On three screens, a city-symphony filmed by automated CCTV cameras in Amsterdam pushing their optical and motor 'patrolling' capacities to an extreme.
On three screens, a city-symphony filmed by automated CCTV cameras in Amsterdam. The optical and motor capacities of these cameras are pushed to an extreme. Certain human subjects reappear near or far in the images, suggesting a form of reciprocal knowledge or intent, a secret pattern between cameras and people.
In advance of CAMP's solo at De Appel and in collaboration with LIMA - a screening of two of the studio’s earlier acclaimed projects that examine surveillance, society, and cinematic apparatus.
"The Neighbour Before the House deals with the effects and narrative remainders of a (warfare) technology and proposes a method of witnessing, a witness machine."
"From Footpath to Flat (via FSI)" video lecture by CAMP, part two of a series, at KRVIA auditorium at 11 am.
From the rooftop of this artists' studio in Chuim Village, you are taken on a virtual tour of the neighbourhood. 90 minutes: Live video, audio and archival print material, with live commentary.
A never-ending project housed at CAMP around peoples histories of Bombay-Mumbai.
A single camera mounted on the roof of Gem Cinema brings us multifarious textures, factoids and fabulations
Screening of a new 5-channel film by CAMP: 85 minutes
A Passage Through Passages is inspired by ethnographic and archival work in five field sites.
The screening is followed by a discussion, and a response from the artist, researcher and Director of the Centre for Research Architecture at Goldsmiths, Susan Schuppli.
A Passage Through Passages is inspired by ethnographic and archival work in five field sites. The central feature of the exhibition is a multi-screen film work by CAMP.
Shaina presents the infrastructures of CAMP and her cinema programming at ECH, Kolkata.
Artist talk @ Beginnings with CAMP
Workshop with Students of ERG/Artistic Practices and Scientific Complexity Masters/Kobe Matthys at Argos.
Beginnings is an exhibition tracing some of the conceptual and artistic origins of CAMP. At ARGOS, Brussels as part of new beginnings at ARGOS itself.
Artist talk: Shaina A at Institute for Comparative Modernity, Cornell University.
A film program at Slought, with Shaina Anand /CAMP about surveillance systems, critical documentary filmmaking, subjectivity and distribution, and a screening of Al Jaar Qabla Al Daar (60 min, 2011), followed by a discussion with filmmaker Shaina and Deborah A. Thomas.
Ishara Art Foundation