is an ongoing public-access media archival project, centered around video as a medium of documentation, collection, argumentation and exchange. Its objective is to consolidate, densely annotate, and make available online several scattered collections of video material, to begin with in Mumbai and Bangalore. Pad.ma is a collaboration between oil21.org, CAMP, Majlis, Point of View, the Alternative Law Forum, and other future contributors.
The video art programme of the 2021 Asian Art Biennial
Presented by Pad.ma
Thursday, February 28, 2008.
PAD.MA is an online archive of video material, primarily footage and not finished films, that has been densely text-annotated. The entire collection is searchable and viewable online, and is free to download for non-commercial use.
We see PADMA as a way of opening up a set of images, intentions and effects present in video footage -- resources that conventions of video-making, editing and viewing have over time tended to suppress, or make unavailable.
Pad.ma invites you to
Rivers without Banks
27th December, 2013 through 27th January, 2014
Before the start of a new year; and among big and small resolutions for the future we chose to ask ourselves what is free cinema today, what is its political and perceptual economy, and what could we summon of its powers, before embarking on new journeys of making and thinking.
Rivers without Banks is a screening program of films whose durations extend beyond conventional length. But importantly, this is not a collection put together quantitatively, even as we may argue that the epic scales present in the chosen films carry the weight of histories, and put together chronologically show us a century where individual everyday lives face the annals of terrible power; where the human condition battles with nature and technology, with love and loss, with good and evil.
New Museum Theater
235 Bowery, NYC
7:00 pm Thursday, 28 July, 2011
A workshop at
Afghan Films, Kabul
March 25th to April 15th, 2012
with Shaina Anand, Vijay Chavan, Mariam Ghani, Faiza Khan, Ashok Sukumaran and members and staff of Afghan Films
The pad.ma archive will be showing as a multi-terminal installation / exhibition in this library in Delhi.
British Council Library,
17, Kasturba Gandhi Marg,
New Delhi- 110001
10:00 am to 10:00 pm
Friday and Saturday,
August 21 and 22, 2009
at LUX, Shacklewell Studios, London
17th October, 3pm
Asia Art Archive in America
3:30 pm, 13th April, 2014
Archive and Ethics
Keynote by Shaina Anand
Cantor Film Center, NYU
12th April, 2014
Department of Film Studies, Jadavpur University
in collaboration with
October 30-31, 2014
Anita Banerjee Memorial Hall, Jadavpur University main campus
We will be doing a presentation of pad.ma at the Homi Bbhabha Centre for Science and Education on
Tuesday, Feb. 23rd, 2010, 5pm onwards.
Sunday, February 26, 2012
301 Alif Apartments,
34-A Chuim Village, Khar, Bombay 400052
With Reena Katz Jesal Kapadia and Brian McCarthy, and Naeem Mohaiemen
in collaboration with http://pad.ma
At TPW Gallery R&D, Toronto
10-26 April, 2014
As politics fail, nationalist ideologies gain traction, and segregative tendencies multiply, an urge for a new, different “we” becomes apparent...
A roof-top venue that has been active since 2007, in this location since 2009.
A never-ending project housed at CAMP around peoples histories of Bombay-Mumbai.
The New Medium was a curated programme for the Mumbai International Film Festival for three consecutive years (2016-2018). The inaugural program - in a twisted art-historical mode - framed cinema as a new medium (125 years old, when compared to the other arts), and scoured the century of cinema chronologically...
A space we built and run with others, located in the R and R colony of Lallubhai Compound, Mumbai.
A project of listening, including with our ears, to some materials that seem to not touch us directly, but make up our "environment".
Saturday or Sunday evening screenings through winter, exploring footage both within and outside the usual capsule of "the film". An experience that could be similar to watching films, or at other times harder to digest, or slower to release, closer to the moment of shooting, less censorious, and less fearful of finitude. Another life, another world of viewing and listening experiences is always possible.
CAMP is involved in a 2-year "print-from-web" project, linked to its own investigations of the infrastructures of commerce and pleasure in this part of London. As part of the first "block study", we looked at several buildings and their ownership and use histories, and produced a series of tablemats.
The web-based part of the project resides at http://edgwareroad.org. ( now at Print.with.camp ) This website collects materials from various such "studies", conducted by us and others, which then are collaboratively edited and published in a number of physical forms: volumes, pamphlets and placemats. This is an ongoing project, as part of the Serpentine Gallery's Public Program.
Ashok and Azeer spent some time thinking about and building the CAMP terrace roof structure, built in late 2009. Some of the designs that were sketched out are further below: a big requirement was some retractability, i.e. the ability to have a shading roof in the day but to have it open/ partially open at night, for things like screenings under the stars.
At first, a project on the creek in Sharjah in 2009, from where a large number of ships leave for Somali ports.