Act II (Hum Logos) is a 45-minute audio film spliced from the Pad.ma collection of the Radia Tapes. It covers two months after the Indian general elections of 2009, with the new cabinet in power. The film asks: if debate around these tapes was about whether they are edited or not, or as Justice Mukhopadhay put it, "splice has been added", then what can further editing do?
45 mins, text and original phone-tapped audio.
Passages through Passages, Sharjah Art Foundation,
Corruption, Everybody Knows, E-flux, New York City
As If – tV, Clark House Initiative, Mumbai
Nirankusha Fearless Speak, Bangalore
MoMA, New York, Film program
Flaherty Seminar, New York
Tales from the Networked Neighbourhood: The Cinema of CAMP, DOCVA, Milan
Closely Guarded Phone Calls, Films Division, Mumbai
Citizen-Artist: Forms of Address, Chemould Prescott Road, Mumbai
Gwangju Biennale 9
The Skoda Prize Show, National Gallery of Modern Art, New Delhi
New Museum Triennial: Ungovernables, New York City
A screenplay in Courier 12pt melodramatic format, spanning the first three days of lobbying for cabinet spots, in the wake of the Indian general elections of 2009. The dialogue is entirely from phone taps made by the government. The screenplay slows them down and asks: what kinds of environments and scenes may lie behind them, and how are they connected?
Printed screenplay and IVR-based phone line, audience can type in scene numbers to hear dialogue in the original voices. Also performed as a reading.
A project of listening, including with our ears, to some materials that seem to not touch us directly, but make up our "environment".
The Radia Tap(e)s:
Act I Swearing-in Whispers
Act II Hum Logos
at Museum of Interruptions
Opening November 10, 6pm
With a reading of the screenplay
Act I: Swearing-in Whispers followed by a screening of
Act-II: Hum Logos
Corruption: Everybody Knows curated by Natasha Ginwala, continues through December 19, 2015 at E-flux, NY
A survey exhibition of the spatial, technical and cultural imaginations cultivated by CAMP.
Curated by Hoor Al Qasimi
13m 14s looped, seven channel environment with music
Filmed by CCTV camera from a single-point location in South-Central Mumbai.
On three screens, a city-symphony filmed by automated CCTV cameras in Amsterdam. The optical and motor capacities of these cameras are pushed to an extreme. Certain human subjects reappear near or far in the images, suggesting a form of reciprocal knowledge or intent, a secret pact between cameras and people.
A 100-foot long sequence of photo-cutouts, first shown at the Chennai Photo Biennale, March 2019
20 mins, HD. 2 - channel installation
Filmed in Guangzhou at the Zhuhai International Container Terminal
Single exposure solar cyanotype print on cotton fabric
CAMP with Shunya collective and Clark House Initiative 22 x 5 feet
An image of the sea as its own “country”, with frontier towns at its edges disorients an easy reading of this territory
A three-channel installation from 8mm film From the Clark House family archives, sequenced in a timeline as above. Each screen is a different part of the same 8mm frame, usually a face.
Feature-length travelogue by sea between western India, eastern Africa and the Persian gulf. First shown at a purpose built outdoor cinema on the creekside in Sharjah in 2013, where many of the sailors gather. Shown in Documenta 13 in an abridged form, as part of the installation The Boat Modes.
83 mins. Original format(s): HDV, SDV, VHS, Cellphone videos (variable). Stereo audio and in-cameraphone music.
4 channel HDV, 8 minutes