A survey exhibition of the spatial, technical and cultural imaginations cultivated by CAMP.
Created between 2006 and 2021, these projects draw upon CAMP's unique artistic processes: the use of technologies as geopolitical media, the actualisation of concepts such as leak, neighbour, footage and archive, and the persistence over time of so many of their collaborative projects and intersubjective interests. CAMP deals in the longue-duree of technologies and our relation to them, while also retaining the surprise and lightness of the unexpected way forward, as they like to say, like the cut in film.
The title of the exhibition talks about movement and its context. Its medium, like the ship, but also the forces that push and pull at it, and what art does here as a kind of embodied explorer crawling through the passages and rearranging them. They rarely do this alone, CAMP’s work has collaboration of diverse types as its starting point, as the title in Arabic of the exhibition tells us - the comrade before the journey.
The things that move in interesting ways in this exhibition include exhibitions themselves, as in the “Annotated Gujarat and the Sea Exhibition” (2011), newspaper images that have found new neighbours in A Photogenetic Line (2019), or the faceted subcontinental movements of A Passage through Passages (2020). The things that don’t or cannot move include the people in Al Jaar Qabla al Daar (2011), or the camera in Bombay Tilts Down (2021), and a certain member of CAMP. They do not move, but they move us.
On the ground floor which is dedicated to maritime worlds, the exhibition also features From Gulf to Gulf to Gulf (2009 – 2013), a film project commissioned by Sharjah Art Foundation Production Programme, and two other Sharjah-based projects, the book Wharfage and Radio Meena, recipients of the grand jury prize at Sharjah Biennial 9 (2009). The upper floor has a cybernetic lineage, although enmeshed in regional contexts from Afghanistan to Palestine.
Passages through Passages is curated by Hoor Al Qasimi.
as part of
Proposals for a Memorial to Partition
Curated by Murtaza Vali
CAMP draws a series of lines between this and that exhibition.Not only between country A and country B, or horizontally between peoples or on the plane of "cultural exchanges" or "extra-national space", but vertically, or diagonally, reaching out to an actual place, to its actual power and presence.
For All Vahanvatti is designed to help a group think from the sea, rather than from the land. CAMP with Reliable Copy Propositions.
From Gulf to Gulf to Gulf
Museum of Contemporary Art & Design
Watch and Chill
West Kowloon Cultural District
Watch and Chill
MAIIAM Contemporary Art Museum
A reading by CAMP
Opening of Passages Through Passages
CAMP was awarded the main Jury prize at the 9th Sharjah Biennial for Wharfage, a two-part project including a book and a radio transmission.
A journey with CAMP’s five-year Wharfage project and related maritime explorations.
Panel on Sustained Engagements:
A Letter to the Sharjah Art Foundation in Grey, White and Black.
13th March 2014, 10:00 am
SAF Art Spaces, Sharjah
Collective Research Session: screening and discussion
From Gulf to Gulf to Gulf
14th March 2014, 20:00
Mirage City Cinema, Sharjah
CAMP was invited to present its ongoing and upcoming projects at March Meeting, Sharjah.
A 72-minute film resulting from a CCTV video project shot in Jerusalem/ Al Quds with eight palestinian families, from and around their homes. Screenings are every 90 minutes starting 10 am, the last screening is at 8 pm. At Bait Al Serkal, Upto May 7, 2011.
Feature-length travelogue by sea between western India, eastern Africa and the Persian gulf. First shown at a purpose built outdoor cinema on the creekside in Sharjah in 2013, where many of the sailors gather. Shown in Documenta 13 in an abridged form, as part of the installation The Boat Modes.
83 mins. Original format(s): HDV, SDV, VHS, Cellphone videos (variable). Stereo audio and in-cameraphone music.
Nam June Paik Art Center Prize
An exhibition of the contextually rich, environment-shifting media works of CAMP
Beginnings is an exhibition tracing some of the conceptual and artistic origins of CAMP. At ARGOS, Brussels as part of new beginnings at ARGOS itself.
A Passage Through Passages is inspired by ethnographic and archival work in five field sites. The central feature of the exhibition is a multi-screen film work by CAMP.
At first, a project on the creek in Sharjah in 2009, from where a large number of ships leave for Somali ports.
at de(Coding) Mumbai
With Shaina, Ashok and Simpreet
and Adarsh, Alyque, Naezy, Nayak, Medha, Sandeep, Rajjo, Tiger.
Ashok S participated in the School of Environment and Architecture annual conference, with a suggestion on the deployment of abstractions.
Ashok (remote) and Shaina (in-person) participated in the last panel of the March Meeting, New Forms of Surveillance and Extraction.
New Media Gallery
The video art programme of the 2021 Asian Art Biennial
Presented by Pad.ma
الجار قبل الدار The Neighbour before the House 60 mins 2009-2011 Toronto Palestine Film Festival
CAMP gives a 90 mins talk titled Privilege Escalation at the architecture department of Rensselaer Polytechnic, New York.
Al Jaar Qabla Al Daar
The Neighbour before the House
A.M Qattan Foundation