or narrative. Made of four alphanumeric characters, each having 14 segments. First made using Christmas lights in 2004. Remade in 2015.
LED structure, DMX controller, computer.
Workshop with Students of ERG/Artistic Practices and Scientific Complexity Masters/Kobe Matthys at Argos.
Followed by a discussion with Anamika Haksar and many cast and crew members.
As part of Mother Courage and her Unruly, Loving Children
Punto De Vista
International Documentary Festival of Navarra
Retrospective: Oceanic Feeling
SUSPENDED :( Hope to be back in the near future
This season of projections at CAMP begins on weekend evenings starting Saturday, February 29, or leap year day.
ASSEMBLY, 30 min.
YEH FREEDOM LIFE, 70 min
Followed by a discussion with Priya
Shaina Anand in conversation with Shaunak Sen Talk: India Art Fair 02 Feb, 5:00-5:45 PM
Drawing from a recent body of post-cinema assemblages and experiences from the Mumbai based collaborative studio CAMP, artists, filmmakers and researchers Shaina Anand and Shaunak Sen will discuss the before and after of Cinema and the Present.
CAMP did an afternoon seminar with the Goldsmiths curatorial knowledge PhD program and its "advanced practices" group. With Irit Rogoff, Adnan Madani, Ramon Amaro, Bridget Crone and students.
Screening of a new 5-channel film by CAMP: 85 minutes
A Passage Through Passages is inspired by ethnographic and archival work in five field sites.
The screening is followed by a discussion, and a response from Susan Schuppli.
A Passage Through Passages is inspired by ethnographic and archival work in five field sites. The central feature of the exhibition is a multi-screen film work by CAMP.
Shaina presents the infrastructures of CAMP and her cinema programming at ECH, Kolkata.
Artist talk: Shaina A at Institute for Comparative Modernity, Cornell University.