Housing Histories Seminar

CAMP conducts a three-day seminar with 4th and 5th year students of the School of Environment and Architecture Borivali, titled "Ghar Mein Shehar Hona: City Housing in a Cultural Matrix, 1951 to 2020".

Ghar Mein Shehar Hona part 1

Part 1 of the housing histories project, Ghar Mein Shehar Hona: From Janata Colony to Janata Colony (imaginary to destroyed), is online.

GHAR MEIN SHEHAR HONA - Part III

at de(Coding) Mumbai
With Shaina, Ashok, Simpreet
and Adarsh, Alyque, Naezy, Nayak, Medha, Sandeep, Rajjo, Tiger...

Inlaks Fine Art Awardees 2023: Open Studio

MOVE STAY OR DISAPPEAR
Saturday, June 10th 2023, 6pm onwards.

An outcome of a 6-week residency at CAMP in Chuim village Khar, a continuing dialogue with each other and with the studio.

Ghar Mein Shehar Hona Part 2

Part 2 of the housing histories project, From Footpath to Flat (via FSI) is online.

Structure of a Forthcoming Film

1982
Structure of a Forthcoming Film
Regarding the Bombay Police Mutiny, August 15th 1982

Mother Truth and her Unruly, Loving Children

SUSPENDED :( Hope to be back in the near future
This season of projections at CAMP begins on weekend evenings starting Saturday, February 29, or leap year day.

City Housing in a Cultural Matrix

Ghar Mein Shehar Hona is now online . See more at At Ghar.with.CAMP

From Bandra North to Khar East (Virtual i.e. Real Landscape)

via RTI, TDR, Cyprus, Speculative Housing, Capital Flight, GBGB Andolan, Multicam Stings, Drone Leaks, Abu, Adarsh, Alyque, Naezy, Nayak, Rajjo, Tiger, .pdf and .xlsx.

Part 3 of our video-lectures on housing histories of Bombay-Mumbai 6:30 pm

Past Present Future

A never-ending project housed at CAMP around peoples histories of Bombay-Mumbai.

Evenings at CAMP Rooftop

A roof-top venue that has been active since 2007, in this location since 2009.

From Janta Colony to Janta Colony

(imaginary to destroyed)
A Journey through Housing in Bombay
Part-I: 1950 to 1982
Tuesday, 29th November, 2016
6:30 pm to 9 pm

From "Shehar aur Sapna" to the Olga Tellis case. Via print and film, music, love, bulldozers, state propaganda and people's archives.

From Footpath to Flat (via FSI)

A Journey through Housing in Bombay/Mumbai, Part II

(1982 to 2004)

Through Transit Camps, the Slum Rehabilitation Authority, Transferable Development Rights, Rocks, Marshes, Courts, and four institutional histories: Nivara Hakk, Nagari Nivara Parishad, SPARC and YUVA.

110 minutes of film and video with live commentary.
7:00 pm to 9:00 pm Saturday,
11th March, 2017
CAMP rooftop



Footage Films, Or Narrating a Dataset

with Visiting Scholars CAMP
(Shaina Anand and Ashok Sukumaran)

We begin this fall semester's film class with a moratorium on audio-video capture.
100 days without your own images:)

From the Roof to the Sky

The Neighbour before the House
+
A Stone's Throw

August 1 – 7:30 pm
August 7 – 7:30 pm
August 12 – 7:30 pm
August 31 – 7:30 pm
with filmmaker q&a

Inlaks Fine Art Awardees 2024

CROWDED HOUSE
machines, skins, traps and five-year plans

CAMP, Urvar and Studio ON invite you to a one-day Open House of artworks and interactions with the 2024 Inlaks Fine Art Awardees, who have been in residence in Borivali for the past 4 weeks.

From Gulf to Gulf to Gulf

as part of
Heavy Metal Containers

July 9, 10 pm
July 13, 7:30 pm
July, 17 pm
July 29, 7:30 pm

Into the Midst Workshop

Months long workshop initiated by a group of artists in and around Delhi. To analyse contemporary mediation and media theory as a general phenomenon, to discuss emerging practice and theory, and to produce new work.
Part 1 @Sarai, April 20-22, 2024

Broken Cameras

featuring
The Neighbour Before the House
Al Jaar Qabla Al Daar
الجار قبل الدار

What the Cameras Saw and Remembered

Two films by CAMP
Al Jaar Qabla Al Daar (The Neighbour before the House)
From Gulf to Gulf to Gulf

Captial Circus (2009)

in
The Unfaithful Octopus
at
MAIIAM Contemporary

To See is To Change

with Bombay Tilts Down (2022) and A Photogenic Line, (2019) as part of Photo 24, Melbourne.
In this pair of large-scale works, CAMP explore two sides of their practice; one that produces experimental film and video, often with unusual equipment and angles of participation, and another that creates and animates archives of moving images, documents and photography.

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