As If - II Flight of the Black Boxes

24 JORBAGH, New Delhi
January 27 - February 24  2015

Born in experimentation and uncertainty, black boxes of machines and institutions surround us with seemingly smooth and impenetrable functions. But reintroduce the uncertainty, reopen the conflicts, and the box appears stable in neither form nor function.

Twelve works by CAMP look out through the interior worlds of cameras, memory devices, surveillance systems and more, developing feelings and strategies along with them. 

Members of the public enter security rooms to dialogue with operators. Elsewhere, a single CCTV camera films from the parapets of Palestinian homes, looking over neighbourhoods that are being broken up into countries. Forces gather into shapes in Bombay, Delhi, Rostock or Lubljana. A room camera obscura interrupts the black box of video art with live bodies and trees. The house itself, in a constant state of exhibition and erasure, extrudes changing alphabets in a new work called "Four-Letter Film".

Gallery: As If - II Flight of the Black Boxes
CAMP: Beginnings

Beginnings is an exhibition tracing some of the conceptual and artistic origins of CAMP. At ARGOS, Brussels as part of new beginnings at ARGOS itself.

As If (I-V)

Save the Dates!

As If (I-V)

As If – I Rock, Paper, Scissors
EXPERIMENTER, Kolkata
January 7 - February 20 2015

As If – II Flight of the Black Boxes
24 JORBAGH, New Delhi
January 27 - February 24 2015

As If – III Country of the Sea
BHAU DHAJI LAD MUSEUM, Mumbai
February 21 - April 7 2015

As If – IV Night For Day
CHEMOULD PRESCOTT ROAD, Mumbai
March 9 - April 30 2015

As If – tV
Clark House Initiative, Mumbai
March 29 - May 20 2015

AS IF is a series of exhibitions by CAMP across the winter /summer of 2014-15.

Al jaar qabla al daar (The neighbour before the house)

الجار قبل الدار

“The Neighbour before the House” is a series of video probes into the landscape of East Jerusalem. Shot with a security camera, these images show that before and after instrumental "surveillance", there is inquisitiveness, jest, memory, desire and doubt that pervades the project of watching. In these specific times and places, camera movements and live commentary become ways in which Palestinian residents evaluate what can be seen, and speak about the nature of their distance from others.

CCTV Social

In March 2008 Shaina Anand collaborated with Manchester Metropolitan University and Arndale Shopping Centre to open working CCTV environments to a general audience. People normally 'enclosed' by these networks came into the control rooms to view, observe and monitor this condition, endemic in the UK.

The Neighbour before the House

"The Neighbour Before the House deals with the effects and narrative remainders of a (warfare) technology and proposes a method of witnessing, a witness machine."

CCTV Landscape from Moulali-Entally

A single camera mounted on the roof of Gem Cinema brings us multifarious textures, factoids and fabulations



A Timeline and a Film, with Priya Sen

7:00 pm ASSEMBLY, 30 min.
+
YEH FREEDOM LIFE, 70 min
Followed by a discussion with Priya

Mother Truth and her Unruly, Loving Children

This season of projections at CAMP begins on weekend evenings starting Saturday, February 29, or leap year day.

Screening and Discussion: A Passage through Passages

Screening of a new 5-channel film by CAMP: 85 minutes

A Passage Through Passages is inspired by ethnographic and archival work in five field sites.

The screening is followed by a discussion, and a response from Susan Schuppli.

A PASSAGE THROUGH PASSAGES: On Roads in South Asia

A Passage Through Passages is inspired by ethnographic and archival work in five field sites. The central feature of the exhibition is a multi-screen film work by CAMP.

All Events