at de(Coding) Mumbai
With Shaina, Ashok, Simpreet
and Adarsh, Alyque, Naezy, Nayak, Medha, Sandeep, Rajjo, Tiger...
Nam June Paik Art Center Prize
An exhibition of the contextually rich, environment-shifting media works of CAMP
Part 1 of the housing histories project, Ghar Mein Shehar Hona: From Janata Colony to Janata Colony (imaginary to destroyed), is online.
The New Medium was a curated programme for the Mumbai International Film Festival for three consecutive years (2016-2018). The inaugural program - in a twisted art-historical mode - framed cinema as a new medium (125 years old, when compared to the other arts), and scoured the century of cinema chronologically...
Part 2 of the housing histories project, From Footpath to Flat (via FSI) is online.
A chronological viewing of 14 films beginning with Vertovs Man with the Movie Camera, and concluding with Farockis Parallel I-IV; The New Medium presents innovations in Cinema.
Structure of a Forthcoming Film
Regarding the Bombay Police Mutiny, August 15th 1982
On three screens, a city-symphony filmed by automated CCTV cameras in Amsterdam pushing their optical and motor 'patrolling' capacities to an extreme.
In advance of CAMP's solo at De Appel and in collaboration with LIMA - a screening of two of the studio’s earlier acclaimed projects that examine surveillance, society, and cinematic apparatus.
On three screens, a city-symphony filmed by automated CCTV cameras in Amsterdam. The optical and motor capacities of these cameras are pushed to an extreme. Certain human subjects reappear near or far in the images, suggesting a form of reciprocal knowledge or intent, a secret pact between cameras and people.
"The Neighbour Before the House deals with the effects and narrative remainders of a (warfare) technology and proposes a method of witnessing, a witness machine."
"From Footpath to Flat (via FSI)" video lecture by CAMP, part two of a series, at KRVIA auditorium at 11 am.
From the rooftop of this artists' studio in Chuim Village, you are taken on a virtual tour of the neighbourhood. 90 minutes: Live video, audio and archival print material, with live commentary.
A never-ending project housed at CAMP around peoples histories of Bombay-Mumbai.
A single camera mounted on the roof of Gem Cinema brings us multifarious textures, factoids and fabulations
as part of
Proposals for a Memorial to Partition
Curated by Murtaza Vali
CAMP draws a series of lines between this and that exhibition. Not only between country A and country B, or horizontally between peoples or on the plane of "cultural exchanges" or "extra-national space", but vertically, or diagonally, reaching out to an actual place, to its actual power and presence.
For All Vahanvatti is designed to help a group think from the sea, rather than from the land. CAMP with Reliable Copy Propositions.
Ashok S participated in the School of Environment and Architecture annual conference, with a suggestion on the deployment of abstractions.
Ashok (remote) and Shaina (in-person) participated in the last panel of the March Meeting, New Forms of Surveillance and Extraction.
A survey exhibition of the spatial, technical and cultural imaginations cultivated by CAMP.
A reading by CAMP
Opening of Passages Through Passages
New Media Gallery
Watch and Chill
West Kowloon Cultural District
Watch and Chill
MAIIAM Contemporary Art Museum