At the Berlin Documentary Forum
May 31, 2014 - June 1, 2014
HKW Berlin
Unreliable Narrators:
Stings to Leaks to Citizen Vigilantes
Digitisation has opened up new possibilities for surveillance and circulation, deployed both by and against hegemonic formations of power.
In this presentation, documentarists Shaina Anand and Ashok Sukumaran (from CAMP) turn their attention to three categories of media central to the articulation of India as a control society over the past five years: stings, leaks, and citizen vigilante videos. The sting is a form of investigative journalism that offers entertainment value on par with Bollywood or Big Boss (India’s Big Brother). In cases such as the filming of suspects of the 2008 Mumbai terrorist attacks undergoing narco-analysis, the sting emerges as a site at which privacy is compromised in favour of a marriage of justice and spectacle. The leak ruptures the media system to dump data on a suprahuman scale. Working with the recordings of tapped telephone conversations between Nira Radia, a corporate lobbyist, and many prominent figures in Indian business and politics that were leaked to the press in 2010, Anand and Sukumaran probe how making affective and political sense of the leak requires new forms borrowed from old media, such as cinema. Unpacking the aesthetic and political effects of the phenomenon of the citizen vigilante video—a form that became a major force in participatory democracy in India in early 2014 after the Aam Aadmi ("Common Man") party called on citizens to provide audiovisual evidence of bribe-taking officials— Anand and Sukumaran will explore how public imagination fills in the gaps evident in these testimonial media fragments.
Unreliable Narrators, Introduction.
Related
Oct. 30, 2021 - March 31, 2022
The video art programme of the 2021 Asian Art Biennial
Presented by Pad.ma
March 23, 2017 - April 3, 2017
June 10, 2014 - June 13, 2014
From Stings to Leaks to Citizen Vigilantes
A video lecture
at
CAMP Roof
Tuesday June 10
7:30 - 10:30 pm
March 14, 2019 - March 15, 2019
LIMA, Amsterdam
In advance of CAMP's solo at De Appel and in collaboration with LIMA - a screening of two of the studio’s earlier acclaimed projects that examine surveillance, society, and cinematic apparatus.
Oct. 12, 2017 - Oct. 17, 2017
PVR Phoenix Mills
Events
Aug. 27, 2024 - Dec. 20, 2024
Center For Experimental Ethnography, UPENN
with Visiting Scholars CAMP
(Shaina Anand and Ashok Sukumaran)
We begin this fall semester's film class with a moratorium on audio-video capture.
100 days without your own images:)
Aug. 1, 2024 - July 31, 2024
Spectacle Theatre, NY
The Neighbour before the House
+
A Stone's Throw
August 1 – 7:30 pm
August 7 – 7:30 pm
August 12 – 7:30 pm
August 31 – 7:30 pm
with filmmaker q&a
July 14, 2024
Urvar, Borivali
CROWDED HOUSE
machines, skins, traps and five-year plans
CAMP, Urvar and Studio ON invite you to a one-day Open House of artworks and interactions with the 2024 Inlaks Fine Art Awardees, who have been in residence in Borivali for the past 4 weeks.
July 9, 2024 - July 29, 2024
Spectacle Cinema, Brooklyn NY
as part of
Heavy Metal Containers
July 9, 10 pm
July 13, 7:30 pm
July, 17 pm
July 29, 7:30 pm
April 20, 2024 - Aug. 15, 2024
Months long workshop initiated by a group of artists in and around Delhi.
To analyse contemporary mediation and media theory as a general phenomenon, to discuss emerging practice and theory, and to produce new work.
Part 1 @Sarai, April 20-22, 2024
April 4, 2024 - May 5, 2024
Salt Beyoğlu, Online
featuring
The Neighbour Before the House
Al Jaar Qabla Al Daar
الجار قبل الدار
March 30, 2024
Re-Visioning Indian Cinema
Shaina A speaks about CAMP's past-present-future project and indiancine.ma at CSMVS in conjuction with A Cinematic Imagination: Josef Wirsching & the Bombay Talkies.
March 16, 2024 - March 17, 2024
Capitol Cinema, Melbourne
Two films by CAMP
Al Jaar Qabla Al Daar (The Neighbour before the House)
From Gulf to Gulf to Gulf
March 9, 2024 - July 15, 2024
Chiang Mai
in
The Unfaithful Octopus
at
MAIIAM Contemporary
March 1, 2024 - April 27, 2024
RMIT Design Hub Gallery, Melbourne
with Bombay Tilts Down (2022) and A Photogenic Line, (2019) as part of Photo 24, Melbourne.
In this pair of large-scale works, CAMP explore two sides of their practice; one that produces experimental film and video, often with unusual equipment and angles of participation, and another that creates and animates archives of moving images, documents and photography.