Could Have Beens

Tate Modern
Transformer Galleries and Tanks 
Ten Days Six Nights
March 24 to April 2, 2017 

CAMP presents a series of works including Windscreen, Capital Circus, One Agreement and Four-letter Film. 

We also host Camera Obscura, an evening with video and talking, on the 29th of March. 

Gallery: Could Have Beens
Camera Obscura

Tate Modern

29th March, 2017, 7:00 pm
South Tank

CAMP: Beginnings

Beginnings is an exhibition tracing some of the conceptual and artistic origins of CAMP. At ARGOS, Brussels as part of new beginnings at ARGOS itself.

Windscreen, 2002

A sculptural allegory about the difference between video and film.

Gateway paper, coffee stirrers, fishing wire, wooden / steel frame, electric fan.
Ashok Sukumaran, 2002.

Four letter Film, 2004-2016

A conversation between two people, at the smallest possible bandwidth, that one could call "film", or narrative. Made of four alphanumeric characters, each having 14 segments. First made using Christmas lights in 2004. Remade in 2015.

LED structure, DMX controller, computer.

Capital Circus, 2008

Filmed at the then largest mall in Europe, the Arndale Center, which had been built over the centre of Manchester town after an IRA bombing in 1992. Filmed using the 208 cameras of the mall, from the control room. Over a hundred subjects were followed after they signed a "release form" combining CCTV and documentary image release protocols.
Part of the project CCTV Social.

27 mins, CCTV video.

With Chris Clarke, Marissa Draper, Ultimate Holding Company, Livewire, Cornerhouse
Commissioned by Cornerhouse and Asian Triennial Manchester 08 curated by Kathy Rae Huffman
Post-production commissioned by Henie Onstad Kunstsenter, Norway for Reality Effects curated by Tone Hansen.

In Cameras Res at De Appel Amsterdam

On three screens, a city-symphony filmed by automated CCTV cameras in Amsterdam pushing their optical and motor 'patrolling' capacities to an extreme.

At the Berlin Documentary Forum

Unreliable Narrators: Stings to Leaks to Citizen Vigilantes

Saturday May 31, 2014
6pm to 8pm
HKW Berlin.



Ghode Ko Jalebi Khilane Ja Riya Hoon

7:00pm
Followed by a discussion with Anamika Haksar and many cast and crew members.

As part of Mother Courage and her Unruly, Loving Children

From Gulf to Gulf to Gulf

Punto De Vista
International Documentary Festival of Navarra
Retrospective: Oceanic Feeling

Mother Truth and her Unruly, Loving Children

SUSPENDED :( Hope to be back in the near future
This season of projections at CAMP begins on weekend evenings starting Saturday, February 29, or leap year day.

A Timeline and a Film, with Priya Sen

7:00 pm ASSEMBLY, 30 min.
+
YEH FREEDOM LIFE, 70 min
Followed by a discussion with Priya

Screening and Discussion: A Passage through Passages

Screening of a new 5-channel film by CAMP: 85 minutes

A Passage Through Passages is inspired by ethnographic and archival work in five field sites.

The screening is followed by a discussion, and a response from Susan Schuppli.

A PASSAGE THROUGH PASSAGES: On Roads in South Asia

A Passage Through Passages is inspired by ethnographic and archival work in five field sites. The central feature of the exhibition is a multi-screen film work by CAMP.

All Events