As If - II Flight of the Black Boxes

24 JORBAGH, New Delhi
January 27 - February 24  2015

Born in experimentation and uncertainty, black boxes of machines and institutions surround us with seemingly smooth and impenetrable functions. But reintroduce the uncertainty, reopen the conflicts, and the box appears stable in neither form nor function.

Twelve works by CAMP look out through the interior worlds of cameras, memory devices, surveillance systems and more, developing feelings and strategies along with them. 

Members of the public enter security rooms to dialogue with operators. Elsewhere, a single CCTV camera films from the parapets of Palestinian homes, looking over neighbourhoods that are being broken up into countries. Forces gather into shapes in Bombay, Delhi, Rostock or Lubljana. A room camera obscura interrupts the black box of video art with live bodies and trees. The house itself, in a constant state of exhibition and erasure, extrudes changing alphabets in a new work called "Four-Letter Film".

Gallery: As If - II Flight of the Black Boxes
Four letter Film, 2004-2016

A conversation between two people, at the smallest possible bandwidth, that one could call "film", or narrative. Made of four alphanumeric characters, each having 14 segments. First made using Christmas lights in 2004. Remade in 2015.

LED structure, DMX controller, computer.

We Begin by Measuring Distance

Works in Palestine by Basma Al Sharif and CAMP
at Cinema Project, Portland
November 8th, 2013
Al Jaar Qabla Al Daar (The Neighbour before the House)
CCTV video, 60 mins

CAMP After Media Promises

Nam June Paik Art Center Prize

An exhibition of the contextually rich, environment-shifting media works of CAMP

Capital Circus, 2008

Filmed at the then largest mall in Europe, the Arndale Center, which had been built over the centre of Manchester town after an IRA bombing in 1992. Filmed using the 208 cameras of the mall, from the control room. Over a hundred subjects were followed after they signed a "release form" combining CCTV and documentary image release protocols.
Part of the project CCTV Social.

27 mins, CCTV video.

With Chris Clarke, Marissa Draper, Ultimate Holding Company, Livewire, Cornerhouse
Commissioned by Cornerhouse and Asian Triennial Manchester 08 curated by Kathy Rae Huffman
Post-production commissioned by Henie Onstad Kunstsenter, Norway for Reality Effects curated by Tone Hansen.

CAMP: Beginnings

Beginnings is an exhibition tracing some of the conceptual and artistic origins of CAMP. At ARGOS, Brussels as part of new beginnings at ARGOS itself.

Windscreen, 2002

A sculptural allegory about the difference between video and film.

Gateway paper, coffee stirrers, fishing wire, wooden / steel frame, electric fan.

Khirkeeyaan, 2006

Neighbourhood TV repurposed as conversation systems in a mashup of cable TV and early CCTV systems, in an "urban village" in Delhi.

TV sets, CCTV cameras, microphones, video splitter, Rf modulator, XLR and COAX Cables. 7 episodes, Runtime various.

Vikalp @ Prithvi + Q & A with CAMP

Al Jaar Qabla Al Daar
The Neighbour before the House
(60 mins)
2009
Arabic and English with English Subtitles.

As If (I-V)

AS IF is a series of exhibitions by CAMP across the winter /spring of 2014-15.


As If (I-V)

As If – I Rock, Paper, Scissors
EXPERIMENTER, Kolkata
January 7 - February 20 2015

As If – II Flight of the Black Boxes
24 JORBAGH, New Delhi
January 27 - February 24 2015

As If – III Country of the Sea
BHAU DHAJI LAD MUSEUM, Mumbai
February 21 - April 7 2015

As If – IV Night For Day
CHEMOULD PRESCOTT ROAD, Mumbai
March 9 - April 30 2015

As If – tV
Clark House Initiative, Mumbai
March 29 - May 20 2015

Al jaar qabla al daar (The neighbour before the house), 2009-2011

الجار قبل الدار

“The Neighbour before the House” is a series of video probes into the landscape of East Jerusalem. Shot with a CCTV security camera, these images show that before and after instrumental "surveillance", there is inquisitiveness, jest, memory, desire and doubt that pervades the project of watching. In these specific times and places, camera movements and live commentary become ways in which Palestinian residents evaluate what can be seen, and speak about the nature of their distance from others.

60 mins, SD CCTV video and sync audio.

CCTV Social

In March 2008 Shaina Anand collaborated with Manchester Metropolitan University and Arndale Shopping Centre to open working CCTV environments to a general audience. People normally 'enclosed' by these networks came into the control rooms to view, observe and monitor this condition, endemic in the UK.

The Neighbour before the House

"The Neighbour Before the House deals with the effects and narrative remainders of a (warfare) technology and proposes a method of witnessing, a witness machine."

CCTV Landscape from Moulali-Entally

A single camera mounted on the roof of Gem Cinema brings us multifarious textures, factoids and fabulations



You Are Now

as part of
Proposals for a Memorial to Partition
Curated by Murtaza Vali

CAMP draws a series of lines between this and that exhibition.Not only between country A and country B, or horizontally between peoples or on the plane of "cultural exchanges" or "extra-national space", but vertically, or diagonally, reaching out to an actual place, to its actual power and presence.

GHAR MEIN SHEHAR HONA - Part III

at de(Coding) Mumbai
With Shaina, Ashok and Simpreet
and Adarsh, Alyque, Naezy, Nayak, Medha, Sandeep, Rajjo, Tiger.

Passages through Passages الرفيق قبل الطريق

A survey exhibition of the spatial, technical and cultural imaginations cultivated by CAMP.

When the Cold Blows

A performance by our collaborators on cctv.camp, Seoul Express. More details: https://njpart.ggcf.kr/when-the-cold-blows/.

The Neighbour before the House الجار قبل الدار

EYEWITNESS
New Media Gallery

From Gulf to Gulf to Gulf

Watch and Chill
M+
West Kowloon Cultural District

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