Our Documenta(13) installation "The Boat Modes" at Freedom, Kunstpalais, Erlangen
On Display at Tate Modern, Media Networks, till November 2021
A film that compiles observations made by volunteer guards watching the English Channel, over one year. Filmed by small cameras connected to the eyepiece of telescopes. Produced with the National Coastwatch Institution, Folkestone, Kent, UK.
60 minutes, 5.1 surround sound.
Feature-length travelogue by sea between western India, eastern Africa and the Persian gulf. First shown at a purpose built outdoor cinema on the creekside in Sharjah in 2013, where many of the sailors gather. Shown in Documenta 13 in an abridged form, as part of the installation The Boat Modes.
83 mins. Original format(s): HDV, SDV, VHS, Cellphone videos (variable). Stereo audio and in-cameraphone music.
An exhibition that builds upon photos of another exhibition that was made of photos of....
Celebrates its 40th year with an inventory of 40 films and a publication. CAMPs From Gulf to Gulf to Gulf along with films of Wang Bing, Edward Yang, Tsai Ming-Liang, Lav Diaz, Akram Zaatari, Lucrecia Martel, Hou Hsiao-hsien, Abbas Kiarostami...
Single exposure solar cyanotype print on cotton fabric
CAMP with Shunya collective and Clark House Initiative 22 x 5 feet
An image of the sea as its own “country”, with frontier towns at its edges disorients an easy reading of this territory
20 mins, HD. 2 - channel installation
Filmed in Guangzhou at the Zhuhai International Container Terminal
CAMP at Transmediale 2018, Berlin with reprinted Wharfage, The Annotated "Gujarat and the Sea" Exhibition and The Country of the Sea cyanotype.
General Rehearsal A show in three acts from the collections of V-A-C, MMOMA and KADIST
(An exhibition building upon photos of another exhibition, and more)
CAMP at Sheher o Funn, the inaugural biennale of the city of Lahore with From Gulf to Gulf to Gulf.
South Asia Foreground
Labocine, June 2021 issue
Al Jaar Qabla Al Daar
The Neighbour before the House
Arabic and English with English Subtitles.
An interview with Shaina Anand in Oceans Rising, a companion reader to the research exhibition “Territorial Agency: Oceans in Transformation,” commissioned by TBA21–Academy.
with Albert-Lászlo Barabási, CAMP, Burak Arikan and Hans Ulrich Obrist at Hidden Patterns.
EK DOZEN PAANI
Join us for a special Flashback Friday evening, as we journey back with the films in the presence of, and in conversation with many of the filmmakers, accompanied by bonus archival material.
PaNi SaRe DhaGa Ma (Water Is In All The Clouds) as the sargam notes and title connote was an exploration of the many lives of water - social, political, material, and spectral - as lived and experienced by young dwellers of the Mumbai suburbs of east Jogeshwari in 2008
CAMP, in Conversation with Elvira Dyangani Ose.
Ashok introduces a video on the Monsoon in Lallubhai, made at R & R, at the opening event of the inhabited sea project.
Image: CAMP studio (handmade book scanner, optical scanner, four computers, NVR recorder, joystick, microphones, salad box, water, biscuits, coffee on the folding table. Bookshelves made of paper rolls, books, routers, awards, air conditioning and fan above. Inventory of electronics + museum of Jurassic technology below the tables, flooring replaced from wear. Some persons on a break, a person taking the picture.) (Reverse angle image is here)
Part 2 of the housing histories project, From Footpath to Flat (via FSI) is online.
Online seminar/"masterclass" with students of Srishti, Bangalore.