Pirate Cinema from Berlin, who we are working with on the video archive
http://pad.ma, present a series of weekly (Sunday) events in the Pirate Cinema tradition, on films and footage.
"Not just a series of screenings, or a collection of pirated movies, but the
question of making visible, and then temporarily obsolete, a specific social
relation, mediated by copyrighted images, and a specific type of separation
or detachment, perfected by imaginary copyrights, that affects the art of
cinema, the space of cinema, and the discourse of cinema."
Saturday or Sunday evening screenings through winter, exploring footage both within and outside the usual capsule of "the film". An experience that could be similar to watching films, or at other times harder to digest, or slower to release, closer to the moment of shooting, less censorious, and less fearful of finitude. Another life, another world of viewing and listening experiences is always possible.
Pad.ma invites you to
Rivers without Banks
27th December, 2013 through 27th January, 2014
Before the start of a new year; and among big and small resolutions for the future we chose to ask ourselves what is free cinema today, what is its political and perceptual economy, and what could we summon of its powers, before embarking on new journeys of making and thinking.
Rivers without Banks is a screening program of films whose durations extend beyond conventional length. But importantly, this is not a collection put together quantitatively, even as we may argue that the epic scales present in the chosen films carry the weight of histories, and put together chronologically show us a century where individual everyday lives face the annals of terrible power; where the human condition battles with nature and technology, with love and loss, with good and evil.
SUSPENDED :( Hope to be back in the near future
This season of projections at CAMP begins on weekend evenings starting Saturday, February 29, or leap year day.
Listings of the film screenings held every weekend on CAMP's roof during January and February, hosted by Pirate Cinema Berlin.
More to come next winter, when CAMP gets a brand new roof and makes a brand new cinema;)
We invite you in the cities of Batticaloa, Bombay, Chittagong, Delhi, Dhaka, Karachi, Khulna, Kolkata and Lahore, to change the course of a film's history, sip from its waters, taste its oddness of...
The film evokes the practice of the diary film, at once observational and reflexive, and draws power from its twin strategies of frugal economy and long duration. Screening & discussion with Renu.
A roof-top venue that has been active since 2006, in this location since 2009.
A never-ending project housed at CAMP around peoples histories of Bombay-Mumbai.
The New Medium was a curated programme for the Mumbai International Film Festival for three consecutive years (2016-2018). The inaugural program - in a twisted art-historical mode - framed cinema as a new medium (125 years old, when compared to the other arts), and scoured the century of cinema chronologically...
A space we built and run with others, located in the R and R colony of Lallubhai Compound, Mumbai.
A project of listening, including with our ears, to some materials that seem to not touch us directly, but make up our "environment".
CAMP is involved in a 2-year "print-from-web" project, linked to its own investigations of the infrastructures of commerce and pleasure in this part of London. As part of the first "block study", we looked at several buildings and their ownership and use histories, and produced a series of tablemats.
The web-based part of the project resides at http://edgwareroad.org. ( now at Print.with.camp ) This website collects materials from various such "studies", conducted by us and others, which then are collaboratively edited and published in a number of physical forms: volumes, pamphlets and placemats. This is an ongoing project, as part of the Serpentine Gallery's Public Program.
Ashok and Azeer spent some time thinking about and building the CAMP terrace roof structure, built in late 2009. Some of the designs that were sketched out are further below: a big requirement was some retractability, i.e. the ability to have a shading roof in the day but to have it open/ partially open at night, for things like screenings under the stars.
At first, a project on the creek in Sharjah, from where a large number of ships leave for Somali ports.