Nov. 1, 2019 - Dec. 1, 2022
London

On Display at Tate Modern, Media Networks, till November 2022

Nov. 25, 2021 - Feb. 27, 2022
Seoul

Nam June Paik Art Center Prize

An exhibition of the contextually rich, environment-shifting media works of CAMP

March 29, 2017 - March 30, 2017

Tate Modern

Oct. 5, 2019 - Dec. 22, 2019
Argos Centre for Art and Media, Brussels

Beginnings is an exhibition tracing some of the conceptual and artistic origins of CAMP. At ARGOS, Brussels as part of new beginnings at ARGOS itself.

A sculptural allegory about the difference between video and film.

Gateway paper, coffee stirrers, fishing wire, wooden / steel frame, electric fan.

A conversation between two people, at the smallest possible bandwidth, that one could call "film", or narrative. Made of four alphanumeric characters, each having 14 segments. First made using Christmas lights in 2004. Remade in 2015.

LED structure, DMX controller, computer.

Filmed at the then largest mall in Europe, the Arndale Center, which had been built over the centre of Manchester town after an IRA bombing in 1992. Filmed using the 208 cameras of the mall, from the control room. Over a hundred subjects were followed after they signed a "release form" combining CCTV and documentary image release protocols.
Part of the project CCTV Social.

27 mins, CCTV video.

With Chris Clarke, Marissa Draper, Ultimate Holding Company, Livewire, Cornerhouse
Commissioned by Cornerhouse and Asian Triennial Manchester 08 curated by Kathy Rae Huffman
Post-production commissioned by Henie Onstad Kunstsenter, Norway for Reality Effects curated by Tone Hansen.

March 16, 2019 - April 20, 2019
De Appel, Amsterdam

On three screens, a city-symphony filmed by automated CCTV cameras in Amsterdam pushing their optical and motor 'patrolling' capacities to an extreme.

May 31, 2014 - June 1, 2014
HKW Berlin

Unreliable Narrators: Stings to Leaks to Citizen Vigilantes

March 12, 2022 At SEA:

Ashok S participated in the School of Environment and Architecture annual conference, with a suggestion on the deployment of abstractions.

March 7, 2022 CAMP @ March Meeting

Ashok (remote) and Shaina (in-person) participated in the last panel of the March Meeting, New Forms of Surveillance and Extraction.

March 4, 2022 The Neigbhour Before the House, the Comrade Before the Journey

A reading by CAMP
Opening of Passages Through Passages

March 4, 2022 - July 4, 2022
Bait Al Serkal, Sharjah Art Foundation

A survey exhibition of the spatial, technical and cultural imaginations cultivated by CAMP.

Feb. 11, 2022

A performance by our collaborators on cctv.camp, Seoul Express. More details: https://njpart.ggcf.kr/when-the-cold-blows/.

Feb. 5, 2022 - March 30, 2022
New Westminster

EYEWITNESS
New Media Gallery

Jan. 7, 2022 - Feb. 28, 2022
Hong Kong

Watch and Chill
M+
West Kowloon Cultural District

Dec. 12, 2021 - Jan. 3, 2022
Chiang Mai

Watch and Chill
MAIIAM Contemporary Art Museum

Nov. 1, 2021 - Dec. 31, 2022

NJP.MA documents the intermedia experiments of Fluxus artists as they encountered and radically transformed the distributive capacities of the new mediums of video and broadcast art, led substantially by the prescient work of Nam June Paik.

Oct. 30, 2021 - March 31, 2022

The video art programme of the 2021 Asian Art Biennial

Presented by Pad.ma